Charlotte Keating, a doctor and woman of independent means, is slowly pulled into a shadowy realm of violence and desperation after she investigates the suspicious death of a young woman she had recently declined to provide an illegal abortion. After Charlotte “Charley” Keating turns away a patient seeking an abortion she struggles with the ethical quandaries of such an act. As a feminist she would have liked to help the young girl in trouble but as a doctor with a practice and other patients counting on her she doesn’t feel like she can risk breaking the law for a complete stranger. When the poor girl turns up dead, Charley’s entire life is thrown into chaos. Perhaps Margaret Millar’s most controversial book—and certainly among her best—Do Evil in Return is a meticulously plotted and suspenseful meditation on abortion and the hypocrisy of the laws governing a woman’s body. Millar may be known as the Grande Dame of domestic suspense, but this brutal tale of a doctor hell-bent on uncovering the truth puts her in line with noir luminaries like David Goodis and Jim Thompson.

DI Mark Tartaglia investigates the murder of a bestselling novelist in the third novel in Elena Forbes’ bestselling mystery series. Bestselling novelist Joe Logan walks out into a hot summer’s evening in central London. The next day his body is found dumped in a disused Victorian crypt at the Brompton Cemetery. He has been tied up, shot, and castrated. The killing has the hallmarks of a professional hit. But what had Logan done to deserve such a brutal end? Detective Mark Tartaglia is convinced that Logan’s personal life holds the key, but unravelling the victim's recent past proves difficult. Then the body of a second man is found in an old boathouse on the Thames — killed in an identical fashion to Logan. A vicious and methodical killer is at work, but what does he want and how does he lure his victims to their death? If Tartaglia can find the link between the two dead men maybe he can find the killer before he strikes again.

While Flannery O'Connor is hailed as one of the most important writers of the twentieth-century American south, few appreciate O'Connor as a philosopher as well. In Return to Good and Evil, Henry T. Edmondson introduces us to a remarkable thinker who uses fiction to confront and provoke us with the most troubling moral questions of modern existence. 'Right now the whole world seems to be going through a dark night of the soul, ' O'Connor once said, in response to the nihilistic tendencies she saw in the world around her. Nihilism--Nietzche's idea that 'God is dead'--preoccupied O'Connor, and she used her fiction to draw a tableau of human civilization on the brink of a catastrophic moral, philosophical, and religious crisis. Again and again, O'Connor suggests that the only way back from this precipice is to recognize the human need for grace, redemption, and God. She argues brilliantly and persuasively through her novels and short stories that the Nietzschean challenge to the notions of good and evil is an ill-conceived effort that will result only in disaster. With rare access to O'Connor's correspondence, prose drafts, and other personal writings, Edmondson investigates O'Connor's deepest motivations through more than just her fiction and illuminates the philosophical and theological influences on her life and work. Edmondson argues that O'Connor's artistic brilliance and philosophical genius reveal the only possible response to the nihilistic despair of the modern world: a return to good and evil through humility and grace.

Yumi is a fun-loving schoolgirl with a deadly fate: she was born with a curse, and now something wicked her way comes.

A year has passed since that fateful night in Daemon Hall's house of horrors. Bestselling macabre author Ian Tremblin decides to hold another writer's contest but this time in the safety of his own home. Tremblin is excited to share with contestants a very old book he has recently acquired that once belonged to Rudolph Daemon, the millionaire builder of Daemon Hall who later went mad and killed his family. But the book, like the mansion, is powerfully evil and soon transports the group to the burned out shell of the haunted mansion. Flesh eaters, voodoo, a proficient sociopath, and the root of the house's malevolence are all part of the mix. Who will get out alive?

Whether expressed in theological or secular terms, evil poses a problem about the world's intelligibility. It confronts philosophy with fundamental questions: Can there be meaning in a world where innocents suffer? Can belief in divine power or human progress survive a cataloging of evil? Is evil profound or banal? Neiman argues that these questions impelled modern philosophy. Traditional philosophers from Leibniz to Hegel sought to defend the Creator of a world containing evil. Inevitably, their efforts--combined with those of more literary figures like Pope, Voltaire, and the Marquis de Sade--eroded belief in God's benevolence, power, and relevance, until Nietzsche claimed He had been murdered. They also yielded the distinction between natural and moral evil that we now take for granted. Neiman turns to consider philosophy's response to the Holocaust as a final moral evil, concluding that two basic stances run through modern thought. One, from Rousseau to Arendt, insists that morality demands we make evil intelligible. The other, from Voltaire to Adorno, insists that morality demands that we don't.

Hailed as one of the greatest psychological mysteries ever written and winner of the 1956 Mystery Writers of America Edgar Award for Best Novel, Beast in View remains as freshly sinister today as the day it was first published. Thirty-year-old Helen Clarvoe is scared and all alone. The heiress of a small fortune, she is resented by her mother and, to a lesser degree, her brother. The only person who seemingly cares for her is the family’s attorney, Paul Blackshear. A shut-in, Helen maintains her residence in an upscale hotel downtown. But passive-aggressive resentment isn’t the only thing hounding Helen Clarvoe. A string of bizarre and sometimes threatening prank phone calls has upended her spinster’s routine. Increasingly threatened, she turns to a reluctant Mr. Blackshear to get to the bottom of these strange calls. Blackshear is doubtful of their seriousness but he quickly realizes that he is in the midst of something far more sinister than he thought possible. As he unravels the mystery of the calls the identity behind them slowly emerges, predatory and treacherous.