Tells the story of the history-making meeting between scorned master composer Johann Sebastian Bach and Prussia's Frederick the Great.

On April 18, 1775, a riot over the price of flour broke out in the French city of Dijon. That night, across the Atlantic, Paul Revere mounted the fastest horse he could find and kicked it into a gallop. So began what have been called the "sister revolutions" of France and America. In a single, thrilling narrative, this book tells the story of those revolutions, and shows just how deeply intertwined they actually were. Their leaders, George Washington and the marquis de Lafayette, had a relationship every bit as complex as the long, fraught history of the French-American alliance. Vain, tough, ambitious, they strove to shape their characters and records into the form they wanted history to remember. Book jacket.

Introduction: Seeing in the dark -- Gay rights: "To be nobody but yourself" -- Feminism: "Meet Jane Crow" -- Civil rights: The war after the wars -- Ecology: Before we knew -- Epilogue: The best of us.

Peggy Fitzroy is clever enough to fake her way into King George's court in London, but is she clever enough to survive in his Palace of Spies?

A look at the life of Frederick the Great reveals the often misunderstood king as not only a feared conqueror, but also a patron of the arts and a progressive lawmaker who helped make Berlin one of Europe's great capital cities.

This superb and enduring contribution to the Johann Sebastian Bach tricentennial focuses on Bach's vocation as a musician of the church and on his work as a theologian. Although Bach is most often remembered for his music, Jaroslav Pelikan here reminds us of the message of Bach's works and of his understanding and devotion to his vocation within the church. By relating Bach's work to the heritage of the Lutheran Reformation -- musical as well as theological -- Pelikan places Bach within the context of the theological currents of his time. Maintaining that the Reformation heritage provides the underlying thematic and religious inspiration for Bach's work, Pelikan delves into three main movements within Lutheran theology of the seventeenth and eighteenth centuries as a framework for understanding Bach. He also demonstrates how Bach's sacred music complements and illustrates these theological trends. In the second portion of the book, Pelikan examines the theological motifs that are reflected in the texts Bach used and in the settings he provided for these texts. The author points to Bach's particular interest in the meaning of the cross, and to redemption and atonement through the death and resurrection of Christ. He notes the centrality of the 'Passions' in Bach's lifework and their importance for the history of the doctrine of atonement. 'Bach Among the Theologians' represents a unique inspirational complement to the many works that concentrate primarily on the composer's personal or secular life.

NATIONAL BESTSELLER, New York Times Book Review Editors’ Choice, and a Best Book of the Year from NPR, Boston Globe, BuzzFeed, and others. The mesmerizing story of one woman's rise from circus rider to courtesan to world-renowned diva—"a brilliant performance" (Washington Post). The Queen of the Night tells the captivating story of Lilliet Berne, an orphan who left the American frontier for Europe and was swept into the glamour and terror of Second Empire France. She became a sensation of the Paris Opera, with every accolade but an original role—her chance at immortality. When one is offered to her, she finds the libretto is based on her deepest secret, something only four people have ever known. But who betrayed her? With epic sweep, gorgeous language, and haunting details, Alexander Chee shares Lilliet’s cunning transformation from circus rider to courtesan to legendary soprano, retracing the path that led to the role that could secure her reputation—or destroy her with the secrets it reveals. “It just sounds terrific. It sounds like opera.”—The New Yorker “Sprawling, soaring, bawdy, and plotted like a fine embroidery.”—NPR