Summary: Survival: The Saga of My Ancestors describes five generations that emanated from Germany and Italy. It is based on research through ancestry.com and other internet sources as well as interviews with relatives and discoveries in long-forgotten closets and scrapbooks. It includes tales of immigration, settling, and dealing with successes and failures. The people depicted are hard-working, most of them in the steel related industries of Pittsburgh, Pennsylvania. In addition to chapters on each of the four branches of the author's heritage, there are chapters that deal with the research process.

Contains topics that range from glass joints, fixings and adhesives to architectural designs to the strength, stability and safety of glass. This book also covers issues such as laminates and composite designs, glass lighting, the curving and bending of glass and the many facades of glass.

"Why Have There Been No Great Women Artists?" asked the prominent art historian Linda Nochlin in a provocative 1971 essay. Today her insightful critique serves as a benchmark against which the progress of women artists may be measured. In this book, four prominent critics and curators describe the impact of women artists on contemporary art since the advent of the feminist movement.

Art historian and conceptual artist Michael Huey returns again and again to the topics loss, legacy, and the archive in his work, including that of a journalist covering historical architecture in central Europe and beyond. In search of a variety of expressions of life and passion, he has for more than 30 years written about interiors—home, in the broadest sense—for newspapers and magazines, starting with The Home Forum, the arts and letters page of The Christian Science Monitor, and continuing for The World of Interiors, German AD, nest, and Cabana. This book contains a selection of Michael Huey’s very best stories, comprising over 70 superb articles accompanied by the author’s inspiring photographs. Through this lens we travel from hidden gems of the Baroque to forgotten places of the 19th century, to Vienna’s Art Nouveau, and on to recent times. But always he shows us homes, interiors, and people lovingly interwoven with art.

An illustrated examination of laboratory architecture and the work that it does to engage the public, recruit scientists, and attract funding. The laboratory building is as significant to the twenty-first century as the cathedral was to the thirteenth and fourteenth centuries. The contemporary science laboratory is built at the grand scales of cathedrals and constitutes as significant an architectural statement. The laboratory is a serious investment in architectural expression in an attempt to persuade us of the value of the science that goes on inside. In this lavishly illustrated book, Sandra Kaji-O'Grady and Chris L. Smith explore the architecture of modern life science laboratories, and the work that it does to engage the public, recruit scientists, and attract funding. Looking at the varied designs of eleven important laboratories in North America, Europe, and Australia, all built between 2005 and 2019, Kaji-O'Grady and Smith examine the relationship between the design of contemporary laboratory buildings and the ideas and ideologies of science. Observing that every laboratory architect and client declares the same three aspirations—to eliminate boundaries, to communicate the benefits of its research programs, and to foster collaboration—Kaji-O'Grady and Smith organize their account according to the themes of boundaries, expression, and socialization. For instance, they point to the South Australian Health and Medical Institute's translucent envelope as the material equivalent of institutional accountability; the insistent animal imagery of the NavarraBioMed laboratory in Spain; and the Hillside Research Campus's mimicry of the picturesque fishing village that once occupied its site. Through these and their other examples, Kaji-O'Grady and Smith show how the architecture of the laboratory shapes the science that takes place within it.

For a young artist whose work is as cheeky as unconventional in both its form and aesthetics, Zenita Komad is untypically straightforward in addressing spirituality. In her project The Artist and the Kabbalist, she speaks with celebrated scientist and Kabbalist Michael Laitman. Saying and epigrams are transposed into her own visual language with humor and spiritual scrutiny. The Artist, The Kabbalsit & The CirlcXperiement by Zenita Komad provides people with visual stimulation that immediately touches their hearts. This is art that heralds the message of unity and connection as a solution to all problems with asbsolute contemporaneity and the urgency the times demand. It speals to us with itnelligent imagery that gets us, and keeps us, thinking and feeling.