"James Galvin has a voice and a world, perhaps the two most difficult things to achieve in poetry."—The Nation "Bleak and unsentimental but blessedly free of self-indulgence, these poems give the feeling of being absolutely essential."—Library Journal "Galvin [has] the virtues of precise observation and original language . . . a rigor of mind and firmness of phrasing which make [each] poem an architectural pleasure."—Harvard Review In his first collection in seven years, James Galvin expands upon his signature spare and gnomic lyric as he engages restrained astonishment, desire, and loss in a confessional voice. Whether considering masterpieces of painting or describing the austere landscape of his native Wyoming ranchlands, Galvin turns to highly imagistic yet intimate narratives to rain down compassion within isolation. From "On the Sadness of Wedding Dresses": On starless, windless nights like this I imagine I can hear the wedding dresses Weeping in their closets, Luminescent with hopeless longing, Like hollow angels. They know they will never be worn again. Who wants them now, After their one heroic day in the limelight? Yet they glow with desire In the darkness of closets. James Galvin passionately depicts the rural American West and the interactions between humans and nature in his best-selling memoir The Meadow and his novel Fencing the Sky. Galvin is also the author of several volumes of poetry and teaches at the Iowa Writers' Workshop. He divides his time between Iowa and Wyoming.

An American Library Association Notable Book In discrete disclosures joined with the intricacy of a spider's web, James Galvin depicts the hundred-year history of a meadow in the arid mountains of the Colorado/Wyoming border. Galvin describes the seasons, the weather, the wildlife, and the few people who do not possess but are themselves possessed by this terrain. In so doing he reveals an experience that is part of our heritage and mythology. For Lyle, Ray, Clara, and App, the struggle to survive on an independent family ranch is a series of blameless failures and unacclaimed successes that illuminate the Western character. The Meadow evokes a sense of place that can be achieved only by someone who knows it intimately.

Walker brings a woman's wisdom to bear on love, life's unavoidable tragedies, blacks' struggle for equality and justice, and a world committing eco-suicide.

“Tamani masterfully bounces and slams two hearts up and down a shrouded court of first love and revelations.”—Rita Williams-Garcia, National Book Award Finalist and New York Times-bestselling author “A superb, complex romance full of heart, humor, and unforgettable characters.”—Kirkus (starred review) A glance was all it took. That kind of connection, the immediate and raw understanding of another person, just doesn't come along very often. And as rising stars on their Texas high schools' respective basketball teams, destined for bright futures in college and beyond, it seems like a match made in heaven. But Carli and Rex have secrets. As do their families. Liara Tamani, the author of the acclaimed Calling My Name, follows two teenagers as they discover how first love, heartbreak, betrayal, and family can shape you—for better or for worse. A novel full of pain, joy, healing, and hope for fans of Elizabeth Acevedo, Jacqueline Woodson, and Jenny Han. “A beautifully poignant love letter: to a first love, to basketball, and to that enigmatic bunch we think we know best, only to discover we don't know at all—family. Tamani's latest is a bright shining star.”—David Arnold, New York Times-bestselling author of Mosquitoland

"A biography focusing on the poet John Ashbery's early life"--

"X" is the kiss and betrayal, the embrace, the crucifixion, the mathematical unknown. In his sixth book of poems, James Galvin writes from a deep, philosophical engagement with the landscape and faces a "vertigo of solitude" with his marriage dissolved, his only daughter grown and gone, and the log house he built by hand abandoned. "What did I love that made me believe it would last?" he asks. Something has to be true enough to be Taken for granted. In the hospital I saw An old man Caressing the face of an old woman. This same man, young, caressed her face In just that way. That's the stillness At the center of change-- A sadness worth dying for, I swear-- There is no other. --from "Dying into What I've Done" "James Galvin has a voice and a world, perhaps the two most difficult things to achieve in poetry."--The Nation "In James Galvin we have a superior poet."--American Book Review "Galvin's poems have the virtues of precise observation and original language, yes, but what he also brings to the table is a rigor of mind and firmness of phrasing which make the slightest of his poems an architectural pleasure."--Harvard Review James Galvin has published five collections of poetry, most recently Resurrection Update: Collected Poems 1975-1997, which was a finalist for the Los Angeles Times Book Award and the Lenore Marshall/The Nation Prize. He is also the author of the critically acclaimed prose book, The Meadow and a novel, Fencing the Sky. He lives in Laramie, Wyoming, where he works as a rancher part of each year, and in Iowa City, where he is a member of the permanent faculty of the University of Iowa Writers' Workshop.

"Even as a reporter, Sheila Hamilton missed the signs as her husband David's mental illness unfolded before her. By the time she had pieced together the puzzle, it was too late. Her once brilliant, intense, and passionate partner was dead within six weeks of a diagnosis of bipolar disorder, leaving his nine-year-old daughter and wife without so much as a note to explain his actions, a plan to help them recover from their profound grief, or a solution for the hundreds of thousands of dollars in debt that they would inherit from him. All the Things We Ner Knew details the unsettling descent from ordinary life into the world of mental illness, and examines the fragile line between reality and madness." --