This volume explores the evolution of the technique, composition and colouration of the woodcut beginning with the earliest publications. It features examples from Germany, Italy, France, Spain and The Netherlands.

Defining an artistic era or movement is often a difficult task, as one tries to group individualistic expressions and artwork under one broad brush. Such is the case with impressionism, which culls together the art of a multitude of painters in the mid-19th century, including Monet, Cézanne, Renoir, Degas, and van Gogh. Basically, impressionism involved the shedding of traditional painting methods. The subjects of art were taken from everyday life, as opposed to the pages of mythology and history. In addition, each artist painted to express feelings of the moment instead of hewing to time-honoured standards. This description of impressionism, obviously, is quite broad and can apply to a wide array of styles. Nonetheless, it remains a very important school in the annals of art. Any current or budding art aficionado should become familiar with the impressionist movement and its impact on the art world. This book presents a sweeping study of this artistic period, from its origins to its manifestations in the works of some of art history's most revered painters. Following this overview is a substantial and selective bibliography, featuring access through author, title, and subject indexes.

Selected Letters of Robert Penn Warren, Volume three, provides an indispensable glimpse of Warren the writer and the man, covering a crucial decade in his life. Edited by Randy Hendricks and James A. Perkins, and introduced by William Bedford Clark, this collection of largely previously unpublished letters and newly discovered material documents Warren's time at the University of Minnesota, his writing and publication of the Pulitzer Prize–winning novel All the King's Men, his appointment as Consultant in Poetry at the Library of Congress, and his divorce from Emma “Cinina” Brescia and subsequent marriage to the writer Eleanor Clark. The period 1943–1952 also saw the publication of “A Poem of Pure Imagination”; World Enough and Time; The Ballad of Billie Potts; At Heaven's Gate; and Selected Poems, 1923–1943. Warren's letters shed new light on those works and on his close relationship with his editors Lambert Davis and Albert Erskine. Included too is correspondence concerning Warren's collaboration with Robert Rossen on the movie production of All the King's Men, which received the Academy Award for best picture in 1949. The list of friends and colleagues with whom Warren communicated reads like a roll call of major twentieth-century literary figures and clearly shows his ever-widening influence on the world of letters. Spanning a remarkable range in both style and tone, the letters disclose Warren's attitudes toward his work as a teacher and his thoughts on the events of World War II, the Korean War, and the political conflicts in postwar Europe. Thoroughly annotated and scrupulously researched, Volume Three captures Warren in an extraordinary phase in his life and career, reaching his maturity and making many commitments at once yet pursuing them all with a seemingly boundless energy.