Colin Ward and the Art of Everyday Anarchy is the first full account of Ward’s life and work. Drawing on unseen archival sources, as well as oral interviews, it excavates the worlds and words of his anarchist thought, illuminating his methods and charting the legacies of his enduring influence. Colin Ward (1924–2010) was the most prominent British writer on anarchism in the 20th century. As a radical journalist, later author, he applied his distinctive anarchist principles to all aspects of community life including the built environment, education, and public policy. His thought was subtle, universal in aspiration, international in implication, but, at the same time, deeply rooted in the local and the everyday. Underlying the breadth of his interests was one simple principle: freedom was always a social activity. This book will be of interest to students, scholars, and general readers with an interest in anarchism, social movements, and the history of radical ideas in contemporary Britain.

It's hard to know whether a word can ever be rehabilitated - or whether the attempt should even be made. The word "anarchy" evokes images of dangerous mobs, spiky-haired youths hurling garbage cans through Starbucks windows, and the chaos of the war of all against all. However, the word "anarchy" simply means "without rulers" - and this state of affairs is something we desperately desire and defend in so many areas of our own lives. If a political ruler were to tell us who to marry, what to learn, and which job to take, we would rebel against such tyrannical intrusions on our freedoms. If the government were to tell us what to read, want to watch and what to listen to, we would justifiably cry "censorship" and lead the charge against such mind control. How can we reconcile this contradiction? Is being "without rulers" good, or bad? How can we fear something so terribly, while at the same time treasuring it so mightily? "Everyday Anarchy" addresses this challenge head-on, arguing that being free of rulers is not something to fear - personally or politically - but rather a goal that we must constantly strive towards.

The argument of this book is that an anarchist society, a society which organises itself without authority, is always in existence. Through a wide-ranging analysis - drawing on examples from education, urban planning, welfare, housing, the environment, the workplace, and the family, to name but a few - Colin Ward demonstrates that the roots of anarchist practice are not so alien or quixotic as they might at first seem but lie precisely in the ways that people have always tended to organise themselves when left alone to do so.

Consisting of ten collaborative picture-essays that weave Cindy Milstein’s poetic words within Erik Ruin’s intricate yet bold paper-cut and scratch-board images, Paths toward Utopia suggests some of the here-and-now practices that prefigure, however imperfectly, the self-organization that would be commonplace in an egalitarian society. The book mines what we do in our daily lives for the already-existent gems of a freer future—premised on anarchistic ethics like cooperation and direct democracy. Its pages depict everything from seemingly ordinary activities like using parks as our commons to grandiose occupations of public space that construct do-it-ourselves communities, if only temporarily, including pieces such as “The Gift,” “Borrowing from the Library,” “Solidarity Is a Pizza,” and “Waking to Revolution.” The aim is to supply hints of what it routinely would be like to live, every day, in a world created from below, where coercion and hierarchy are largely vestiges of the past. Paths toward Utopia is not a rosy-eyed stroll, though. The book retains the tensions in present-day attempts to “model” horizontal institutions and relationships of mutual aid under increasingly vertical, exploitative, and alienated conditions. It tries to walk the line between potholes and potential. Yet if anarchist and other autonomist efforts are to serve as a clarion call to action, they must illuminate how people qualitatively, consensually, and ecologically shape their needs as well as desires. They must offer stepping-stones toward emancipation. This can only happen through experimentation, by us all, with diverse forms of self-determination and self-governance, even if riddled with contradictions in this contemporary moment. As the title piece to this book steadfastly asserts, “The precarious passage itself is our road map to a liberatory society.”

Anarchism stands as one of the most vital social movements of the twentieth century. This book presents an analysis of contemporary anarchist movements in North America. It examines the possibilities and problems facing attempts to build DIY community-based social and political movements, which seek to transform social relations.

A spirited defense of the anarchist approach to life James Scott taught us what's wrong with seeing like a state. Now, in his most accessible and personal book to date, the acclaimed social scientist makes the case for seeing like an anarchist. Inspired by the core anarchist faith in the possibilities of voluntary cooperation without hierarchy, Two Cheers for Anarchism is an engaging, high-spirited, and often very funny defense of an anarchist way of seeing—one that provides a unique and powerful perspective on everything from everyday social and political interactions to mass protests and revolutions. Through a wide-ranging series of memorable anecdotes and examples, the book describes an anarchist sensibility that celebrates the local knowledge, common sense, and creativity of ordinary people. The result is a kind of handbook on constructive anarchism that challenges us to radically reconsider the value of hierarchy in public and private life, from schools and workplaces to retirement homes and government itself. Beginning with what Scott calls "the law of anarchist calisthenics," an argument for law-breaking inspired by an East German pedestrian crossing, each chapter opens with a story that captures an essential anarchist truth. In the course of telling these stories, Scott touches on a wide variety of subjects: public disorder and riots, desertion, poaching, vernacular knowledge, assembly-line production, globalization, the petty bourgeoisie, school testing, playgrounds, and the practice of historical explanation. Far from a dogmatic manifesto, Two Cheers for Anarchism celebrates the anarchist confidence in the inventiveness and judgment of people who are free to exercise their creative and moral capacities.