Contributions by leading archaeologists and historians pay tribute to Paul Bidwell, admired for his ground-breaking work both in the south-west and the military north of Roman Britain. This collection will be essential reading for anyone with an interest in either the civil or military aspects of Roman Britain, or the frontiers of the Roman empire.

This study focuses on the fabric, construction and preservation of stretches of Hadrian's Wall in its more remote locations, providing significant insights into the places between the mile castles and important forts and associated settlements. The Hadrian’s Wall Community Archaeology Project (WallCAP) conducted a series of fieldwork projects along the Hadrian’s Wall corridor between 2019 and 2021. The work focused on sites that were poorly understood or under particular threat and aimed to improve understanding of them so they could be better managed in future. At several sites excavation was followed by conservation and consolidation work. This volume brings together the final reports of these excavations, at six Roman sites in the Wall corridor. As the sites were spread along the length of the Wall the character and afterlife of the Wall in very different landscape locations could be compared. An assessment of the Vallum at Heddon on the Wall identified how earthwork archaeology survived in a sloped, heavily ploughed landscape. Three excavations investigated the condition of the stone Wall curtain: at Port Carlisle, Walltown Crags, and Steel Rigg and Cats Stairs. At each site the Wall builders had responded to the demands of the local terrain and made use of local resources. At each site the Wall had a different post-Roman history. Excavations at the bridging point of the Cam Beck revealed for the first time how the Wall was carried over a ‘minor’ watercourse, and discovered traces of the Turf Wall. Small buildings were also identified just south of the Wall as it approached the bridge. At Corbridge Roman town, excavations on the northern periphery of the settlement demonstrated that from early in its history the most northerly town in Europe was of considerable extent. The area investigated showed that, even at the edge of town, shops lined the roads alongside well-appointed houses with bustling yards. Later on in the Roman period the town contracted behind walls and cremation burials were inserted by the road. Each site is reported on independently, presenting the primary data for each investigation. The volume concludes with a synthetic analysis of what the results of these excavations together reveal about Hadrian’s Wall, considering, amongst other things, construction details and the decay and destruction of the monument in the centuries following Roman occupation.

In this book, Ellen Swift uses design theory, previously neglected in Roman archaeology, to investigate Roman artifacts in a new way, making a significant contribution to both Roman social history and our understanding of the relationships that exist between artefacts and people. Based on extensive data collection and the close study of artefacts from museum collections and archives, the book examines the relationship between artefacts, everyday behavior, and experience. The concept of "affordances"--features of an artefact that make possible, and incline users towards, particular uses for functional artifacts--is an important one for the approach taken. This concept is carefully evaluated by considering affordances in relation to other sources of evidence, such as use--wear, archaeological context, the end--products resulting from artifact use, and experimental reconstruction. Artifact types explored in the case studies include locks and keys, pens, shears, glass vessels, dice, boxes, and finger-rings, using material mainly drawn from the north-western Roman provinces, with some material also from Roman Egypt. The book then considers how we can use artefacts to understand particular aspects of Roman behavior and experience, including discrepant experiences according to factors such as age, social position, and left- or right-handedness, which are fostered through artifact design. The relationship between production and users of artifacts is also explored, investigating what particular production methods make possible in terms of user experience, and also examining production constraints that have unintended consequences for users. The book examines topics such as the perceived agency of objects, differences in social practice across the provinces, cultural change and development in daily practice, and the persistence of tradition and social convention. It shows that design intentions, everyday habits of use, and the constraints of production processes each contribute to the reproduction and transformation of material culture.

A reassessment and reconstruction of Roman Body armour.

Lindsay Allason-Jones has been at the forefront of small finds and Roman frontier research for 40 years in a career focussed on, but not exclusive to, the north of Britain, encompassing an enormous range of object types and subject areas. Divided into thematic sections the contributions presented here to celebrate her many achievements all represent at least one aspect of Lindsay’s research interests. These encompass social and industrial aspects of northern frontier forts; new insights into inscribed and sculptural stones specific to military communities; religious, cultural and economic connotations of Roman armour finds; the economic and ideological penetration of romanitas in the frontiers as reflected by individual objects and classes of finds; evidence of trans-frontier interactions and invisible people; the role of John Clayton in the exploration and preservation of Hadrian’s Wall and its material culture; the detailed consideration of individual objects of significant interest; and a discussion of the widespread occurrence of mice in Roman art.