Evening Street Press is centered on Elizabeth Cady Stanton's 1848 revision of the Declaration of Independence: "that all men -- and women -- are created equal," with equal rights to "life, liberty, and the pursuit of happiness." It recognizes that all people are created equal and focuses on the realities of experience, personal and historical, from the most gritty to the most dreamlike, including awareness of the personal and social forces that block or develop the possibilities of a new culture. Evening Street Press is no longer accepting work for publication. We will continue to vet and publish online work from incarcerated people for our DIY Prison Project. You can read all our publications at www.eveningstreetpress.com Order print copies of any of our publications from our website www.eveningstreetpress.com

A compelling dual-narrated tale from Jennifer Latham that questions how far we've come with race relations. Some bodies won't stay buried. Some stories need to be told. When seventeen-year-old Rowan Chase finds a skeleton on her family's property, she has no idea that investigating the brutal century-old murder will lead to a summer of painful discoveries about the present and the past. Nearly one hundred years earlier, a misguided violent encounter propels seventeen-year-old Will Tillman into a racial firestorm. In a country rife with violence against blacks and a hometown segregated by Jim Crow, Will must make hard choices on a painful journey towards self discovery and face his inner demons in order to do what's right the night Tulsa burns. Through intricately interwoven alternating perspectives, Jennifer Latham's lightning-paced page-turner brings the Tulsa race riot of 1921 to blazing life and raises important questions about the complex state of US race relations--both yesterday and today.

NATIONAL BESTSELLER • A coming-of-age classic about a young girl growing up in Chicago • Acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. “Cisneros draws on her rich [Latino] heritage...and seduces with precise, spare prose, creat[ing] unforgettable characters we want to lift off the page. She is not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review The House on Mango Street is one of the most cherished novels of the last fifty years. Readers from all walks of life have fallen for the voice of Esperanza Cordero, growing up in Chicago and inventing for herself who and what she will become. “In English my name means hope,” she says. “In Spanish it means too many letters. It means sadness, it means waiting." Told in a series of vignettes—sometimes heartbreaking, sometimes joyous—Cisneros’s masterpiece is a classic story of childhood and self-discovery and one of the greatest neighborhood novels of all time. Like Sinclair Lewis’s Main Street or Toni Morrison’s Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct. This gorgeous coming-of-age novel is a celebration of the power of telling one’s story and of being proud of where you're from.

Meet Dolores Price. She's thirteen, wise-mouthed but wounded. Beached like a whale in front of her bedroom TV, she spends the next few years nourishing herself with the chocolate, crisps and Pepsi her anxious mother supplies. When she finally rolls into young womanhood at 257 pounds, Dolores is no stronger and life is no kinder. But this time she's determined to rise to the occasion and give herself one more chance before really going belly up. In his extraordinary coming-of-age odyssey, Wally Lamb invites us to hitch an incredible ride on a journey of love, pain, and renewal with the most heartbreakingly comical heroine to come along in years. At once a fragile girl and a hard-edged cynic, so tough to love yet so inimitably loveable, Dolores is as poignantly real as our own imperfections.

The complete history of one of the most long-lived and legendary bands in rock history, written by its official historian and publicist—a must-have chronicle for all Dead Heads, and for students of rock and the 1960s’ counterculture. From 1965 to 1995, the Grateful Dead flourished as one of the most beloved, unusual, and accomplished musical entities to ever grace American culture. The creative synchronicity among Jerry Garcia, Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart, and Ron “Pigpen” McKernan exploded out of the artistic ferment of the early sixties’ roots and folk scene, providing the soundtrack for the Dionysian revels of the counterculture. To those in the know, the Dead was an ongoing tour de force: a band whose constant commitment to exploring new realms lay at the center of a thirty-year journey through an ever-shifting array of musical, cultural, and mental landscapes. Dennis McNally, the band’s historian and publicist for more than twenty years, takes readers back through the Dead’s history in A Long Strange Trip. In a kaleidoscopic narrative, McNally not only chronicles their experiences in a fascinatingly detailed fashion, but veers off into side trips on the band’s intricate stage setup, the magic of the Grateful Dead concert experience, or metaphysical musings excerpted from a conversation among band members. He brings to vivid life the Dead’s early days in late-sixties San Francisco—an era of astounding creativity and change that reverberates to this day. Here we see the group at its most raw and powerful, playing as the house band at Ken Kesey’s acid tests, mingling with such legendary psychonauts as Neal Cassady and Owsley “Bear” Stanley, and performing the alchemical experiments, both live and in the studio, that produced some of their most searing and evocative music. But McNally carries the Dead’s saga through the seventies and into the more recent years of constant touring and incessant musical exploration, which have cemented a unique bond between performers and audience, and created the business enterprise that is much more a family than a corporation. Written with the same zeal and spirit that the Grateful Dead brought to its music for more than thirty years, the book takes readers on a personal tour through the band’s inner circle, highlighting its frenetic and very human faces. A Long Strange Trip is not only a wide-ranging cultural history, it is a definitive musical biography.

Dominika Wrozynski’s American Accent is a gorgeous discovery of riches, personal in its moving narratives of love and loss, cosmopolitan in sensibility and range. An opening sequence that explores inherited trauma (Wrozynski’s Polish mother was maimed during WWII) is riveting, and as a whole, the volume adroitly balances the darker moments (the veteran who cannot forget the “charred bodies” he saw in Kuwait) with the wondrous (Patrick Swayze in New Mexico in a balloon!). American Accent comprises a work of lyric witness in poetry redolent with humane truths and beauty. That’s all you need to know. –Cynthia Hogue, author of In June the Labyrinth What makes us Americans? Dominika Wrozynski's poems say Everything! She has traveled from Poland to Seattle to New Mexico to Las Vegas to Florida, seen movie stars and felt the heat of deserts and swamps. These poems are full of wasp stings and hornets, Polish vodka, and everyday worship of the luminous ordinary and a paean to the "howling, slobbering parts" of her heart. Not only does she dive deep into her own being but she tells us what it means to live in this country with its crazy rhythms. A glorious debut. –Barbara Hamby, author of Bird Odyssey The poems in this breathtaking debut collection ricochet from the startling (the poet’s Polish mother has only one arm, “the other shot away by a German soldier / during World War II”) to the tedious (stalled cars, bad dogs, worse jobs). All of America is here, and we see it all bathed in love’s abundance, the great and the terrible celebrated equally. For it is everything—the good, the bad, the ho-hum—that gives us our lives, this poet, these marvelous poems. –David Kirby, author of Get Up, Please

Evening Street Review is centered on the belief that all men and women are created equal, that they have a natural claim to certain inalienable rights, and that among these are the rights to life, liberty, and the pursuit of happiness. With this center, and an emphasis on writing that has both clarity and depth, it practices the widest eclecticism. Evening Street Review reads submissions of poetry (free verse, formal verse, and prose poetry) and prose (short stories and creative nonfiction) year round. Submit 3-6 poems or 1-2 prose pieces at a time. Payment is one contributor's copy. Copyright reverts to author upon publication. Response time is 3-6 months. Please address submissions to Editors, 2881 Wright St, Sacramento, CA 95821-5232. Email submissions are also acceptable; send to the following address as Microsoft Word or rich text files (.rtf): [email protected] submission guidelines, subscription information, published works, and author profiles, please visit our website:www.eveningstreetpress.com.© Copyright 2019 by Evening Street Press2881 Wright StSacramento, CA 95821All rights revert to the author upon publication