In e-mails to her daughter, Grace explores her feelings of fear and love, the preciousness and tensions in her relationships—particularly with her husband—and her place within the cultural traditions of Appalachia. She writes of everyday happenings as well as happenings in past lives of herself and her family. Resolution comes in a way that she does not anticipate. From Kirkus Reviews In this debut novel, a middle-aged woman explores past lives and present tensions in emails to her daughter. “I was Sha Li, a priestess of the highest order, a worshipper of Kuan Yin, goddess of compassion and mercy.” So begins the first of many notes, via email, that Grace Heronheart drafted (and mostly sent) to Alyce, her college-aged, eldest daughter, just after Grace quit her 20-year job as a school psychologist in rural West Virginia. After noting that “our families probably think that I lost my marbles,” Grace tells Alyce that she’s actually “finding my rainbow colored, multifaceted marbles” by pursing her dream of being a writer. She provides her daughter with everyday-life updates, particularly regarding Alyce’s disapproving father; she also shares the story of her past incarnation as the aforementioned Sha Li, a secondary wife of a Chinese warrior. She tells tales of other past lives, such as Zete, a “dark-skinned” tribal “prophetess,” and Mourning Dove, a Native American who fell in love with a trapper. Along the way, Grace details the roles that Alyce and the rest of her present-day family played in these past existences. By novel’s end, she tells her daughter that she’s come to the conclusion that “I only write my own script. I cannot write anyone else’s,” and embarks on “a new adventure, and a new beginning.” First-time author Furst has written an engaging tale of midlife awakening that reads like a memoir, even as it skillfully deploys past-life metaphors. Grace’s missives combine the relatable tone of a typical email from a mom (such as when she applauds Alyce’s choice in boyfriend) with striking tableaux of imagined lives. Sha Li’s tale is particularly poignant and reminiscent of the works of Amy Tan and Jung Chang. It’s rather ambitious to cover three past lives and a conflict-ridden present, however, and the “P.S.” about Grace’s modern-day decision comes as a rather abrupt bombshell. Overall, though, Furst effectively sketches a character that lives out her assertion that “sanctuary can be found in all my rainbow stories.” A memorable depiction of an emerging writer exploring the many prisms of her voice.

In Reflections, the second book of the Cabin Lessons series, Grace returns to her childhood home to live with her parents and prepare for her divorce. While there, she reaches for her son, Justin, with calls and letters. Through writing, Grace expresses her sadness about being separated from Justin and her fears of starting life anew after years of marriage, and finds a way to trust in the light that promises peace.

The first book in the Cabin Lessons series, A River, continues the story of Grace after she leaves her house and husband. She comes to a cabin by a river where she stays for a while, before sojourning to other places. Each turn in the road is a lesson. In her narration, Grace often reminisces about her old life as a way of coming to terms with the new.

*** A NEW YORK TIMES "100 Notable Books of 2020" *** A stunning, complex narrative about the fractured legacy of a decades-old double murder in rural West Virginia—and the writer determined to put the pieces back together. In the early evening of June 25, 1980 in Pocahontas County, West Virginia, two middle-class outsiders named Vicki Durian, 26, and Nancy Santomero, 19, were murdered in an isolated clearing. They were hitchhiking to a festival known as the Rainbow Gathering but never arrived. For thirteen years, no one was prosecuted for the “Rainbow Murders” though deep suspicion was cast on a succession of local residents in the community, depicted as poor, dangerous, and backward. In 1993, a local farmer was convicted, only to be released when a known serial killer and diagnosed schizophrenic named Joseph Paul Franklin claimed responsibility. As time passed, the truth seemed to slip away, and the investigation itself inflicted its own traumas—-turning neighbor against neighbor and confirming the fears of violence outsiders have done to this region for centuries. In The Third Rainbow Girl, Emma Copley Eisenberg uses the Rainbow Murders case as a starting point for a thought-provoking tale of an Appalachian community bound by the false stories that have been told about. Weaving in experiences from her own years spent living in Pocahontas County, she follows the threads of this crime through the complex history of Appalachia, revealing how this mysterious murder has loomed over all those affected for generations, shaping their fears, fates, and desires. Beautifully written and brutally honest, The Third Rainbow Girl presents a searing and wide-ranging portrait of America—divided by gender and class, and haunted by its own violence.

Ntozake Shange’s classic, award-winning play encompassing the wide-ranging experiences of Black women, now with introductions by two-time National Book Award winner Jesmyn Ward and Broadway director Camille A. Brown. From its inception in California in 1974 to its Broadway revival in 2022, the Obie Award–winning for colored girls who have considered suicide/when the rainbow is enuf has excited, inspired, and transformed audiences all over the country for nearly fifty years. Passionate and fearless, Shange’s words reveal what it meant to be a woman of color in the 20th century. First published in 1975, when it was praised by The New Yorker for “encompassing…every feeling and experience a woman has ever had,” for colored girls who have considered suicide/when the rainbow is enuf will be read and performed for generations to come. Now with new introductions by Jesmyn Ward and Broadway director Camille A. Brown, and one poem not included in the original, here is the complete text of a groundbreaking dramatic prose poem that resonates with unusual beauty in its fierce message to the world.

"This vibrant book of wonders speaks true and dreams deep. Writng with blazing honesty she tells of her hard-won knowledge of many of the world's spiritual and healing traditions, while hold the Sacred Hoop of Natie Amreicanwisdom. This magnificent teacher becomes for us a new embodiment of White Buffalo Woman." Jean Houston Author of THE SEARCH FOR THE BELOVED BUFFALO WOMAN COMES SINGING explores fascinating uses of traditions like the Medicine Wheel; healing through ritual action; dreamtime; and the moon lodge -- the woman's place of retreat and visioning. These powerful personal tools integrate ancient wisdom with contemporary experience, as Buffalo Woman calls each spiritual warrior to her own true place in the dance of life.