From a cuneiform tablet to a Chicago prison, from the depths of the cosmos to the text on our T-shirts, Lawrence Weschler finds strange connections wherever he looks. The farther one travels (through geography, through art, through science, through time), the more everything seems to converge -- at least, it does if you're looking through Weschler's giddy, brilliant eyes. Weschler combines his keen insights into art, his years of experience as a chronicler of the fall of Communism, and his triumphs and failures as the father of a teenage girl into a series of essays sure to illuminate, educate, and astound.

"Everything That Rises Must Converge" (1965) is nine posthumous stories. The introduction is by Robert Fitzgerald.

The poems in Joseph Stroud's sixth book, Everything That Rises, explore living in a mortal world, the passage of time, aging, the experience of loss, the power of memory, and the redemptive possibilities of poetry. The book is sequenced into six sections, each distinctive in theme and style. It includes a variety of forms, from six-line lyrics, prose poems, slender vertical poems, odes, homages, reveries, and longer narrative, ruminative works. One section presents translations from Virgil, Catullus, Tu Fu, Pablo Neruda, and poems from the ancient Sanskrit and Tamil. Wide-ranging in subject, setting, and literary and cultural allusion, Stroud's poems move quietly, reverently across the earth and through time with a keen observation and wonder at the world's luminous presence.

For over thirty years, besides making music, David Byrne has focused his unique genius upon forms as diverse as the archaeology of music as we know it, architectural photography and the uses of PowerPoint. Now he presents his most personal work to date, a collection of drawings exploring the form of the tree diagram. Arboretum is an eclectic blend of science, automatic writing, self-analysis and satire. A journey through irrational logic - the application of scientific rigour and form to irrational premises, proceeding from careful nonsense to unexpected sense. The tree diagram is a form that might reveal more about yourself than you dreamed possible.

“I intend to stand firm and let the peacocks multiply, for I am sure that, in the end, the last word will be theirs.” —Flannery O’Connor When she was young, the writer Flannery O’Connor was captivated by the chickens in her yard. She’d watch their wings flap, their beaks peck, and their eyes glint. At age six, her life was forever changed when she and a chicken she had been training to walk forwards and backwards were featured in the Pathé News, and she realized that people want to see what is odd and strange in life. But while she loved birds of all varieties and kept several species around the house, it was the peacocks that came to dominate her life. Written by Amy Alznauer with devotional attention to all things odd and illustrated in radiant paint by Ping Zhu, The Strange Birds of Flannery O’Connor explores the beginnings of one author’s lifelong obsession. Amy Alznauer lives in Chicago with her husband, two children, a dog, a parakeet, sometimes chicks, and a part-time fish, but, as of today, no elephants or peacocks. Ping Zhu is a freelance illustrator who has worked with clients big and small, won some awards based on the work she did for aforementioned clients, attracted new clients with shiny awards, and is hoping to maintain her livelihood in Brooklyn by repeating that cycle.

One of Ms. magazine's "Most Anticipated Feminist Books of 2023" Authentic and inspiring, Everything That Rises personalizes the realities of climate change by paralleling our relationship to the planet with the way we interact within our own homes. Nineteen-year-old Brianna Craft is having a panic attack. A professor's matter-of-fact explanation of the phenomenon known as "climate change" has her white-knuckling the table in her first environmental studies lecture. Out of her father's house, she was supposed to be safe. This moment changed everything for Brianna. For her first internship, she jumped at the chance to assist the Least Developed Countries Group at the United Nations' negotiations meant to produce a new climate treaty. While working for those most ignored yet most impacted by the climate crisis, she grappled with the negligent indifference of those who hold the most power. This dynamic painfully reminded her of growing up in a house where the loudest voice always won and violence silenced those in need. Four years later, Brianna witnessed the adoption of the first universal climate treaty, the Paris Agreement. In this memoir that blends the political with the personal, Brianna dives into what it means to advocate for the future, and for the people and places you love, all while ensuring your own voice doesn't get lost in the process. It will take all of us to protect our home.

Finalist for Pulitzer Prize for General Nonfiction Finalist for National Book Critics Circle Award for Nonfiction Pronged ants, horned humans, a landscape carved on a fruit pit--some of the displays in David Wilson's Museum of Jurassic Technology are hoaxes. But which ones? As he guides readers through an intellectual hall of mirrors, Lawrence Weschler revisits the 16th-century "wonder cabinets" that were the first museums and compels readers to examine the imaginative origins of both art and science.