What is the reason for this book? I never wanted to write one but I believe all through our lives we feel like we should do something but we never follow through and then we say to ourselves, gee I wish I did that, bought that, sold that, didn’t do that. So I followed through with what I felt I should do and it doesn’t matter about the end result. If you don’t take the first step, forget about the second. If you just read this I believe it will speak to you. The other reason I wrote this book is to get people to use the brain they were given and the use of wisdom and common sense. The definition of common sense is, “sound and prudent judgement based on a simple perception of the situation of facts,” or as my father would say, “use the brain God gave you.” Today it is so easy to find answers to questions that are just a click away. There is a story about Moses and the burning bush in the Bible. The story goes Moses saw the bush burning but it wasn’t being consumed so he took a step closer to see what was happening and when he did, he heard a voice, it was the direction for the second step. May this be the first step to your second, Wisdom and Common Sense.

“A sharp, funny, and eccentric debut … Pond makes the case for Bennett as an innovative writer of real talent. … [It]reminds us that small things have great depths.”–New York Times Book Review "Dazzling…exquisitely written and daring ." –O, the Oprah Magazine Immediately upon its publication in Ireland, Claire-Louise Bennett’s debut began to attract attention well beyond the expectations of the tiny Irish press that published it. A deceptively slender volume, it captures with utterly mesmerizing virtuosity the interior reality of its unnamed protagonist, a young woman living a singular and mostly solitary existence on the outskirts of a small coastal village. Sidestepping the usual conventions of narrative, it focuses on the details of her daily experience—from the best way to eat porridge or bananas to an encounter with cows—rendered sometimes in story-length, story-like stretches of narrative, sometimes in fragments no longer than a page, but always suffused with the hypersaturated, almost synesthetic intensity of the physical world that we remember from childhood. The effect is of character refracted and ventriloquized by environment, catching as it bounces her longings, frustrations, and disappointments—the ending of an affair, or the ambivalent beginning with a new lover. As the narrator’s persona emerges in all its eccentricity, sometimes painfully and often hilariously, we cannot help but see mirrored there our own fraught desires and limitations, and our own fugitive desire, despite everything, to be known. Shimmering and unusual, Pond demands to be devoured in a single sitting that will linger long after the last page.

From the acclaimed author of Chasing the Sun comes a new novel about immigration and the depths to which one Mexican American family will go for forgiveness and redemption. The first time Isabel meets her father-in-law, Omar, he's already dead--an apparition appearing uninvited on her wedding day. Her husband, Martin, still unforgiving for having been abandoned by his father years ago, confesses that he never knew the old man had died. So Omar asks Isabel for the impossible: persuade Omar's family--especially his wife, Elda--to let him redeem himself. Isabel and Martin settle into married life in a Texas border town, and Omar returns each year on the celebratory Day of the Dead. Every year Isabel listens, but to the aggrieved Martin and Elda, Omar's spirit remains invisible. Through his visits, Isabel gains insight into not just the truth about his disappearance and her husband's childhood but also the ways grief can eat away at love. When Martin's teenage nephew crosses the Mexican border and takes refuge in Isabel and Martin's home, questions about past and future homes, borders, and belonging arise that may finally lead to forgiveness--and alter all their lives forever.

Drawing on real historical documents but infused with the intensity of imagination, sly humor, and intellectual fire for which award-winning author Rivka Galchen’s writing is known, Everyone Knows Your Mother Is a Witch is a tale for our time—the story of how a community becomes implicated in collective aggression and hysterical fear. The year is 1619, in the German duchy of Württemberg. Plague is spreading. The Thirty Years War has begun, and fear and suspicion are in the air throughout the Holy Roman Empire. In the small town of Leonberg, Katherina Kepler is accused of being a witch. An illiterate widow, Katherina is known by her neighbors for her herbal remedies and the success of her children, including her eldest, Johannes, who is the Imperial Mathematician and renowned author of the laws of planetary motion. It’s enough to make anyone jealous, and Katherina has done herself no favors by being out and about and in everyone’s business. So when the deranged and insipid Ursula Reinbold (or as Katherina calls her, the Werewolf) accuses Katherina of offering her a bitter, witchy drink that has made her ill, Katherina is in trouble. Her scientist son must turn his attention from the music of the spheres to the job of defending his mother. Facing the threat of financial ruin, torture, and even execution, Katherina tells her side of the story to her friend and next-door neighbor Simon, a reclusive widower imperiled by his own secrets. Provocative and entertaining, Galchen’s bold new novel touchingly illuminates a society, and a family, undone by superstition, the state, and the mortal convulsions of history.

The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.

America is corrupted, and everybody knows it. In this blistering book, Sarah Chayes brings years of experience analysing corruption in the developing world to probing her home country, finding that the model fits too closely for comfort. US kleptocratic networks have bent the main government powers to serve their own interests, not the citizens', with dizzying results--from egregious Supreme Court decisions to the pillaging of the defence budget, public land grabs to Big Pharma's capture of the Drug Enforcement Administration, and the repeated financial meltdowns of the past forty years.Chayes places America's acute corruption within a broad historical context, going back to the invention of money itself. She shows that corruption today, far from just acts committed by disreputable individuals to line their pockets, is the standard mode of operation for sophisticated networks crossing political, ideological and national boundaries. Even the Trump administration's venality is more a symptom of a widespread trend than an aberration.When corruption takes hold, the results are devastating: social upheaval, terror and extremism, mass migration and environmental devastation. Searching and unflinching, Everybody Knows helps readers everywhere envision ways to pull in the reins on a rigged system, through individual, collective and political action.

Mr. West covers the main events in superstar Kanye West's life while also following the poet on her year spent researching, writing, and pregnant. The book explores how we are drawn to celebrities—to their portrayal in the media—and how we sometimes find great private meaning in another person's public story, even across lines of gender and race. Blake's aesthetics take her work from prose poems to lineated free verse to tightly wound lyrics to improbably successful sestinas. The poems fully engage pop culture as a strange, complicated presence that is revealing of America itself. This is a daring debut collection and a groundbreaking work. An online reader's companion will be available at http://sarahblake.site.wesleyan.edu.