The art of movement called eurythmy began about eighty years ago, based on Rudolf Steiner's knowledge of spiritual beings and meanings behind various human movements, as well as knowledge of the inner spiritual qualities of human beings when we move. Eurythmy performance is choreographed according to "forms" drawn to reflect the inner nature of spoken language (speech eurythmy) or a musical piece (tone eurythmy), which is the subject of Eurythmy Forms for Tone Eurythmy. Steiner produced about 1500 forms for speech and tone eurythmy to be performed in Dornach and other locations. Many of his forms for tone eurythmy arose spontaneously in response to requests for forms from eurythmists. Steiner's spontaneity is readily apparent in the sketches themselves, with some drawn at rehearsals as he listened to the music. Steiner sketched others in the evening after hearing the music once, making them available for rehearsal the next day. When he was confined to bed during his final illness, he drew forms simply by looking at the sheet music. Eurythmy Forms for Tone Eurythmy contains facsimiles of the Rudolf Steiner's original drawings and, in many cases, instructions for performing them. Included are forms for compositions by Bach, Beethoven, Brahms, Chopin, Franck, Grieg, Handel, Lewerenz, Liszt, Mozart, Reger, Schubert, Schumann, Scriabin, van Stuten, Tartini, and many more. This is a valuable resource for all eurythmists, as well as for those who wish to gain a better understanding of eurythmy forms. This book is intended primarily for eurythmy students, performers, and teachers, and is also useful to anyone who would like to study eurythmy movements and better appreciate eurythmy performances.

‘The study of music is the study of the human being. The two are inseparable, and eurythmy is the art which brings this most clearly to expression. In these lectures, Rudolf Steiner guides us along a path toward an understanding of the human form as music comes to rest – the movements of eurythmy bringing this music back to life.’ – Dorothea Mier ‘Fundamentally speaking, music is the human being, and indeed it is from music that we rightly learn how to free ourselves from matter.’ – Rudolf Steiner The focus of these eight lectures is the source of movement and gesture in the human being. The movement in musical experience is thus traced back to its origin in the human instrument itself. Like the degrees of the musical scale, Rudolf Steiner leads his select audience of young artists through eight stages, focusing on the living principles of discovery and renewal. Eurythmy was born in the turbulent decades of the early twentieth century. From an individual question as to whether it was possible to create an art based on meaningful movement, Rudolf Steiner responded with fresh creative possibilities for a renewal of the arts in their totality. The new art of eurythmy was an unexpected gift. Today, music eurythmy, along with its counterpart based on speech, is practiced as an art, taught as a subject in schools, enjoyed as a social activity and applied as a therapy. This definitive translation of Steiner’s original lecture course on eurythmy includes a facsimile, transcription and translation of the lecturer’s notes, together with an introduction and index. The volume is supplemented with an extensive ‘companion’, featuring full commentary and notes compiled by Alan Stott, as well as a translation of Josef Matthias Hauer’s Interpreting Melos.

Created in 1911, eurythmy was developed for years as an artistic and educational discipline. Although Rudolf Steiner pointed out its healing aspects from the very beginning, it was only in 1921 that he gave a course of lectures that gave the art of eurythmy a vital new application. To the assembled eurythmists and doctors, he presented what one participant described as '...a complete and detailed method of eurythmy therapy, in which we could directly experience that even today the creative and therapeutic power of the word ... is still at work'.Steiner's comprehensive lectures, republished here in a thoroughly revised translation, describe the principles of therapeutic eurythmy, giving many specific exercises. Primarily intended for practising eurythmists, these lectures also contain much material of particular interest. Steiner reveals the intricacies of rhythmic interplay between human physiology and the life-forces in the world around us. He describes the qualities of language and the dynamism contained in the individual vowels and consonants, elucidating their relationship with eurythmical movements and human experience. Through such movements, individuals are able to access the healing etheric forces.The exercises, referred to by Steiner as 'inner gymnastics', contain enormous potential for psychological and physiological well-being. Gaining ever-wider recognition today, they complement conventional medicine, offering a therapeutic process concerned with mind, soul and body.This new edition of these important lectures - previously published under the title Curative Eurythmy - includes an appendix with reminiscences by early eurythmists, as well as additional commentary from Dr Walter Kugler.

'There will be a resurrection – a resurrection that should not be imagined politically... but it will be a resurrection. Goetheanism still rests in the grave as far as external culture is concerned. But Goetheanism must rise again.' In the first winter following the Great War, Rudolf Steiner appealed to the spirit of Central Europe – which he characterized as Goetheanism – that had been languishing for decades. Only such a spiritual force could provide answers to the pressing social, national and international questions of the time. A new constellation of polar, hostile opposition had emerged after the war, with the East and Bolshevism on one side, and the victorious West and Americanism on the other. In the middle, with no apparent role or hope for the future, was the defeated Central Europe. But this 'centre', beseeched Steiner, should not become a vacuum. Rather, it needs to discover its true, world-historical task.In this context, with deep seriousness and urgency, Rudolf Steiner speaks of the work of Goetheanism, which begins with understanding the threefold human being and leads to threefolding the social organism. Steiner goes on to describe the decisive role of the consciousness soul in the present epoch, and how Schiller's Aesthetic Letters and Goethe's Fairy Tale relate to contemporary challenges. He discusses a multitude of seemingly diverse but interrelated themes, such as the migration of peoples in the past and present, the thinking of John of the Cross, and the modern path of spirit cognition. The first English publication of these lectures features an introduction by Christian von Arnim, notes and an index. Twelve lectures, Dornach, Jan.–Feb. 1919, GA 188

Knowledge of the cosmic significance of Christ and his mission, once experienced intuitively, has faded over the centuries. As theologians and historians of the Church critically scrutinized the Gospel records, their focus shifted from a gnostic vision of Christ to the human figure of ‘the simple man’, Jesus of Nazareth. In these enlightening lectures, Rudolf Steiner shows how ‘the Mystery of Golgotha’ (his term for the Crucifixion and Resurrection of Christ) can be understood as the pivotal event in human history, and the Gospels as ‘initiation documents’ that can serve to guide us on a path of spiritual development. He contrasts elements of the religious thinking of Jesuitism with Rosicrucianism – particularly in relation to the effect on human will – and discusses the characteristics of the two Jesus children in the contrasting accounts by Luke and Matthew. Steiner demonstrates how the great religious traditions of Zarathustra and Buddha helped prepare the way for the events of Palestine. In the process he clarifies controversial topics in Christian theology, such as the resurrection of the physical body of Jesus Christ. The emphasis throughout these lectures is on rediscovering the esoteric path to Christ and awakening to a new revelation manifesting in our time: Christ as the ‘Lord of Karma’. This edition features a revised translation and is complemented with editorial notes and appendices by Frederick Amrine and an introduction by Robert McDermott. Eleven lectures, Karlsruhe, Oct. 1911, GA 133

Speaking just months after the end of the First World War, Rudolf Steiner urges his audience to awaken to the practical relevance of spiritual knowledge. Serious engagement with contemporary spiritual-scientific concepts can awaken healthy forces of the will, which in turn facilitate constructive action in the outer world. Conversely, ideas that are remnants of a previous age – echoed in empty phrases and dogmas – only hinder our ability to think with the consciousness demanded by the times, destroying the potential for true social initiative. The historical context of these lectures was indeed disastrous, with inflation, hunger, homelessness and political extremism all rife. But Steiner advises that social conditions will only get worse if people don't engage with modern spiritual impulses. Thus – in contrast to the backward phenomenon of nationalism and the contemporary caricature of democracy – he introduces the future-oriented concept of social threefolding. He discusses manifold challenges, such as the decline of the West and the outmoded spiritual impulses of Jesuitism and Freemasonry – but also the positive path for an ascent of Western societies, genuine spiritual medicine, the true message of Easter, and the victory of the Archangel Michael. In several lectures, Rudolf Steiner speaks in some detail about the role and structure of the Catholic Church, the historical use of encyclicals and the doctrine of Papal Infallibility. The first full translation of this course features an introduction by Dorothy Hinkle-Uhlig, notes and an index.Seventeen lectures, Dornach, Mar.–Jul. 1920, GA 198

One hundred years after Rudolf Steiner presented his lectures on agriculture in 1924, the impact of his words are self-evident. Around the world, biodynamic principles are practised in thousands of thriving farms, vineyards and gardens, and Demeter certification for biodynamic produce is recognized internationally as a mark of quality. Speaking to a modest audience of farmers in a village in modern-day Poland, Steiner launched the first organic agricultural movement. But what has come to be known as ‘biodynamics’ is distinguished by many unique aspects, including the use of herbal and mineral ‘preparations’ (which serve as dynamizing applications for compost and field sprays) and the concept of the farm or garden as a single living organism, encompassing animals, crops, soil and community. This definitive, centenary edition of the influential Agriculture Course has been reedited from primary sources to be as faithful as possible to Steiner’s original meaning. Shorthand reports have been freshly transcribed, archival discoveries added, and fresh commentary and notes inserted. In addition to the original eight lectures and four discussions, this volume features a wealth of new texts, including notes, addresses and resolutions relating to the Experimental Circle – founded contemporaneously to bridge research and practice – comprehensive facsimiles of Rudolf Steiner’s preparatory notes for the course; original programmes and attendee lists; questions sent in advance; written and verbal reports by Steiner, including his address to young people; photos of Koberwitz, and high-quality colour plates of his original blackboard drawings. Eight lectures, four question-and-answer sessions, Koberwitz, June 1924, GA 327