At the height of the Middle Ages, a peculiar system of perpetual exile—or abjuration—flourished in western Europe. It was a judicial form of exile, not political or religious, and it was meted out to felons for crimes deserving of severe corporal punishment or death. From England to France explores the lives of these men and women who were condemned to abjure the English realm, and draws on their unique experiences to shed light on a medieval legal tradition until now very poorly understood. William Chester Jordan weaves a breathtaking historical tapestry, examining the judicial and administrative processes that led to the abjuration of more than seventy-five thousand English subjects, and recounting the astonishing journeys of the exiles themselves. Some were innocents caught up in tragic circumstances, but many were hardened criminals. Almost every English exile departed from the port of Dover, many bound for the same French village, a place called Wissant. Jordan vividly describes what happened when the felons got there, and tells the stories of the few who managed to return to England, either illegally or through pardons. From England to France provides new insights into a fundamental pillar of medieval English law and shows how it collapsed amid the bloodshed of the Hundred Years' War.

Exile in the Middle Ages took many different forms. As a literary theme it has received much scholarly attention in the Latin, Greek and vernacular traditions. The historical and legal phenomenon of exile is relatively unexplored territory. In the secular world, it usually meant banishment of a person by a higher authority for political reasons, resulting in the exile leaving home for a shorter or longer period. Sometimes an exile did not wait to be expelled but left of his or her own accord. Leaving home to go on pilgrimage, or, in the case of women to marry could be experienced as a form of exile. In the ecclesiastical sphere, two forms of exile stand out. Monasticism was often seen as a form of spiritual (permanent) exile from the secular world. Excommunication was a punishment exercised by the Church authorities in order to eject persons (often only temporarily) from the community of Christians. Banishment as a form of social punishment is therefore the central theme of this volume on Exile in the Middle Ages. The book covers the period of the central Middle Ages from ca. 900 to ca. 1300 in Western Europe, though some chapters have a wider remit. The genesis of the volume was a series of presentations delivered at the Leeds International Medieval Congress in 2002, which was devoted to the theme of Exile.

Entry point into Welsh migration by experts: many of the contributors have longer studies that students can then read; Multi-disciplinary: shows how historical and literary sources can be read together, includes new archaeological data Showcases new work by a new generation of Welsh historians.

Sanctuary law has not received very much scholarly attention. According to the prevailing explanation among earlier generations of legal historians, sanctuary was an impediment to effective criminal law and social control but was made necessary by rampant violence and weak political order in the medieval world. Contrary to the conclusions of the relatively scant literature on the topic, Sanctuary and Crime in the Middle Ages, 400-1500 argues that the practice of sanctuary was not simply an instrumental device intended as a response to weak and splintered medieval political authority. Nor can sanctuary laws be explained as simple ameliorative responses to harsh medieval punishments and the specter of uncontrolled blood-feuds. --

With the Spanish conquest of Islamic Granada and the expulsion of the Jews from Spain, the year 1492 marks the exile from Europe of crucial strands of medieval culture. It also becomes a symbolic marker for the expulsion of a diversity in language and grammar that was disturbing to the Renaissance sensibility of purity and stability. In rewriting Columbus's narrative of his voyage of that year, Renaissance historians rewrote history, as was often their practice, to purge it of an offending vulgarity. The cultural fragments left behind following this exile form the core of Shards of Love, as María Rosa Menocal confronts the difficulty of writing their history. It is in exile that Menocal locates the founding conditions for philology--as a discipline that loves origins--and for the genre of love songs that philology reveres. She crosses the boundaries, both temporal and geographical, of 1492 to recover the "original" medieval culture, with its Mediterranean mix of European, Arabic, and Hebrew poetics. The result is a form of literary history more lyrical than narrative and, Menocal persuasively demonstrates, more appropriate to the Middle Ages than to the revisionary legacy of the Renaissance. In discussions ranging from Eric Clapton's adaption of Nizami's Layla and Majnun, to the uncanny ties between Jim Morrison and Petrarch, Shards of Love deepens our sense of how the Middle Ages is tied to our own age as it expands the history and meaning of what we call Romance philology.

This collection of research, which brings together contributions from scholars around the world, reflects the range and variety of work that is currently being undertaken in the field of travel and mobility in the European Middle Ages. The essays draw on diverse methodological approaches, from the archival and literary to the art historical and archaeological. The collection focuses not just on key medieval modes of travel and mobility, but also on themes whose relevance continues to resonate in the modern world. Topics touched upon include religious and diplomatic journeys, migration, mobility and governance, gendered mobilities, material culture and mobility, mobility and disability, travel and status, and notions of home and abroad. Broad themes are approached through case studies of individuals, families, and groups, ranging from kings, queens, and nobles to friars, exiles, and students. The geographical reach of the collection is particularly broad, encompassing travellers from Southern, Western, Northern, Central and Eastern Europe and journeys to destinations as diverse as Scandinavia, the Black Sea, the Mediterranean, and the Indian Ocean. A wide-ranging and detailed introduction situates the collection in its scholarly context.

"The beauty and levity that Perry and Gabriele have captured in this book are what I think will help it to become a standard text for general audiences for years to come….The Bright Ages is a rare thing—a nuanced historical work that almost anyone can enjoy reading.”—Slate "Incandescent and ultimately intoxicating." —The Boston Globe A lively and magisterial popular history that refutes common misperceptions of the European Middle Ages, showing the beauty and communion that flourished alongside the dark brutality—a brilliant reflection of humanity itself. The word “medieval” conjures images of the “Dark Ages”—centuries of ignorance, superstition, stasis, savagery, and poor hygiene. But the myth of darkness obscures the truth; this was a remarkable period in human history. The Bright Ages recasts the European Middle Ages for what it was, capturing this 1,000-year era in all its complexity and fundamental humanity, bringing to light both its beauty and its horrors. The Bright Ages takes us through ten centuries and crisscrosses Europe and the Mediterranean, Asia and Africa, revisiting familiar people and events with new light cast upon them. We look with fresh eyes on the Fall of Rome, Charlemagne, the Vikings, the Crusades, and the Black Death, but also to the multi-religious experience of Iberia, the rise of Byzantium, and the genius of Hildegard and the power of queens. We begin under a blanket of golden stars constructed by an empress with Germanic, Roman, Spanish, Byzantine, and Christian bloodlines and end nearly 1,000 years later with the poet Dante—inspired by that same twinkling celestial canopy—writing an epic saga of heaven and hell that endures as a masterpiece of literature today. The Bright Ages reminds us just how permeable our manmade borders have always been and of what possible worlds the past has always made available to us. The Middle Ages may have been a world “lit only by fire” but it was one whose torches illuminated the magnificent rose windows of cathedrals, even as they stoked the pyres of accused heretics. The Bright Ages contains an 8-page color insert.