Brian McNaughton's masterful "nasty stories" will shock, amaze, and delight you. From twists upon medieval torture chambers to the weirdest Little Red Riding Hood you'll ever meet, Nasty Stories will take your breath away and hold you rapt: a delightful nightmare of terror and humor in equal parts. Once you've read it, you'll know to be afraid!

Number 13 - lucky for horror fans! This award-winning anthology series has now reached its thirteenth spectacular volume and to mark the event, Steve Jones has chosen only the very best short stories and novellas by today's finest exponents of the horror genre. Contributors to this volume include: Gala Blau, Ramsey Campbell, Dennis Etchison, Charles Grant, Glen Hirshberg, Chico Kidd, Nancy Kilpatrick, Paul J. McAuley, Conrad Williams. Also featuring the most comprehensive overview of the year, a fascinating necrology and a list of useful contacts, this is the one book that all lovers of the supernatural and psychological terror will want on their shelves.

NOT THE END OF THE STORY The lore of Averoigne didn’t end with Clark Ashton Smith. Over the decades other writers, fascinated by this “Lovecraft country” of medieval France, added their own contributions. For the first time collected together into one volume, you can read over two dozen poems and stories of Averoigne (including some never before published) by Mythos authors like DJ Tyrer, Richard Tierney, Brian McNaughton, Michael Minnis, and James Chambers. Revisit Vyônes and Périgon, meet Luc le Chaudronnier and Azédarac once again,as old foes like the Gargoyles of Vyônes Cathedral and the Colossus of Ylourgne return to wreck more havoc. But new threats are always lurking in the shadows. Join the peasantry of Averoigne in their struggles to survive in their cursed, monster-haunted homeland as they face threats ranging from ghostly cats to man-eating ogres. Tales of harpies and werewolves, witches and necromancers, changelings and cockatrices await you, as well as villains of the more human variety like fanatical Inquisitors, heretical cults, and druids serving dark gods. Includes the following short stories: THE ORACLE OF SADOQUA by Ron Hilger THE WEDDING OF SHEILA-NA-GOG by G. Arthur Rahman & Richard L. Tierney THE CULT OF THE SINGING FLAME by David Reid Ross THE DOOM OF AZÉDARAC by Ron Hilger THE PINK FLOWER OF SAINT ZÉNOBIE by Aaron Hollingsworth HUGH THE DISCERNING by Garnett Elliott THE CIRCUMSTANCES OF GHOSTLY CATS by Michael Minnis UNHALLOWED GROUND, UNHOLY FLESH by James Chambers THE LITTLE AND THE BIG by Michael Minnis THE PASSING OF BELZÉVUTHE by Simon Whitechapel THE BUTCHER OF VYÔNES by Michael Minnis BLACK ART IN VYÔNES by Keith Chapman THE COCKATRICE OF CORDELIERS by Michael Minnis CLOTAIRE OF THE CROSS by Colin Harker SYMPOSIUM OF THE GARGOYLE by Simon Whitechapel THE QUARRY by Simon Whitechapel THE GARGOYLES OF NOTRE DAME by Matthew Baugh THE RETURN OF THE COLOSSUS by Brian McNaughton THE MUSE OF AVEROIGNE by Ron Hilger & Henry J. Vester III THE FELL FÊTE by Manuel Arenas BOUFONOULA by D.J. Tyrer A HONEYMOON IN AVEROIGNE by Trevor O. Childers ... PLUS over a dozen poems of Averoigne by H.P. Lovecraft, DJ Tyrer, Ashley Dioses, Wade German, Cardinal Cox, Ron Shiflet and others, AND a Map of Averoigne by multiple Hugo-award winning artist Tim Kirk!

Presents articles on the horror and fantasy genres of fiction, including authors, themes, significant works, and awards.

A thoughtful picture book illustrating the power of small acts of kindness, from the award-winning author of Sophie's Squash.

A semiautobiographical coming-of-age story, framed by the harrowing 1975 Circeo massacre Edoardo Albinati’s The Catholic School, the winner of Italy’s most prestigious award, The Strega Prize, is a powerful investigation of the heart and soul of contemporary Italy. Three well-off young men—former students at Rome’s prestigious all-boys Catholic high school San Leone Magno—brutally tortured, raped, and murdered two young women in 1975. The event, which came to be known as the Circeo massacre, shocked and captivated the country, exposing the violence and dark underbelly of the upper middle class at a moment when the traditional structures of family and religion were seen as under threat. It is this environment, the halls of San Leone Magno in the late 1960s and the 1970s, that Edoardo Albinati takes as his subject. His experience at the school, reflections on his adolescence, and thoughts on the forces that produced contemporary Italy are painstakingly and thoughtfully rendered, producing a remarkable blend of memoir, coming-of-age novel, and true-crime story. Along with indelible portraits of his teachers and fellow classmates—the charming Arbus, the literature teacher Cosmos, and his only Fascist friend, Max—Albinati also gives us his nuanced reflections on the legacy of abuse, the Italian bourgeoisie, and the relationship between sex, violence, and masculinity.