A fatal incident at a medical facility sends U.S. government agents on the trail of Evangelina Scales-Jennifer's sister and an extraordinary figure with deadly intent. But not everything is as it seems.

“If they do come here, they’ll show us no mercy,” thirteen-year-old Evangelina overhears her father say as she gathers eggs in the chicken pen. Back at the house, Mamá brushes away her fears of revolutionaries. There are even more chores than usual to be done at Rancho Encantado because her sister’s quinceañera celebration is rapidly approaching! It’s the summer of 1911 in northern Mexico, and soon the de León family learns that the rumors of soldiers in the region are true. Evangelina’s father decides they must leave their home to avoid the violence. The trip north to a small town on the U.S. side of the border is filled with fear and anxiety as they worry about loved ones left behind and the uncertain future ahead. Life in Texas is confusing, though the signs in shop windows that say “No Mexicans” and some people’s reactions to them are all-too clear. At school, she encounters the same puzzling resentment. The teacher wants to give the Mexican children lessons on basic hygiene! And one girl in particular delights in taunting the foreign-born students. Why can’t people understand that—even though she’s only starting to learn English—she’s just like them? With the help and encouragement of the town’s doctor and the attentions of a handsome boy, Evangelina begins to imagine a new future for herself. This moving historical novel introduces teens to the tumultuous times of the Mexican Revolution and the experiences of immigrants, especially Mexican Americans, as they adjust to a new way of life.

Rhetorics of Nepantla, Memory, and the Gloria Evangelina Anzaldúa Papers: Archival Impulses explores the intersection of Chicana/o/x studies, Latina/o/x studies, archival studies, and public memory by examining the archival homes of cultural critic Gloria Anzaldúa. This book illustrates how her archive mirrors her philosophy of theories of the flesh and contains objects that, when placed together by the rhetor, perform the embodied ways of knowing of which she writes. Anzaldúa’s archive is a generative space that requires a rhetorical perspective that is expansive, intersectional, and flexible enough to handle interactions between the objects found within and across archives. This book provides an account of how to discuss these interactions in theoretically and experientially meaningful ways. From the analysis of Anzaldúa’s public speeches, the parallels between her birth certificate and creative writing, the planning documents of the 1995 Entre Américas: El Taller Nepantla artist retreat, and more, the author contributes to the fields of archival methods, gender studies, Anzaldúan scholarship, public memory, and rhetorical studies by illustrating why engaging the archives of women of color matters.

In this era of fantastical beings and superheroes, let us not forget the original superheroes of the universe—angels. In this second installment of her saga, Evangelina, a minor angel, has been called into service as a guardian angel. She is given a very special ward, the Glory Child, Jonathan. The young boy, just two years old, is a once-in-a-millennia gift from God to mortals and he is destined to improve the human condition. In an effort to use the child as a negotiating piece, Lucifer sends Beelzebub, a Prince of Hell, to kidnap the child. Arriving too late to thwart the demons, Evangelina chases the kidnappers across the country to the gates of Hell. During the battles between the recently minted guardian angel and the demons that confront her, Evangelina discovers her true powers as an angel.

"At the end of the nineteenth century, three revolutionary women fight for freedom in ... Chanel Cleeton's ... novel inspired by real-life events and the true story of a legendary Cuban woman--Evangelina Cisneros--who changed the course of history"--