She came to Moscow to escape, to forget how her life was falling apart.All sunshine and sweetness, she calls to the predator within me like no other woman has.I think of nothing else.But she is a good girl, not made for a soldier of the Bratva. I try to keep my distance, but the pull is too strong.Oh, my solnyshko. I fear I cannot let you go.Fate has gifted you to a monster.** Evgeni's Obsession is the first book in a new Bratva dark romance series that features sizzling chemistry, danger, suspense, and a cliffhanger that will leave you gasping for breath**

In "Leavers' Events," a teenage girl awaits exam results and has a sexual encounter with a teacher that she hopes will define her. In "Sunday's Child," a middle-aged actress evicts a homeless woman from her garden, which precipitates a crisis of conscience. In "The Bachelor's Table," a lawyer takes advantage of an accounting mistake and sets in motion a sequence of events that force him to evaluate his actions. In the title story, "Ether," a blocked writer plagiarizes his own life with devastating consequences. All the characters in Evgenia Citkowitz's first collection of short fiction are connected by the quest for identity. Some are poised at a crossroads, while others teeter on the edge of a moral precipice. The stories are startlingly original, haunting, and often funny. From a hamster cage in Los Angeles to the bowels of the great houses of London and Long Island, Citkowitz depicts her characters' frailties and humanity with a mordant humor and tenderness that never diminish their complexity.

“Elegantly unnerving.” —New York Times Book Review A year has passed since Catherine and Michael Hall lost their teenage daughter in a car accident, leaving them and their sixteen-year-old son, Rowan, reeling in the aftermath of the tragedy. Catherine withdraws to Hamdean, the family’s apartment in a Georgian country manor, where the mysteries of the past begin to collide with the truth of the present.

About the Book During the height of Black Lives Matter, a secret society of women take over the government and transform the country. The Rise of a Country follows these women in an alternate and dystopian universe where their extreme actions raise philosophical questions about right and wrong and if the ends justify the means. About the Author Destene Savariau is involved in their college’s Black Student Union, the student newspaper Southern News, and the Caribbean Student Association. She enjoys dancing, cooking, and writing. She started writing at a young age, around ten. Starting with fanfiction, she then discovered Wattpad and started posting stories there. After a while, she outgrew it and took a break from writing until COVID hit and the murder of George Floyd right after. These events lit a fire in her, and The Rise of a Country was born of that fire. All of her planned prequels, sequels, and spin-offs will turn that fire into a star that will illuminate the world.

The bestselling author of The Mountain and No Shortcuts to the Top chronicles his three attempts to climb the world’s tenth-highest and statistically deadliest peak while exploring the dramatic and tragic history of others who have made—or attempted—the ascent. “Viesturs and Roberts have written an exhaustively researched and wonderfully compelling history of the most fascinating and dangerous of the Himalayan giants.”—David Breashers, veteran mountaineer and documentary filmmaker, director of IMAX film Everest As a high school student, Ed Viesturs read and was captivated by the French climber Maurice Herzog’s famous and grisly account of the first ascent of Annapurna in 1950. When he began his own campaign to climb the world’s fourteen highest peaks in the late 1980s, Viesturs looked forward with trepidation to undertaking Annapurna himself. Two failures to summit in 2000 and 2002 made Annapurna his nemesis. His successful 2005 ascent was the triumphant capstone of his climbing quest. In The Will to Climb Viesturs and co-author David Roberts bring the extraordinary challenges of Annapurna to vivid life through edge-of-your-seat accounts of the greatest climbs in the mountain’s history, and of his own failed attempts and eventual success. In the process Viesturs ponders what Annapurna reveals about some of our most fundamental moral and spiritual questions—questions, he believes, that we need to answer to lead our lives well.

An insider's account—the first of its kind—of the thoroughly unconventional life of one of the twentieth century's most shockingly original painters Lucian Freud's paintings are instantly recognizable: often shocking and disturbing, his portraits convey a profound yet compelling sense of discomfort. Freud was twice married and the father of at least a dozen children, and his numerous relationships with women were the subject of much gossip—but the man himself remained a mystery. An intensely private individual (during his lifetime he prevented two planned biographies from being published), Freud's life, as well as his art, invites questions that have had no answer—until now. In Breakfast with Lucian, Geordie Greig, one of a few close friends who regularly had breakfast with the painter during the last years of his life, tells an insider's account—accessible, engaging, revealing—of one of the twentieth century's most fascinating, enigmatic, and controversial artists. Greig, who has studied his subject's work at length, unravels the tangled thread of a life lived on Freud's own uncompromising terms. Based on private conversations in which Freud held forth on everything from first love to gambling debts to the paintings of Velázquez, and informed by interviews with friends, lovers, and some of the artist's children who have never before spoken publicly about their relationships with the painter, this is a deeply personal memoir that is illuminated by a keen appreciation of Freud's art. Fresh, funny, and ultimately profound, Breakfast with Lucian is an essential portrait—one worthy of one of the greatest painters of our time. An NPR Best Book of 2013

Caroline Blackwood was born into the Guinness family in 1931, the daughter of the Fourth Marquess and Marchioness of Dufferin and Ava. Brought up on the ancestral estate in Northern Ireland, Blackwood moved easily among the Anglo-Irish aristocracy, the Soho bohemians of postwar England, and the liberal intelligentsia of 1960s New York. She was on intimate terms with some of the most celebrated artists and writers of her time. An unpredictable beauty known for her wit and her courage, she has been called a muse to genius. But her marriages to three brilliant men: the painter Lucian Freud, the composer Israel Citkowitz, and the poet Robert Lowell were as troubled as they were inspiring. During her marriage to Lucian Freud, Caroline became part of an artistic and literary group that included Francis Bacon and Cyril Connolly who was infatuated with her but eventually Freud's gambling caused irrevocable problems between them. Caroline was also in the grips of her own unfolding tragedy: a fatal attraction to alcohol that would plague the rest of her life. Upon the breakup of her first marriage, she moved to America , where she met her second and third husbands. Once regarded as the obvious successor to Aaron Copland, Israel Citkowitz had stopped composing long before he met Caroline. While he and Caroline had three children together, it was her subsequent seven year marriage to Robert Lowell that she considered her "main marriage." Her life with Lowell was probably the most difficult time of her life as she dealt with his increasingly frequent and worsening attacks of mania. And to Lowell she was not only an inspiration but_as he described in his Pulitzer-prize- winning book of verse The Dolphin, she was also "a mermaid who dines upon the bones of her winded lovers." In 1977, Robert Lowell fled London to return to his former wife Elizabeth Hardwick. He died from a heart attack in the backseat of a taxi, clutching Girl in Bed, Lucian Freud's haunting portrait of Caroline. Blackwood was an artist in her own right. Her literary talents were dark and satiric; her ten books of fiction and nonfiction betrayed an extraordinary eye for human physiognomy, attire, and behavior. Arguably her best book, Great Granny Webster described the comic terrors of her upbringing in Northern Ireland, and was shortlisted for the Booker Prize. She herself died of cancer on Valentine's Day 1996, at the age of sixty-four. Dangerous Muse is the first biography of Lady Caroline Blackwood. Drawing upon numerous interviews and unpublished letters from Blackwood's mother, Maureen Dufferin, and friends and family, including Andrew Harvey, Jonathan Raban, John Richardson, and Caroline's sister Perdita Blackwood, Nancy Schoenberger eloquently captures one of the most original and provocative figures in contemporary letters of the twentieth century.