Considers the important aspects of life during the Han period, when the foundations were laid for the chief political, economic, cultural and social structures that would characterise imperial China.

Early China is best known for the dazzling material artifacts it has left behind. These terracotta figures, gilt-bronze lamps, and other material remnants of the Chinese past unearthed by archaeological excavations are often viewed without regard to the social context of their creation, yet they were made by individuals who contributed greatly to the foundations of early Chinese culture. With Artisans in Early Imperial China, Anthony Barbieri-Low combines historical, epigraphic, and archaeological analysis to refocus our gaze from the glittering objects and monuments of China onto the men and women who made them. Taking readers inside the private workshops, crowded marketplaces, and great palaces, temples, and tombs of early China, Barbieri-Low explores the lives and working conditions of artisans, meticulously documenting their role in early Chinese society and the economy. First published in 2007, winner of top prizes from the Association for Asian Studies, American Historical Association, College Art Association, and the International Convention of Asia Scholars, and now back in print, Artisans in Early Imperial China will appeal to anyone interested in Chinese history, as well as to scholars of comparative social history, labor history, and Asian art history.

Shows how recent archaeological discoveries have enriched our perception of the cultural history of China in the Classical era.

Huai-nan Tzu (139BC) was viewed, for its great diversity of subject-matter, ideas and style, by traditional Chinese scholars as a composite work of the Eclectic School. It is the author's contention, however, that one overriding concern pervades the work: the attempt to define the essential conditions for a Taoist political utopianism. The present study emphasizes Chapter Six of Huai-nan Tzu in expounding the theory of kan-ying STIMULUS-RESPONSE; RESONANCE, which postulates that all things in the universe are interrelated and influence each other according to pre-set patterns. Only in the True Man, who is 'one with Tao' and 'attuned to the cosmos', does kan-ying attain its ultimate realization, 'the Great Peace' and 'the Great Merging'. 'After all,' concludes the author, ' it is in Huai-nan Tzu that we find the statement'