This detailed study of the excavation and restoration of the city of Nauvoo, Illinois, reveals the roots of historical archaeology. In the late 1960s, the Church of Jesus Christ of Latter-day Saints sponsored an archaeology program to authentically restore the city of Nauvoo, which was founded along the Mississippi River in the 1840s by the Mormons as they moved west. Non-Mormon scholars were also interested in Nauvoo because it was representative of several western frontier towns in this era. As the archaeology and restoration of Nauvoo progressed, however, conflicts arose, particularly regarding control of the site and its interpretation for the public. The field of historical archaeology was just coming into its own during this period, with myriad perspectives and doctrines being developed and tested. The Nauvoo site was one of the places where the discipline was forged. This well-researched account weaves together multiple viewpoints in examining the many contentious issues surrounding the archaeology and restoration of the city of Nauvoo, Illinois, providing an illuminating picture of the early days of professional historical archaeology.

Winner of the Special Book Award from the John Whitmer Historical Association Excavating Mormon Pasts assembles sixteen knowledgeable scholars from both LDS and the Community of Christ traditions who have long participated skillfully in this dialogue. It presents their insightful and sometimes incisive surveys of where the New Mormon History has come from and which fields remain unexplored. It is both a vital reference work and a stimulating picture of the New Mormon History in the early twenty-first century.

In the mid-twentieth century, the Church of Jesus Christ of Latter-day Saints (LDS) returned to Nauvoo, Illinois, home to the thriving religious community led by Joseph Smith before his murder in 1844. The quiet farm town became a major Mormon heritage site visited annually by tens of thousands of people. Yet Nauvoo's dramatic restoration proved fraught with conflicts. Scott C. Esplin's social history looks at how Nauvoo's different groups have sparred over heritage and historical memory. The Latter-day Saint project brought it into conflict with the Community of Christ, the Midwestern branch of Mormonism that had kept a foothold in the town and a claim on its Smith-related sites. Non-Mormon locals, meanwhile, sought to maintain the historic place of ancestors who had settled in Nauvoo after the Latter-day Saints' departure. Examining the recent and present-day struggles to define the town, Esplin probes the values of the local groups while placing Nauvoo at the center of Mormonism's attempt to carve a role for itself within the greater narrative of American history.

Why do thousands of Mormons devote their summer vacations to following the Mormon Trail? Why does the Church of Jesus Christ of Latter-day Day Saints spend millions of dollars to build monuments and Visitor Centers that believers can visit to experience the history of their nineteenth-century predecessors who fled westward in search of their promised land? Why do so many Mormon teenagers dress up in Little-House-on-the-Prairie-style garb and push handcarts over the highest local hills they can find? And what exactly is a "traveling Zion"? In Pioneers in the Attic, Sara Patterson analyzes how and why Mormons are engaging their nineteenth-century past in the modern era, arguing that as the LDS community globalized in the late twentieth and early twenty-first centuries, its relationship to space was transformed. Following their exodus to Utah, nineteenth-century Mormons believed that they must gather together in Salt Lake Zion - their new center place. They believed that Zion was a place you could point to on a map, a place you should dwell in to live a righteous life. Later Mormons had to reinterpret these central theological principles as their community spread around the globe, but to say that they simply spiritualized concepts that had once been understood literally is only one piece of the puzzle. Contemporary Mormons still want to touch and to feel these principles, so they mark and claim the landscapes of the American West with versions of their history carved in stone. They develop rituals that allow them not only to learn the history of the nineteenth-century journey west, but to engage it with all of their senses. Pioneers in the Attic reveals how modern-day Mormons have created a sense of community and felt religion through the memorialization of early Mormon pioneers of the American West, immortalizing a narrative of shared identity through an emphasis on place and collective memory.

2019 Finalist for the Charles Rufus Morey Book Award from the CAA In Race Experts Linda Kim examines the complicated and ambivalent role played by sculptor Malvina Hoffman in T?he Races of Mankind series created for the Chicago Field Museum in 1930. Although Hoffman had training in fine arts and was a protégé of Auguste Rodin and Ivan Meštrovi?, she had no background in anthropology or museum exhibits. She was nonetheless commissioned by the Field Museum to make a series of life-size sculptures for the museum’s new racial exhibition, which became the largest exhibit on race ever installed in a museum and one of the largest sculptural commissions ever undertaken by a single artist. Hoffman’s Races of Mankind exhibit was realized as a series of 104 bronzes of racial types from around the world, a unique visual mediation between anthropological expertise and everyday ideas about race in interwar America. Kim explores how the artist brought scientific understandings of race and the everyday racial attitudes of museum visitors together in powerful and productive friction. The exhibition compelled the artist to incorporate not only the expertise of racial science and her own artistic training but also the popular ideas about race that ordinary Americans brought to the museum. Kim situates the Races of Mankind exhibit at the juncture of these different forms of racial expertise and examines how the sculptures represented the messy resolutions between them. Race Experts is a compelling story of ideological contradiction and accommodation within the racial practices of American museums, artists, and audiences.

Appendix: "Observations on the Butchering Technique of Some Aboriginal Peoples, No. 10: Bison Bone from the Oldham Site," by Theodore E. White -- Notes -- References -- Index

This volume on the history of anthropology emphasizes schools of theory, institutional connections, social networks, and collaborative research with North American Indigenous communities. Regna Darnell, a fifty-year veteran of the field, brings unsurpassed historicist and presentist interpretations of the discipline’s legacy.