Everyday Words and the Character of Prose in Nineteenth-Century Britain
Title | Everyday Words and the Character of Prose in Nineteenth-Century Britain PDF eBook |
Author | Jonathan Farina |
Publisher | Cambridge University Press |
Pages | 317 |
Release | 2017-09-14 |
Genre | Literary Criticism |
ISBN | 1316857956 |
Everyday Words and the Character of Prose in Nineteenth-Century Britain is an original and innovative study of the stylistic tics of canonical novelists including Austen, Dickens, Trollope, Thackeray and Eliot. Jonathan Farina shows how ordinary locutions such as 'a decided turn', 'as if' and 'that sort of thing' condense nineteenth-century manners, tacit aesthetics and assumptions about what counts as knowledge. Writers recognized these recurrent 'everyday words' as signatures of 'character'. Attending to them reveals how many of the fundamental forms of characterizing fictional characters also turn out to be forms of characterizing objects, natural phenomena and inanimate, abstract things, such as physical laws, the economy and legal practice. Ultimately, this book revises what 'character' meant to nineteenth-century Britons by respecting the overlapping, transdisciplinary connotations of the category.
Everyday Words and the Character of Prose in Nineteenth-Century Britain
Title | Everyday Words and the Character of Prose in Nineteenth-Century Britain PDF eBook |
Author | Jonathan Farina |
Publisher | Cambridge University Press |
Pages | 317 |
Release | 2017-09-14 |
Genre | Literary Criticism |
ISBN | 1107181631 |
This book explores the ordinary turns of phrase by which major nineteenth-century British writers created character.
Fashionable Fictions and the Currency of the Nineteenth-Century British Novel
Title | Fashionable Fictions and the Currency of the Nineteenth-Century British Novel PDF eBook |
Author | Lauren Gillingham |
Publisher | Cambridge University Press |
Pages | 327 |
Release | 2023-05-31 |
Genre | Design |
ISBN | 1009296566 |
Lauren Gillingham reveals how a modern notion of fashion helped to transform the novel in nineteenth-century Britain.
Convalescence in the Nineteenth-Century Novel
Title | Convalescence in the Nineteenth-Century Novel PDF eBook |
Author | Hosanna Krienke |
Publisher | Cambridge University Press |
Pages | 245 |
Release | 2021-05-13 |
Genre | Literary Criticism |
ISBN | 1108844847 |
This interdisciplinary study examines how holistic aftercare became a crucial supplement to scientific medicine in nineteenth-century Britain.
Biopolitics and Animal Species in Nineteenth Century Literature and Science
Title | Biopolitics and Animal Species in Nineteenth Century Literature and Science PDF eBook |
Author | Matthew Rowlinson |
Publisher | Cambridge University Press |
Pages | 265 |
Release | 2024-02 |
Genre | Literary Criticism |
ISBN | 1009409956 |
Centring on Darwin and on literature throughout the nineteenth century, this book documents a general crisis in the species concept.
Decadent Ecology in British Literature and Art, 1860–1910
Title | Decadent Ecology in British Literature and Art, 1860–1910 PDF eBook |
Author | Dennis Denisoff |
Publisher | Cambridge University Press |
Pages | 279 |
Release | 2021-12-16 |
Genre | Art |
ISBN | 1108845975 |
Decadent Ecology illuminates the networks of nature, paganism, and desire in 19th- and early 20th-century decadent literature and art. Combining the environmental humanities with aesthetic, queer and literary theory, this study reveals the interplay of art, eco-paganism and science during the formation of modern ecological and evolutionary thought.
Spectral Characters
Title | Spectral Characters PDF eBook |
Author | Sarah Balkin |
Publisher | University of Michigan Press |
Pages | 199 |
Release | 2019-07-31 |
Genre | Performing Arts |
ISBN | 0472131486 |
Theater’s materiality and reliance on human actors has traditionally put it at odds with modernist principles of aesthetic autonomy and depersonalization. Spectral Characters argues that modern dramatists in fact emphasized the extent to which humans are fictional, made and changed by costumes, settings, props, and spoken dialogue. Examining work by Ibsen, Wilde, Strindberg, Genet, Kopit, and Beckett, the book takes up the apparent deadness of characters whose selves are made of other people, whose thoughts become exteriorized communication technologies, and whose bodies merge with walls and furniture. The ghostly, vampiric, and telepathic qualities of these characters, Sarah Balkin argues, mark a new relationship between the material and the imaginary in modern theater. By considering characters whose bodies respond to language, whose attempts to realize their individuality collapse into inanimacy, and who sometimes don’t appear at all, the book posits a new genealogy of modernist drama that emphasizes its continuities with nineteenth-century melodrama and realism.