What would you do if your hometown and its people were under immediate threat? What if you lost your home, your land, your family belongings, and no one seemed to care, much less lend a hand? What if the youth in your community fled without option as your family and culture decayed in their wake? What if the lives of your neighbors or grandparents were unnecessarily lost while politicians seemed incapacitated and outsiders idly observed? What if all of this was avoidable, occurring because of man-made problems? What would you do? The youth of South Louisiana are forced to ask themselves these difficult questions every day, growing up in a land where threat, loss, and survival often take precedence over the traditional spoils of youth. In South Louisiana, man-made environmental problems are contributing to the loss of one football field of land every 60 minutes, resulting in a devastating disintegration of personal lives and irreplaceable heritage. Formulated directly from on-site interviews, Evangeline Drowning is a riveting new drama that investigates the socio-environmental crisis in Southern Louisiana through the lens of those it impacts the most, notably the voices of its future. The most powerful play I have seen in a long time, maybe ever. An impressive, meaningful, and emotionally engaging work. As funny as it is insightful. Every educational program in the country needs to produce this play. A story that desperately needs to be told. Beautiful. Moving. Humorous. Ive never seen anything that gripped me so tightly. Exciting new docudrama which explores the environmental crisis of the Louisiana wetlands from the perspective of its youth. A dynamic, moving, and a powerful message concerning the human, and environmental challenge taking place in the Louisiana coastal region, our nation, and our planet.

Sensationalistic stories have attracted readers for as long as reading has been a popular form of entertainment. Readers have been frightened, revolted, yet fascinated by stories of death, thievery, kidnapping, murder, rape, scandal, love triangles, and colorful miscreants. Starting in the 1830s this morbid interest in lurid stories fueled the unprecedented growth of sensationalist newspapers that titillated and shocked their many readers. This study of sensationalism describes how newspapers added lurid details to their coverage of news events in an effort to attract as many readers as they could. Employing hyperbole and exaggerated details, they meant to grab the attention of the reader and keep him or her reading. For the next hundred years this form of journalism continued, later spilling over into radio and television news. Along the way, the "yellow journalism" wars of the 1880s and 1890s produced bold headlines, eye-catching illustrations, exaggeration of news events, and even false quotes and misleading information. Sensational reporting continued with muckraking reporting in the early 1900s as journalistic crusaders worked to expose municipal corruption, corporate greed, and misconduct in American business.

Everyone believes Lady Evangeline is dead…her survival depends on it. If not for Lady Evangeline’s secret training in weaponry, her corpse would be rotting in a ditch. Instead, she finds refuge in a crumbling abbey—and new purpose. With her child dead and her husband lost to the lies of a devious plotter, Evangeline vows to fight for the starving widows and children in the villages surrounding the abbey. Masquerading as a nun by day, and an armed vigilante by night, she will free these people no matter what it takes. Lord Henry Stanton still grieves the death of Evangeline. How can he ever shed the weight of guilt over not protecting his beautiful wife? She never even had the chance to know their precious baby girl, now healthy and thriving. Though he failed to keep Evangeline safe, he will stop at nothing to protect their daughter from the intrigue and corruption threatening not just the royal court, but the whole land. When the worst happens, Henry must join forces with a nun—or is she Evangeline? They must overcome lies, treachery, and a broken marriage to save their innocent daughter—and the country—before it’s too late. Escape to another century in this action-packed inspirational medieval romance!

Two novels from New York Times bestselling author Melanie Dickerson are now available in a low-priced, one-volume e-collection! The Silent Songbird Evangeline is gifted with a heavenly voice, but she is trapped in a sinister betrothal until she embarks on a daring escape and meets brave Westley le Wyse. Can he help her discover the freedom to sing again? More than Evangeline’s future is at stake as she finds herself entangled in a web of intrigue that threatens England’s monarchy. Should she give herself up to protect the only person who cares about her? If she does, who will save the king from a plot to steal his throne? The Noble Servant Magdalen lost everything to the scheme of an evil servant. When a handsome shepherd befriends her, Magdalen and the shepherd uncover a sinister plot. She might just gain what she’s always wanted . . .if she makes it in time. New York Times bestselling author Melanie Dickerson beautifully re-imagines The Goose Girl by the Brothers Grimm into a medieval tale of adventure, loss, and love.

Best known for her Jackson Brodie series of detective novels, which were adapted into the BBC television series Case Histories, Kate Atkinson is the author of eleven novels, two plays, and a collection of short stories. Her literary awards include the 1995 Whitbread Award for a first novel and book of the year for Behind the Scenes at the Museum and the Costa Book Awards for best novel in 2013 and 2015 for Life after Life and A God in Ruins. In this first book-length study of Atkinson's literary career, Brian Diemert examines the evolution of her novels: the playful and self-conscious work of the 1990s, the detective series novels, the books that examine Britain's history and its legacy of conflict and trauma related to World War II, and the most recent return to mystery. Diemert identifies her pattern of weaving multiple narrative strands into intricate plots that create the mystery at the heart of all her tales. He traces her development of narrative technique and thematic preoccupations of women's vulnerability within patriarchy and the complications of absent or disengaged parents. While her fiction is marked by allusiveness and humor, it remains profound and often touching as it explores the myths of British history and, particularly, women's lives.

Long Beach was one of the many Southern California cities that grew out of the railroad fare wars of the late 1880s. It was built by men and women who toiled to make it the great metropolis it is today. These are the tales of those who died or are buried in Long Beach. Some were illustrious in their time, others just common folk with interesting stories to tell. Politicians, city founders, visitors, influenza victims, Civil War veterans and accident victims are all discussed here, as well as the hospitals, doctors, undertakers and others who cared for the dead and dying. But what makes Long Beachs Sunnyside and Municipal cemeteries different from all others is the question of whether the bodies said to be there still remain. The cemetery wars of the 1920s erupted when oil was discovered on Signal Hill. Oil and other debris ran over the graves and the promised mausoleum that many had already paid for was cast aside in favor of black gold. People were angry, barricading themselves by the cemeteries gates to prevent oil rigs from getting to the mausoleum site. Slant drilling caused headstones and markers to sink into the ground, graves were covered by the run off debris from the oil fields above. Many bodies were moved, their headstones left behind, with haphazard records kept of where the corpses were relocated. It would take a 10 year court case to determine if the dead still had rights. In this book you will learn about the fascinating history of Long Beachs unique cemeteries, the stories of those said to be buried in them, and whether Long Beachs cities of the dead may be haunted by angry souls whose final abode did not allow them to rest in peace.