‘Londoner Eva Verde’s Lives Like Mine explores the theme of a school-run affair and the complications and joys it brings to a dual-heritage mother struggling with her intolerant in-laws’ Independent 'A bitter sweet story of longing and self-discovery, of deceit and regret. Visceral, authentic and funny, Eva’s prose reads like something between a conversation and a confession. An exciting new voice and a joy to read' Kit de Waal ‘Eva's writing breaks new ground in a confident and original voice, with a sharp eye for detail, wonderful characterisation and some seriously badass humour’ Yvvette Edwards, author of the Man Booker Prize longlisted novel, A Cupboard Full of Coats ‘Lives Like Mine is an assured debut from a writer who’s going to go far' Red Online 'Londoner Eva Verde's breathtaking novel' New! Mother. To three small children, their heritage dual like hers. Daughter. To a mother who immigrated to make a better life but has been rejected by her chosen country. Wife. To a man who loves her but who will not defend her to his intolerant family. Woman… Whose roles now define her and trap her in a life she no longer recognises… Meet Monica, the flawed heroine at the heart of LIVES LIKE MINE. With her three children in school, Monica finds herself wondering if this is all there is. Despite all the effort and the smiles, in the mirror she sees a woman hollowed out from putting everyone else first, tolerating her in-laws’ intolerance, and wondering if she has a right to complain when she’s living the life that she has created for herself. Then along comes Joe, a catalyst for change in the guise of a flirtatious parent on the school run. Though the sudden spark of their affair is hedonistic and oh so cathartic, Joe soon offers a friendship that shows Monica how to resurrect and honour the parts of her identity that she has long suppressed. He is able to do for Monica what Dan has never managed to, enabling her both to face up to a past of guilty secrets and family estrangements, and to redefine her future.

Late Antique and Medieval Art of the Mediterranean World is a much-needed teaching anthology that rethinks and broadens the scope of the stale and limiting classifications used for Early Christian-Byzantine visual arts. A comprehensive anthology offering a new approach to the visual arts classified as Early Christian-Byzantine Comprised of essays from experts in the field that integrate the newer, historiographical research into 'the canon' of established scholarship Exposes the historical, geographical and cultural continuities and interactions in the visual arts of the late antique and medieval Mediterranean world Covers an extensive range of topics, including the effect that converging cultures in late antiquity had on art, the cultural identities that can be observed by looking at difference of tradition in visual art, and the variance of illuminations in holy books

"The Best American Novelist Whose Name You May Not Know"—Calvin Baker, The Atlantic "A literary giant, and one of my absolute favourite writers" -TAYARI JONES, author of AN AMERICAN MARRIAGE "An American writer with a powerful sense of vital inheritance, of history in the blood." -John Updike, The New Yorker Eva's Man is a gripping psychological portrait of a woman unable to love for fear of pain. Imprisoned for the bizarre murder of her lover, Eva Median Canada weaves together memory and fantasy to reveal a life tormented by the brutality of sexual abuse and emotional silence. Brilliantly experimenting with language, Jones infuses her graphic and powerful narrative of the triple yoke of race, class, and gender with a rich musical and oral idiom.

From one of Germany’s leading young historians, the first comprehensive biography of Eva Braun, Hitler’s devoted mistress, finally wife, and the hidden First Lady of the Third Reich. In this groundbreaking biography of Eva Braun, German historian Heike Görtemaker reveals Hitler’s mistress as more than just a vapid blonde whose concerns never extended beyond her vanity table. Twenty-three years his junior, Braun first met Hitler when she took a position as an assistant to his personal photographer. Capricious, but uncompromising and fiercely loyal—she married Hitler two days before committing suicide with him in Berlin in 1945—her identity was kept secret by the Third Reich until the final days of the war. Through exhaustive research, newly discovered documentation, and anecdotal accounts, Görtemaker turns preconceptions about Eva Braun and Hitler on their head, and builds a portrait of the little-known Hitler far from the public eye.