This book explores how intellectuals of the later Soviet decades – the 1970s and 1980s – sought to bring about the socialist utopian world. It argues that the last two decades of the Soviet Union were not characterised by state withdrawal and malaise, as some scholars have argued; attempts to envisage and enact Utopia remained as imaginative and creative as ever. The book considers what these utopian ideas looked like through housing schemes, layouts of districts and cities, design of objects and interiors, and proposals for the organisation of family and social life. Relating developments in the Soviet Union to evolving social theory and postmodernism more broadly, the book draws transnational parallels between the intellectual history of east and west in the late twentieth century.

A “fascinating” (The Wall Street Journal), “spirited and inspiring” (Jacobin) tour through the ages in search of the thinkers and communities that have dared to reimagine how we might better live our daily lives. In the 6th century BCE, the Greek philosopher Pythagoras—a man remembered today more for his theorem about right-angled triangles than for his progressive politics—founded a commune in a seaside village in what’s now southern Italy. The men and women there shared their property, lived as equals, and dedicated themselves to the study of mathematics and the mysteries of the universe. Ever since, humans have been dreaming up better ways to organize how we live together, pool our resources, raise our children, and determine who’s part of our families. Some of these experiments burned brightly for only a brief while, but others carry on today: from the Danish cohousing communities that share chores and deepen neighborly bonds, to matriarchal Colombian ecovillages where residents grow their own food; and from Connecticut, where new laws make it easier for extra “alloparents” to help raise children not their own, to China where planned microdistricts ensure everything a busy household might need is nearby. One of those startlingly rare books that upends what you think is possible, Everyday Utopia provides a “powerful reminder that dreaming of better worlds is not just some fantastical project, but also a political one” (Rebecca Traister, New York Times bestselling author of Good and Mad). This “must-read” (Thomas Piketty, New York Times bestselling author of A Brief History of Equality) offers a radically hopeful vision for how to build more contented and connected societies, alongside a practical guide to what we all can do in the meantime to live the good life each and every day.

A rare glimpse into North Korean propaganda—in parades, posters, murals, theater, and films

Utopia's Discontents provides the first synthetic treatment of the Russian revolutionary emigration before the Revolution. It argues that neighborhoods created by Russian exiles became sites of revolutionary experimentation that offered their residents a taste of their anticipated utopian future.

This text offers a critical study of postmodernism in Russian literature. It takes some of the central issues of the critical debate to develop a conception of postmodern poetics as a dialogue with chaos and places Russian literature in the context of an enriched postmodernism.

Utopian hope and dystopian despair are characteristic features of modernism and the avant-garde. Readings of the avant-garde have frequently sought to identify utopian moments coded in its works and activities as optimistic signs of a possible future social life, or as the attempt to preserve hope against the closure of an emergent dystopian present. The fourth volume of the EAM series, European Avant-Garde and Modernism Studies, casts light on the history, theory and actuality of the utopian and dystopian strands which run through European modernism and the avant-garde from the late 19th to the 21st century. The book’s varied and carefully selected contributions, written by experts from around 20 countries, seek to answer such questions as: · how have modernism and the avant-garde responded to historical circumstance in mapping the form of possible futures for humanity? · how have avant-garde and modernist works presented ideals of living as alternatives to the present? · how have avant-gardists acted with or against the state to remodel human life or to resist the instrumental reduction of life by administration and industrialisation?

More than 700 'utopian' novels are published in Russia every year. These utopias – meaning here fantasy fiction, science fiction, space operas or alternative history – do not set out merely to titillate; instead they express very real Russian anxieties: be they territorial right-sizing, loss of imperial status or turning into a 'colony' of the West. Contributors to this innovative collection use these narratives to re-examine post-Soviet Russian political culture and identity. Interrogating the intersections of politics, ideologies and fantasies, chapters draw together the highbrow literary mainstream (authors such as Vladimir Sorokin), mass literature for entertainment and individuals who bridge the gap between fiction writers and intellectuals or ideologists (Aleksandr Prokhanov, for example, the editor-in-chief of Russia's far-right newspaper Zavtra). In the process The Post-Soviet Politics of Utopia sheds crucial light onto a variety of debates – including the rise of nationalism, right-wing populism, imperial revanchism, the complicated presence of religion in the public sphere, the function of language – and is important reading for anyone interested in the heightened importance of ideas, myths, alternative histories and conspiracy theories in Russia today.