He was not a rock'n'roll star, cartoon character, religious figure, professional wrestler, writer, or politician. Nor was he famous for being an artist, comic book superhero, television personality, or movie star. He wasn't exactly an athlete either. Granted, he wore a few of these hats at various points throughout his career, but his fame primarily emanated from an obscure occupation which he made entirely his own.Arguably, no other figure in popular culture outside these realms had an impact which resulted in global notoriety, generated millions of dollars in merchandise, inspired widespread imitation, and yet was a constant source of controversy. He was a genuine celebrity, and at the height of his career, he was one of the most talked-about men in America.In Evel Incarnate, Steve Mandich vividly recounts the life and the legend of Evel Knievel -a relentless self-mythologizer, abetted by an international community of fans. They were hungry for a real-life super-hero, and waited with bated breath for the summit of his career: the much heralded, now infamous, Snake River Canyon jump.But the truth about this motorcycle daredevil is as fascinating, extraordinary and injury-laden as any of the legends he could promote. Incisive, witty and informed, Evel Incarnate is the Evel Knievel biography by which all others must be measured.

In the 1980s, America was gripped by widespread panics about Satanic cults. Conspiracy theories abounded about groups who were allegedly abusing children in day-care centers, impregnating girls for infant sacrifice, brainwashing adults, and even controlling the highest levels of government. As historian of religions David Frankfurter listened to these sinister theories, it occurred to him how strikingly similar they were to those that swept parts of the early Christian world, early modern Europe, and postcolonial Africa. He began to investigate the social and psychological patterns that give rise to these myths. Thus was born Evil Incarnate, a riveting analysis of the mythology of evilconspiracy. The first work to provide an in-depth analysis of the topic, the book uses anthropology, the history of religion, sociology, and psychoanalytic theory, to answer the questions "What causes people collectively to envision evil and seek to exterminate it?" and "Why does the representation of evil recur in such typical patterns?" Frankfurter guides the reader through such diverse subjects as witch-hunting, the origins of demonology, cannibalism, and the rumors of Jewish ritual murder, demonstrating how societies have long expanded upon their fears of such atrocities to address a collective anxiety. Thus, he maintains, panics over modern-day infant sacrifice are really not so different from rumors about early Christians engaging in infant feasts during the second and third centuries in Rome. In Evil Incarnate, Frankfurter deepens historical awareness that stories of Satanic atrocities are both inventions of the mind and perennial phenomena, not authentic criminal events. True evil, as he so artfully demonstrates, is not something organized and corrupting, but rather a social construction that inspires people to brutal acts in the name of moral order.

“Loren Coleman has taken a hard look at one of America’s most haunting monsters and discovered that it’s more terrifying than we ever knew. Read this book now—before it’s too late. You’ve been warned.” —Richard Hatem, screenwriter, The Mothman Prophecies Mothman: Evil Incarnate, by cryptozoologist Loren Coleman, is a brand new companion title to the late John Keel’s The Mothman Prophecies (1975), which investigated the sightings of a winged creature called Mothman and became popularized in the 2002 movie of the same name starring Richard Gere. With new material by Loren Coleman, extensive annotations on each chapter of The Mothman Prophecies, a detailed Mothman death list, and a gallery of images, Mothman: Evil Incarnate comprises the most up-to-date information on Mothman phenomena. In addition to providing context to John Keel’s cult classic, Coleman expands on missing details from the movie, explores the deaths that followed the West Virginia incident, describes the recent Chicago Mothman sightings, and delves into the life of John Keel. This companion book should find its place on every Mothman aficionado and cryptozoology fan’s bookshelf. The mystery continues…

From New York Times bestselling author Leigh Montville, this riveting and definitive new biography pulls back the red, white, and blue cape on a cultural icon—and reveals the unknown, complex, and controversial man known to millions around the world as Evel Knievel. Evel Knievel was a high-flying daredevil, the father of extreme sports, the personification of excitement and dan­ger and showmanship . . . and in the 1970s Knievel repre­sented a unique slice of American culture and patriotism. His jump over the fountains at Caesar’s Palace led to a crash unlike anything ever seen on television, and his attempt to rocket over Snake River Canyon in Idaho was something only P. T. Barnum could have orchestrated. The dazzling motorcycles and red-white-and-blue outfits became an integral part of an American decade. Knievel looked like Elvis . . . but on any given Saturday afternoon millions tuned in to the small screen to see this real-life action hero tempt death. But behind the flash and the frenzy, who was the man? Bestselling author Leigh Montville masterfully explores the life of the complicated man from the small town of Butte, Montana. He delves into Knievel’s amazing place in pop culture, as well as his notorious dark side—and his complex and often contradictory relationships with his image, the media, his own family, and his many demons. Evel Knievel’s story is an all-American saga, and one that is largely untold. Leigh Montville once again delivers a definitive biography of a one-of-a-kind sports legend.

In 1947, 4,000 motorcycle hobbyists converged on Hollister, California. As images of dissolute bikers graced the pages of newspapers and magazines, the three-day gathering sparked the growth of a new subculture while also touching off national alarm. In the years that followed, the stereotypical leather-clad biker emerged in the American consciousness as a menace to law-abiding motorists and small towns. Yet a few short decades later, the motorcyclist, once menacing, became mainstream. To understand this shift, Randy D. McBee narrates the evolution of motorcycle culture since World War II. Along the way he examines the rebelliousness of early riders of the 1940s and 1950s, riders' increasing connection to violence and the counterculture in the 1960s and 1970s, the rich urban bikers of the 1990s and 2000s, and the factors that gave rise to a motorcycle rights movement. McBee's fascinating narrative of motorcycling's past and present reveals the biker as a crucial character in twentieth-century American life.

PANDEMONIUM: EVIL INCARNATE THE ADVENT UNIVERSE BEGINS HERE! This 80-page giant chronicles the coming of the Advent Comics Universe - the shining light putting the SOUL back into comics! BUT SOMETHING HAS GONE WRONG... The world has fallen into darkness, war and strife is spreading across the universe as the forces of evil seek to destroy mankind. AND ALL HELL HAS BROKEN LOOSE!! PANDEMONIUM has come to Earth and EVIL INCARNATE reigns! Cover by Bart Sears, Andy Smith, Andrew Dalhouse and Comicraft. PANDEMONIUM: EVIL INCARNATE is a 70-page giant anthology that sets the stage for the Advent Universe and concludes in the upcoming 100-page spectacular CHAMPIONS OF HOPE. All of the stories are stand-alone but link together to tell a much larger story. DARKLIGHT & CREW - a sci-fi/space/fantasy epic that introduces a team of galactic freedom fighters as they battle the insidious Regent & The Regime LAZARUS - is a thrilling crime noir tale with a twist THE UNTOUCHABLES - The "Young Guns" of the Advent Universe SAVIOR - chronicles the arrival of this celestial hero and the significance to the future of the Advent Universe THE HIT SQUAD - the Advent Universe's deadliest assassins TITAN, THE ULTRA MAN - superheroics with the world's strongest hero The artwork being delivered by "The Untouchables," Advent's group of up & coming in-house talent, is both fresh and dynamic. The all-star cover is drawn by Bart Sears, inked by Andy Smith, colored by Andrew Dalhouse and finished by Comicraft.