Martin Edwards . . . writes terrific crime novels about Harry Devlin, a charming but down-at-heel solicitor with bruised emotions, a nice line in self-deprecation, and a penchant for Mersey low-life."—The Guardian

When Liverpool solicitor and detective Harry Devlin takes on a client who has been taping his wife's telephone conversations with her lover, he gets more than he bargained for. The first mystery is the identity of Becky's boyfriend, whose voice Harry finds oddly familiar. Then, as a case of adultery slides frighteningly into conspiracy to murder, a trespasser makes a shocking discovery: three dead bodies in a converted church. Who are they? Who has killed them, and why? Trapped in a maze where neither victims nor apparent culprit are who they seem to be, Harry must go into the dark places of the human heart to find the answers.

"Edwards skillfully weaves the strands together [in] this twisty whodunit." —Publishers Weekly This atmospheric, fast-moving and intricate thriller features Harry Devlin, one of modern crime fiction's most memorable amateur detectives, in the deadliest case of his life. A notice announcing that Harry Devlin died suddenly on Midsummer's Eve arrives at the office of his law firm one June day. Harry isn't happy to read it: Midsummer's Eve is less than a week away. His partner Jim Crusoe treats the message as a joke, but Harry isn't so sure. Meanwhile, young women are being murdered in Harry's home city of Liverpool. When a friend who has asked to meet him becomes the latest victim, Harry becomes a suspect. He's soon fighting for survival on two fronts. Even as he unravels the shocking secret behind the murders, Harry must discover and confront the enemy who wants him dead if he is to live to see Midsummer's Day.

"...a beautifully-evoked sense of the Lake District and an interesting and diverse group of characters. Martin Edwards got plenty of kudos for his Harry Devlin series, and he should get even more for this one. His DCI Hannah Scarlett is a fine creation." —Peter Robinson, New York Times bestselling author Oxford historian and TV personality Daniel Kind and his new lover, Miranda, both want to escape to a new life. On impulse they buy Tarn Cottage in Brackdale, an idyllic valley in the Lake District that Daniel knew as a boy, a place so remote that the dead had to be carried out over the peaks on pack animals along the ancient Coffin Trail. Tarn Cottage was once home to Barrie Gilpin, an autistic youth suspected of a savage murder. A young woman visitor to the valley had been found laid out on the Sacrifice Stone, an ancient pagan site up on the fell. Barrie fell to his death near the crime scene before he could be questioned. All these years later, Daniel retains his belief in Barrie's innocence and questions his own policeman father's handling of the case. When DCI Hannah Scarlett and her squad launch a cold case review, Brackdale's skeletons begin to rattle. The wild geography of the Lakes District plays against local literary references, all backdrop to the lives of villagers and outsiders drawn to this beautiful spot—but for what reasons? The Coffin Trail launches a new series by a master British hand.

"Fans of this increasingly popular series will be in line for this one, and it should be recommended to readers of such similar British authors as Peter Robinson and Sally Spencer." —Booklist After ten years, Guy—a drifter with a taste for deception—has returned to Coniston in England's Lake District. Local journalist Tony di Venuto is campaigning to revive interest in the disappearance of Emma Bestwick, and Guy knows what happened to her. When Guy tips off the newspaperman that Emma will not be coming home, DCI Hannah Scarlett, head of Cumbria's Cold Case Review Team, re-opens the old investigation. Her inquiries take her to the Museum of Myth and Legend and to the remote and eerie Arsenic Labyrinth—a series of stone tunnels used to remove arsenic from tin ore. Meanwhile, historian Daniel Kind is immersing himself in the work of John Ruskin, whose neighbors created the Arsenic Labyrinth. A shocking discovery made against the stunning backdrop of the Lake District in winter makes it clear to Hannah that there is more than one mystery to solve, and she turns to Daniel for help in untangling the secrets of the past....

White provides the most comprehensive scholarly compilation of fictional work of legal suspense in existence. Primarily a bibliography of novels, it also annotates plays, scripts for film and television, novelizations, and short-story collections about lawyers and the law. The idea behind the principal of selection is to disdain labels that reduce the variety of the legal thriller to a subgenre of mystery fiction. Novels that range from suspense thrillers through science fiction to the philosophical novel are included if justice is thematically important. It is therefore an eclectic reference source beyond a compilation of books about lawyers as protagonists. Its biographical and scholarly information about authors, major and minor, and their novels or works is traditionally encyclopedic and objective regardless of whether the work has been genre-defined, or worse—deified as a classic or denigrated as a bestseller. Many novels included are long out of print, but historically interesting for their contribution to the lineage of the courtroom drama, showing that the history of the legal thriller is one of the major branches of modern literature since the Age of Reason. The criterion of justice denoted moves beyond the fact of lawyers and courtrooms to select seminal novels like Robert Travers' Anatomy of a Murder as well as the romantic potboiler. Among the more than 2,000 works are the Perry Mason novels of Erle Stanley Gardner, John Mortimer's Rumpole series, along with a staple of fiction by major authors of the genre like John Lescroart, Lisa Scottoline, Margaret Maron, Scott Turow, and John Grisham. There are also individual works by Shakespeare, Goethe, Kafka, Camus, and Twain delineating humanity's obsession with the law as its shining prop of civilization and, alternative, béte-noire of the common individual caught up in its maw. The appendices include comments by lawyer-novelist Michael A. Kahn, a historical introduction to the legal thriller, craft notes by writers and prominent trial lawyers responding to author and lawyer questionnaires, bibliography of critical sources and articles, series characters, and the legal terminology found in courtroom dramas and novels. An essential reference tool for scholars, researchers as well as the occasional reader of legal thrillers.

A guide to series fiction lists popular series, identifies novels by character, and offers guidance on the order in which to read unnumbered series.