The Distaff Gospels (Les Évangiles des Quenouilles), a fascinating fifteenth-century collection of more than 250 popular beliefs, constitutes a kind of encyclopedia of late medieval women’s wisdom. The women’s beliefs and experiences are recounted within the narrative frame of traditional gatherings where women meet with their spindles and distaffs to spin. They share advice on such important matters as how to control errant husbands, how to predict the gender of future offspring, how to cure common diseases, and ways to deal with evil spirits, providing a rare look into the intimate lives of medieval peasant women. This edition includes a facing-page translation (the first in English since 1510) of the two Old French manuscripts of the text. The critical introduction discusses the literary context, textual history, and cultural significance of The Distaff Gospels, while the rich selection of appendices includes translations of the names of the women storytellers and excerpts from works by Giovanni Boccaccio, Jean de Meun, François Villon, and Christine de Pizan.

This book focuses on the role of represented speech in four short story collections from fifteenth- and sixteenth-century France: the anonymous Evangiles des quenouilles; Martial d'Auvergne's Arrêts d'Amour; Marguerite de Navarre's Heptaméron; and Noël Du Fail's Propos rustiques. As a study of the narrative staging of the acts of storytelling and conversing, it raises issues of orality, aurality, and literacy, as well as of the processes of textual production, transmission, and reception. In addition, the conversational frame of these short story collections deliberately sets up questions about the accessibility and reliability of truth. While these collections claim to enter upon the path toward universal truth, the difficulty of such an enterprise is revealed through their very narrative structure, where the polyphony of opposing voices and divergent opinions is engaged by the very acts of conversation and storytelling themselves.

Founded in 1977 as the publication organ for the Fifteenth-Century Symposium, Fifteenth-Century Studies has appeared annually since then. It publishes essays on all aspects of life in the fifteenth century, including literature, drama, history, philosophy, art, music, religion, science, and ritual and custom. The editors strive to do justice to the most contested medieval century, a period that is the stepchild of research. The period defies consensus on fundamental issues: some dispute, in fact, whether the fifteenth century belonged at all to the middle ages, arguing that it was a period of transition, a passage to modern times. At issue, therefore, is the very tenor of an age that stood under the tripartite influence of Gutenberg, the Turks, and Columbus. Volume 26 contains the customary survey of research on late-medieval drama. There are six articles on French literature, four on German topics, two on Italian art, one on Spanish medieval predication, and three on English literary matters. Six of the articles focus on women and misogyny. Further topics include: popular approaches to problems of daily living; the crusades and mysticism; an early warning against excess in travel and exploration; the conduct of princes as described in chronicles; the so-called Pope Joan; theater, including farces, passion pageants, and triumphant entries of princes; critique of the estates; the function of authors, and their rights, duties, and privileges. There are 17 book reviews and two obituary dedications. The volume has been assembled with special care for style, excellence of research, and variety of approaches. Edelgard DuBruck is professor emerita of Modern Languages at Marygrove College, Detroit, Michigan. Barbara Gusick is professor emerita of English at Troy University-Dothan, Dothan, Alabama.

From women's medicine and the writings of Christine de Pizan to the lives of market and tradeswomen and the idealization of virginity, gender and social status dictated all aspects of women's lives during the middle ages. A cross-disciplinary resource, Women and Gender in Medieval Europe examines the daily reality of medieval women from all walks of life in Europe between 450 CE and 1500 CE, i.e., from the fall of the Roman Empire to the discovery of the Americas. Moving beyond biographies of famous noble women of the middles ages, the scope of this important reference work is vast and provides a comprehensive understanding of medieval women's lives and experiences. Masculinity in the middle ages is also addressed to provide important context for understanding women's roles. Entries that range from 250 words to 4,500 words in length thoroughly explore topics in the following areas: · Art and Architecture · Countries, Realms, and Regions · Daily Life · Documentary Sources · Economics · Education and Learning · Gender and Sexuality · Historiography · Law · Literature · Medicine and Science · Music and Dance · Persons · Philosophy · Politics · Political Figures · Religion and Theology · Religious Figures · Social Organization and Status Written by renowned international scholars, Women and Gender in Medieval Europe is the latest in the Routledge Encyclopedias of the Middle Ages. Easily accessible in an A-to-Z format, students, researchers, and scholars will find this outstanding reference work to be an invaluable resource on women in Medieval Europe.

The Distaff Gospels (Les Évangiles des Quenouilles), a fascinating fifteenth-century collection of more than 250 popular beliefs, constitutes a kind of encyclopedia of late medieval women’s wisdom. The women’s beliefs and experiences are recounted within the narrative frame of traditional gatherings where women meet with their spindles and distaffs to spin. They share advice on such important matters as how to control errant husbands, how to predict the gender of future offspring, how to cure common diseases, and ways to deal with evil spirits, providing a rare look into the intimate lives of medieval peasant women. This edition includes a facing-page translation (the first in English since 1510) of the two Old French manuscripts of the text. The critical introduction discusses the literary context, textual history, and cultural significance of The Distaff Gospels, while the rich selection of appendices includes translations of the names of the women storytellers and excerpts from works by Giovanni Boccaccio, Jean de Meun, François Villon, and Christine de Pizan.