Exceptional Crime in Early Modern Spain accounts for the representation of violent and complex murders, analysing the role of the criminal, its portrayal through rhetorical devices, and its cultural and aesthetic impact. Proteic traits allow for an understanding of how crime is constructed within the parameters of exception, borrowing from pre-existent forms while devising new patterns and categories such as criminography, the “star killer”, the staging of crimes as suicides, serial murders, and the faking of madness. These accounts aim at bewildering and shocking demanding readers through a carefully displayed cult to excessive behaviour. The arranged “economy of death” displayed in murder accounts will set them apart from other exceptional instances, as proven by their long-standing presence in subsequent centuries.

This book studies the Early Modern Spanish broadsheet, the tabloid newspaper of its day which functioned to educate, entertain, and indoctrinate its readers, much like today’s "fake news." Parker Aronson incorporates a socio-historical approach in which she considers crime and deviance committed by women in Early Modern Spain and the correlation between crime and the growth of urban centers. She also considers female deviance more broadly to encompass sexual and religious deviance while investigating the relationship between these pliegos sueltos and the transgressive and disruptive nature of female criminality. In addition to an introduction to this fascinating subgenre of Early Modern Spanish literature, Parker Aronson analyzes the representations of women as bandits and highway robbers; as murderers; as prostitutes, libertines, and actors; as Christian renegades; as enlaved people; as witches; as miscegenationists; and as the recipients of punishment.

Eighteenth-century Spain drew on the Enlightenment to reconfigure its role in the European balance of power. As its force and its weight declined, Spanish thinkers discouraged war and zealotry and pursued peace and cooperation to reconfigure the international Spanish Empire.

Based on approx. 350 lawsuits from the Sala de Vizcaya at the Archivo de la Real Chancillería de Valladolid, between 1500 and 1750.

A new edition of a seminal work—one that explores crucial changes within Europe from the fifteenth to the eighteenth century The early modern period was one of profound change in Europe. It was witness to the development of science, religious reformation, and the birth of the nation state. As Europeans explored the world—looking to Asia and the Americas for new peoples and lands—their societies grew and adapted. Eminent historian Henry Kamen explores in depth the issues that most affected those living in early modern Europe—from leisure, work, and migration to religion, gender, and discipline—and the way in which population change impacted the aristocracy, the bourgeoisie, and the poor. The third edition of this pioneering study includes new and updated material on gender, religion, and population movement. Richly illustrated, this is essential reading for all those interested in early modern European society.

Engaging with pre-feminist and male-authored crime literature, Resisting Invisibility offers a comparative reading of women's bodies as represented in Spanish crime literature from the mid-nineteenth century to the present. Utilizing the twin concepts of visibility and invisibility, the book establishes a genealogy of differing viewpoints regarding women's positions in these narratives, before and after the birth of the modern Spanish female detective. This examination of the politics of female visibility expands our understanding of the aesthetic regimes that have governed the female body from the early phases of the genre's evolution. While most scholars understand the feminization of the crime genre as a response to second-wave feminism, Resisting Invisibility demonstrates that even in the earliest representations of delinquent women, the politics surrounding the female body are problematized and are more complex than previously conceptualized. Drawing on gender and queer studies, Resisting Invisibility investigates the gendering of crime fiction, forcing us to reconsider the literary history of female visibility and prompting us to establish an alternative genealogy for Spanish crime literature.

Looking at the experiences of women in early modern Portugal in the context of crime and forgiveness, this study demonstrates the extent to which judicial and quasi-judicial records can be used to examine the implications of crime in women’s lives, whether as victims or culprits. The foundational basis for this study is two sets of manuscript sources that highlight two distinct yet connected experiences of women as participants in the criminal process. One consists of a collection of archival documents from the first half of the seventeenth century, a corpus called 'querelas,' in which formal accusations of criminal acts were registered. This is a rich source of information not only about the types of crimes reported, but also the process that plaintiffs had to follow to deal with their cases. The second primary source consists of a sampling of documents known as the ’perdão de parte.’ The term refers to the victim’s pardon, unique to the Iberian Peninsula, which allowed individuals implicated in serious conflicts to have a voice in the judicial process. By looking at a sample of these pardons, found in notary collections from the sixteenth and seventeenth centuries, Abreu-Ferreira is able to show the extent to which women exercised their agency in a legal process that was otherwise male-dominated.