Everyday Consumption in Twenty-First-Century Brazilian Fiction is the first in-depth study to map out the representation of consumption in contemporary Brazilian prose, highlighting how our interactions with commodities connect seemingly disconnected areas of everyday life, such as eating habits, the growth of prosperity theology, and ideas of success and failure. It is also the first text to provide a pluralistic perspective on the representation of consumption in this fiction that moves beyond the concern with aesthetic judgment of culture based on binaries such as good/bad or elevated/degraded that have largely informed criticism on this body of literary work. Current Brazilian fiction provides a variety of perspectives from which to think about our daily interactions with commodities and about how consumption affects us all in subtle ways. Collectively, the narratives analyzed in the book present a wide spectrum of more or less hopeful portrayals of existence in consumer culture, from totalizing dystopia to transformative hope.

This book identifies the converging socio- cultural, economic, and technological conditions that have shaped, informed, and realised the identity of the contemporary virtual influencer, situating them at the intersection of social media, consumer culture, Artificial Intelligence (AI), and digital technologies. Through a critical analysis of virtual influencers and related media practices and discourses in an international context, each chapter investigates different themes relating to digitality and identity: virtual place and nationhood; virtual emotions and intimacy; im/ materialities of virtual everyday life; the biopolitics of virtual human-production; the necropolitics of pandemic virtuality; transmedial and mimetic virtualities; and the political economy of virtual influencers. The book argues that the virtual influencer represents the various ways in which contemporary identities have increasingly become naturalised with questions of virtuality, mediated by digital technologies across multiple realities. From practices relating to AI- driven, invasive data profiling needed for virtual influencer production to problematic online practices such as buying digital skin colour, the author examines how the virtual influencer’s aesthetic, social, and economic value obfuscates some of the darker aspects of their role as an extractivist technology of virtuality: one which regulates, oppresses, and/ or classifies bodies and datafied bodies that serve the visual, (bio)political, and digital economies of virtual capitalism. In the process, the book simultaneously offers a critique of the virtual influencer as a representational figure existing across multiple digital platforms, spaces, and times, and of how they may challenge, complicate, and reinforce normative ideologies surrounding gender, race, class, sexuality, age, and ableism. As such, the book sheds light on some of the more troubling realities of the virtual influencer’s existence, inasmuch as it celebrates their transformational potential, exploring the implications of both within an increasingly AI- driven, digital culture, society, and economy. Drawing from a wide range of disciplines, this book will appeal to scholars, researchers, and students working in the area(s) of: Popular Culture and Media; Internet, Digital and Social Media Studies; Data justice and Governance; Japanese Media Studies; Celebrity Studies; Fan Studies; Marketing and Consumer Studies; Sociology; Human– Computer Studies; and AI and Technology Studies.

This book grapples with multispecies violent exploitations embedded in corridors of power within the animal-industrial complex (A-IC). The A-IC is a useful framework for understanding how exploitative human-animal relations are central to capitalist relations and profit accumulation. ‘A-IC-related-violence’ – killing animals for economic gain – has a ripple effect which results in profound consequences for humans as well. This collection of international scholarship explores topics as varied as how A-IC-related-violence is reproduced and sustained through rapidly changing discursive strategies, ideological architecture, and particular cultural forms that elide and legitimize animal cruelty. Several chapters expose collusion between governments, corporations, and academia as central to maintaining dominance of A-IC-related-violence. Other scholars explore the trouble with making the conditions of “meat” production visible – of de-fetishizing meat commodities. The scholarship critically explores dynamic components of an apparatus that enables A-IC-related-violence and harm but is situated within the capitalist order and charts A-IC-related-violence as the key profit-generating practice in select domains of the A-IC. The book unmasks inherent cruelties in a proliferation of social forms that ultimately reflect a socioeconomic system that centralizes capitalist life characterized by endless growth, competitiveness, and profligate consumption. This is essential reading for those engaged in critical criminology, green criminology, violence studies, peace and conflict studies, critical animal studies, or animal rights-oriented scholars.

While Victor Hugo's lasting appeal as a novelist can in large part be attributed to the unforgettable characters that he created, character has been paradoxically the most criticized and least understood element of his fiction. Character and Meaning in the Novels of Victor Hugo provides readers with a deeper understanding of the complexities and nuances that characterize both Hugo's novel writing and the nineteenth-century French novel, and will thus appeal to the specialist and non-specialist alike.

Miguel de Cervantes's Novelas ejemplares, a collection of short stories in the tradition of Boccaccio, has a solid foundation in the history of Golden Age Spain. Joseph V Ricapito studies Cervantes's work from the point of view of “novelized history” or “history novelized”. In line with current New Historical thought, he argues that literary production is largely from life and experience, and that Cervantes was acutely aware of the problems of his day.The novelas offer us a glimpse of Cervantes's Spain and include a cataloguing of the social, political, and historical problems of the time. Ricapitc shows how Cervantes fictionalizes the problems of unpopular minorities like Gypsies and conversos (Jewish converts to Catholicism); the difficulties of social mobility in a Christian setting; the presence in society of differing and even outlandish individuals; and the oppressive role of honor, which was popularized by Lope de Vega and later formed a leitmotiv of Spanish drama. In his analysis of Cervantes's creative response to history, Ricapito relates the novelas to the works of Lope de Vega and Mateo Aleman and shows how Cervantes brings to life many literary topoi and places them in a realistic, credible framework in which the historical presence is strongly felt. In Cervantes's treatment of Spain's waning prestige in Europe, we see his vision of human behavior. His view is stern, his critique is sharp, and he is sensitive to external stimuli.

Intelligent and deeply felt, Feast Days follows a young wife who relocates with her financier husband to São Paulo -- a South American megacity that impresses and unsettles, conceals and erupts. Here in her new home, she reckons with the twenty-first century as she encounters crime, protests, refugees gentrification, and the collision of art and commerce, while confronting the crisis slowly building inside her own marriage. In stylish prose and with piercing wit, Ian MacKenzie tells the story of Emma, a young woman who has moved from New York to Brazil just as massive demonstrations against the government are breaking out across the country amid growing economic inequality. Emma has come to Brazil for her husband's career, with no job prospects of her own, a weak grasp of the language, and a deep ambivalence about having a child. Her early days in Sao Paulo are listless but privileged; she dines at high-end restaurants, tutors wealthy Brazilians in English, and observes the city she now calls home. But when Emma volunteers at a local church to assist refugees and grows more deeply connected to the people she meets in the course of her days, she finds herself unable to resist the tug of Sao Paulo's political and social unrest. As the country moves seemingly closer to a breaking point, so does Emma's marriage, as she and her husband can no longer ignore the silent, tectonic shifts beneath the surface of their relationship. Feast Days is a sharply observed story of expatriate life, as well as a meditation on the hidden costs of modern living and how easily our belief systems can collapse around us. "Devastating, funny and wise, it's among the best novels I know about the fate of American innocence abroad."-Garth Greenwell