In the Edo period (1600–1868), status- and gender-based expectations largely defined a person’s place and identity in society. The wayfarers of the time, however, discovered that travel provided the opportunity to escape from the confines of the everyday. Cultured travelers of the seventeenth and eighteenth centuries wrote travel memoirs to celebrate their profession as belle-lettrists. For women in particular the open road and the blank page of the diary offered a precious opportunity to create personal hierarchies defined less by gender and more by culture and refinement. After the mid-eighteenth century—which saw the popularization of culture and the rise of commercial printing—textbooks, guides, comical fiction, and woodblock prints allowed not a few commoners to acquaint themselves with the historical, lyrical, or artistic pedigree of Japan’s famous sites. By identifying themselves with famous literary and historical icons of the past, some among these erudite commoners saw an opportunity to rewrite their lives and re-create their identities in the pages of their travel diaries. The chapters in Part One, “Re-creating Spaces,” introduce the notion that the spaces of travel were malleable, accommodating reconceptualization across interpretive frames. Laura Nenzi shows that, far from being static backgrounds, these travelscapes proliferated in a myriad of loci where one person’s center was another’s periphery. In Part Two, “Re-creating Identities,” we see how, in the course of the Edo period, educated persons used travel to, or through, revered lyrical sites to assert and enhance their roles and identities. Finally, in Part Three, “Purchasing Re-creation,” Nenzi looks at the intersection between recreational travel and the rising commercial economy, which allowed visitors to appropriate landscapes through new means: monetary transactions, acquisition of tangible icons, or other forms of physical interaction.

Positioned at a crossroads between feminist geographies and modernist studies, Excursions into Modernism considers transnational modernist fiction in tandem with more rarely explored travel narratives by women of the period who felt increasingly free to journey abroad and redefine themselves through travel. In an era when Western artists, writers, and musicians sought 'primitive' ideas for artistic renewal, Joyce E. Kelley locates a key similarity between fiction and travel writing in the way women authors use foreign experiences to inspire innovations with written expression and self-articulation. She focuses on the pairing of outward journeys with more inward, introspective ones made possible through reconceptualizing and mobilizing elements of women’s traditional corporeal and domestic geographies: the skin, the ill body, the womb, and the piano. In texts ranging from Jean Rhys’s Voyage in the Dark to Virginia Woolf’s The Voyage Out and from Evelyn Scott’s Escapade to Dorothy Richardson’s Pilgrimage, Kelley explores how interactions between geographic movement, identity formation, and imaginative excursions produce modernist experimentation. Drawing on fascinating supplementary and archival materials such as letters, diaries, newspaper articles, photographs, and unpublished drafts, Kelley’s book cuts across national and geographic borders to offer rich and often revisionary interpretations of both canonical and lesser-known works.

In the Edo period (1600–1868), status- and gender-based expectations largely defined a person’s place and identity in society. The wayfarers of the time, however, discovered that travel provided the opportunity to escape from the confines of the everyday. Cultured travelers of the seventeenth and eighteenth centuries wrote travel memoirs to celebrate their profession as belle-lettrists. For women in particular the open road and the blank page of the diary offered a precious opportunity to create personal hierarchies defined less by gender and more by culture and refinement. After the mid-eighteenth century—which saw the popularization of culture and the rise of commercial printing—textbooks, guides, comical fiction, and woodblock prints allowed not a few commoners to acquaint themselves with the historical, lyrical, or artistic pedigree of Japan’s famous sites. By identifying themselves with famous literary and historical icons of the past, some among these erudite commoners saw an opportunity to rewrite their lives and re-create their identities in the pages of their travel diaries. The chapters in Part One, “Re-creating Spaces,” introduce the notion that the spaces of travel were malleable, accommodating reconceptualization across interpretive frames. Laura Nenzi shows that, far from being static backgrounds, these travelscapes proliferated in a myriad of loci where one person’s center was another’s periphery. In Part Two, “Re-creating Identities,” we see how, in the course of the Edo period, educated persons used travel to, or through, revered lyrical sites to assert and enhance their roles and identities. Finally, in Part Three, “Purchasing Re-creation,” Nenzi looks at the intersection between recreational travel and the rising commercial economy, which allowed visitors to appropriate landscapes through new means: monetary transactions, acquisition of tangible icons, or other forms of physical interaction.

Based on over a decade of original archival research, this book shows how Urdu travel writing gave voice to a global imagination that reflected the ambition and aspiration of Indians and Pakistanis as they negotiated their place in the changing world of the nineteenth and twentieth centuries. In this interdisciplinary study, author Daniel Majchrowicz traces the social and literary history of the Urdu travelogue from 1840 to 1990 in six chronological chapters. Each chapter asks how travel writers used the genre to give meaning to the shifting social and political realities of their colonial and postcolonial worlds. The book particularly highlights the role of women writers in the production of a global imagination in Urdu with an emphasis on travel writing on Asia and Africa.

A reference on all aspects of the regional and international conflict, focusing on the period since the adoption of the Palestinian partition plan in November 1947; the first Arab-Israeli War up to the Israel- PLO Declaration of Principles; and the Israel-Jordon Peace Treaty. Entries of varying length, on political, military and diplomatic events as well as people, institutions, and concepts, contain bibliographies and cross references. Includes a chronology spanning centuries, and a list of abbreviations and acronyms. Annotation copyright by Book News, Inc., Portland, OR

Written for parents, clinicians, and educators, Parent Child Excursions is a practical book about helping children with ADHD, anxiety, and autism. In this unique approach, Dr. Dan presents ADHD as a problem with stopping, anxiety as a problem with going, and autism as difficulty balancing these competing tendencies. From the introduction: “This book is quite simply a story of red light and green light, braking and accelerating, holding back and forging ahead.” Based on this simple formulation, management of problems with self-control depends on finding the right balance between excitation and inhibition. These five Excursions present entirely new ways to think about caring for “different drummer” children. Readers will discover an unprecedented level of detail. Based on scientific research and years of clinical experience, Dr. Dan takes you for a deep dive into: (1) effective medication for ADHD, (2) exposure therapy for anxiety, (3) combined therapies for coexisting ADHD, anxiety, and autism, and (4) social engineering for autism. The book concludes with an in-depth discussion of (5) autism, sexuality, and gender variation, cowritten by Dr. Dan and his son Dr. Aaron Shapiro. As with his first book, Parent Child Journey: An Individualized Approach to Raising Your Challenging Child, Dr. Dan teams up again with illustrator John Watkins-Chow. Throughout the five Excursions, they weave a fun metaphorical tale. Readers are led along by an under-inhibited dog, an over-inhibited turtle, and a well-balanced bird of a different feather. By the end of this comprehensive and original guidebook, parents and professionals will have learned how to prepare the child for the trail and the trail for the child.

This work is an investigation into the persuasive techniques inherent in presentations of identity. strategies involved in the expression of personal identity. Drawing on Kenneth Burke's Dialectic of Constitutions, Anderson analyzes conversion narratives to illustrate how the authors of these autobiographical texts describe dramatic changes in their identities as a means of influencing the beliefs and action of their readers. capacity for self-understanding and self-definition. Communicating this self-interpretation is inherently rhetorical. Expanding on Burkean concepts of human symbol use, Anderson works to parse and critique such inevitable persuasive ends of identity constitution. Anderson examines the strategic presentation of identity in four narratives of religious, sexual, political, and mystical conversions: Catholic social activist Dorothy Day's The Long Loneliness, political commentator David Brock's Blinded by the Right, Deirdre McCloskey's memoir of transgender transformation, Crossing, and the well-known Native American text Black Elk Speaks. Mapping the strategies in each, Anderson points toward a broader understanding of how identity is made - and how it is made persuasive.