"Evelyn Tester is sleepwalking through her suburban life--until a late-night phone call startles her awake. Her husband, a prestigious psychiatrist, has been in an accident. And he isn't alone. Suddenly Evelyn's world isn't as tidy as she thought. And in the midst of it all is Juliette, not only her husband's secret lover but also his patient. If news of the affair were to get out, it would ruin more than just Evelyn's marriage. Although it's a bitter pill for Evelyn to swallow, protecting her family means staying silent--even if, as she begins to discover, the night of the accident has consequences far more dangerous than the unmasking of an affair. But the more Evelyn learns about Juliette's picture-perfect life--complete with a handsome, unsuspecting husband--the more she yearns for revenge ... and satisfaction. Her growing obsession fuels her rage, burning away her complacency. What will be left of her after it flames out?"-- Page [4] of cover.

Voices after Evelyn seeks not so much to dig up a cold case--the 1953 disappearance of La Crosse, Wisconsin, babysitter Evelyn Hartley-- as reopen its heart. A fugue of voices across time (cracked, offensive, profound) reverberating toward today, when the phantoms of socalled innocence and greatness grow scarier than anything that took Evelyn away. An unsolved crime that jaundiced the way a town saw itself and its relationship to the outside world is rendered into a polyphonic, farcical, yet accurate visitation to the 1950s Midwest, where banality and inspired caprice make for an odd mix of the hilarious and terrifying. "Rick Harsch is America's lost Midwest noir genius, an heir to the more lurid Faulkner, an ex-pat living in Slovenia, a master of dialogue. Voices after Evelyn is a fictional take on true crime, and its bloody heart in the real, still-unsolved 1953 disappearance of teenage Evelyn Hartley in La Crosse, Wisconsin. Through that victimization, Harsch makes us look at other victims, survivors too, and throughout the novel, a Greek-style chorus sings songs of rage and loss and puzzlement. Voices after Evelyn is taut and funny, smart and haunting, enraging and true."--Daniel A. Hoyt, author, Then We Saw the Flames

"Introduces readers to Evelyn Cheesman who forged her own path at a time when women rarely went to college, much less worked as veterinarians or entomologists."--Provided by publisher.

Life After Near Death is the only book to explore the deeper meaning of the near-death experience (NDE) through the prism of its miraculous aftereffects. You don’t need to be declared clinically dead to experience an NDE. Nor must you experience many of Raymond Moody’s nine elements, including a life review, an out-of-body experience, encounters with deceased loved ones, and a decision to return to one’s body. The key is whether you return from the experience permanently transformed. Life After Near Death profiles a dozen cases of specific cognitive and physiological near-death aftereffects, including newfound musical and artistic talents, mathematical gifts, enhanced hearing, elevated IQ, improved eyesight, spontaneous healing, and electrical sensitivity. It explores new evidence to shed light on this phenomenon and reveals for the first time: The link between predisposition and the NDE. The role of manifestation and intent in the creation of the NDE. The unmistakable connections among the energetic world, frequency, and the NDE. The circumstances and conditions that give rise to a NDE. Life After Near Death offers a new, science-based paradigm to unravel the NDE and our assumptions regarding the afterlife. Although you can return from an NDE, you will never return to your former life.

Reprint of the original, first published in 1875.

Named a Best Book of the Year by The Guardian, The Sunday Times, and the Financial Times A completely fresh view of one of the most gifted—and fascinating—writers of our time, the enigmatic author of Brideshead Revisited Graham Greene hailed Evelyn Waugh as “the greatest novelist of my generation,” and in recent years Waugh’s reputation has only grown. Now, half a century after Waugh’s death in 1966, with Evelyn Waugh, Philip Eade has delivered a hugely entertaining biography that is both authoritative and full of new information, some of it sensational. Drawing on extensive unseen primary sources, Eade’s book sheds new light on many of the key phases and themes of Waugh’s life: his difficult relationship with his embarrassingly sentimental father; his formative homosexual affairs at Oxford; his unrequited love for various Bright Young Things; his disastrous first marriage; his momentous conversion to Roman Catholicism; his unconventional yet successful second marriage; his checkered wartime career; and his shattering nervous breakdown. Along the way, we come to understand not only Waugh’s complex relationship with the aristocracy, but also the astonishing power of his wit, and the love, fear, and loathing that he variously inspired in others. Waugh was famously difficult, and Eade brilliantly captures the myriad facets of his character, even as he casts new light on the novels that have dazzled generations of readers.