It is my determined intention to explore the many branching and intertwining interactions of three components of the self: internal, social, and universal. Poetry allows me to be cynical, argumentative, didactic, eclectic, scientific, absurd, surrealistic and speculative, all at the same instance of expression. To argue in the format of harmoniously overlapping dichotomies and abstract ideas is something with which I am driven. Our cumulative understanding of the universe is growing as the individual understanding of its significance and dimensions is shrinking. It is my intent to harmoniously mix politics, love, history, passion and compassion, science and metaphysics to create a unique perspective on existence. Our cumulative understanding of the universe is growing as the individual understanding of its significance and dimensions is shrinking. It is my intent to harmoniously mix politics, love, history, passion and compassion, science and metaphysics to create a dynamic explanation of existence.

Born on the eve of China’s Cultural Revolution, Ping Fu was separated from her family at the age of eight. She grew up fighting hunger and humiliation and shielding her younger sister from the teenagers in Mao’s Red Guard. At twenty-five, she found her way to the United States; her only resources were $80 and a few phrases of English. Yet Ping persevered, and the hard-won lessons of her childhood guided her to success in her new homeland. Aided by her well-honed survival instincts, a few good friends, and the kindness of strangers, she grew into someone she never thought she’d be—a strong, independent, entrepreneurial leader. “She tells her story with intelligence, verve and a candor that is often heart-rending.” —The Wall Street Journal “This well-written tale of courage, compassion, and undaunted curiosity reveals the life of a genuine hero.” —Booklist (starred review) “Her success at the American Dream is a real triumph.” —The New York Post

In the summer of 1997 renowned nature photographer C. C. Lockwood embarked on a remarkable adventure. First by canoe and then by Grand Canyon–style pontoon raft, he journeyed the length of the Mississippi River—2,320 miles—from its source at Lake Itasca, Minnesota, to its mouth at the Gulf of Mexico. Armed with his camera and computer equipment to transmit stories and pictures to schoolchildren, this “High Tech Huck Finn” trained his lens on spectacular scenes, creating images that vividly depict the life pulsing in and near this vital American artery—water and lands that touch the lives of every American. As Lockwood shows in these brilliant color photographs, the river has many faces. At its birthplace it is nothing more than a trickle among rocks. But as it serpentines south, it slowly grows until, at its end, it pours daily over 420 billion gallons of water into the Gulf of Mexico. Lockwood captures the river in all of its moods: a ghostly foggy morning on the bank; a bright orange sunset over the bends; a quiet snowfall at the headwaters; a sudden rain shower at dusk. He also offers intimate images of the creatures that make their home in the river or along its shores: a whitetail fawn nestled in underbrush; a curious frog peeking out from beneath reeds; a Canada goose marching in line with her goslings; turtles burying themselves in mud. His depiction of the natural beauty of Old Man River is unparalleled. The river comes to appear as a thriving community because Lockwood introduces the people, both ordinary and extraordinary, who live and journey on it. We meet, among others, a performance artist intent on swimming the river’s length; inhabitants of a makeshift houseboat colony near Winona, Minnesota; Tom Sawyer and Becky Thatcher look-alikes in Hannibal, Missouri; and Willie P., who, with the help of thirty-gallon plastic barrels and paddle wheels, employs a most unusual mode of river transportation—a Toyota Celica hatchback. To illustrate the changing riverscape, Lockwood includes images of some of the businesses and industries that line the river’s banks: casino river boats glittering in the night; the jumping blues clubs of Memphis’ Beale Street; bustling industrial plants and the countless barges and push boats that service them. He also offers a detailed memoir of his trip, as well as his other tours of the river by plane, car, tugboat, and river boat, in a delightful introduction. Lockwood’s photographs depict beautifully the varied aspects of the Mississippi River—flourishing community, vital industrial corridor, and priceless environmental treasure. Through this book, readers can join him on his quest to discover the wonders that lie just “around the bend.”

Rebel Correspondent by Steve Procko is the true story of a young man who joined the Confederate army just days after his eighteenth birthday and served bravely for over two-and-a-half years until the war ended. Wounded twice, he emerged a changed person. But he wasn't just a returning veteran; he was also a writer. Thirty-six years later, he would tell the world about his experiences.At the beginning of the 20th century, Arba F. Shaw was a fifty-seven-year-old farmer and local writer for the Walker County Messenger, a weekly northwest Georgia newspaper published in the town of LaFayette. Shaw would become the Rebel Correspondent when on a chilly December day in 1901, he began putting pen to paper with the account of his memories as a Rebel private in the 4th Georgia Cavalry (Avery), CSA. He completed writing his account in February 1902. When finished, he had scratched out over 40,000 words. His local newspaper, The Walker County Messenger, published his account in a series of over 50 articles from 1901 to 1903. Then it was all but forgotten.Twenty years before Arba Shaw put pen to paper, another soldier, the 1st Tennessee's Infantry Regiment's Samuel Rush Watkins (1839-1901) wrote his account of his experiences in the Civil War. The Columbian Herald newspaper in Columbia, Tennessee, serialized Watkins' writings from 1881 to 1882, then published the account as a critically acclaimed book, Co. Aytch: Maury Grays First Tennessee Regiment or A Side Show of the Big Show, in late 1882. They predominately featured Watkins' eyewitness accounts in Ken Burns PBS documentary on the Civil War.Rebel Correspondent presents Arba F. Shaw's account word-for-word, as first published in the Walker County Messenger almost 120 years ago. Procko annotates Shaw's account with in-depth research, verifying it and uncovering the back story of his life and the lives of his Rebel comrades. Procko's research offers a historical perspective on the many places and events Shaw so richly described.

This volume constitutes the refereed proceedings of the 19th International Symposium on Graph Drawing, GD 2010, held in Eindhoven, The Netherlands, during September 2011. The 34 revised full papers presented together with 3 revised short and 6 poster papers were carefully reviewed and selected from 88 submissions. Furthermore, the proceedings contain the abstracts of two invited talks and to commemorate Kozo Sugiyama and his pioneering research in graph drawing, the proceedings include an obituary. A unique and fun part of the symposium is the Graph Drawing Contest, which is part of the Graph Drawing Challenge. This year was the 18th edition. A report on the contest is included at the end of the proceedings.