This book (Volume Two) gives an historical overview of 51 countries whose armed forces served in Europe 1900-2000, together with uniform descriptions. Includes 204 full colour paintings of the regular armies, marines, airforce and para-military troops engaged in land exercises, operations and warfare in Europe, including non-European troops serving in Europe. Each entry is accompanied by a history and description of the uniforms illustrated. The author and illustrator Ron Kidd, has been interested in both police and military history, uniforms and insignia since he was a school boy in the 1950's. He has visited over 300 police and military museums world-wide, and has written and illustrated a number of magazine articles on both police and military history and uniforms. He is a member of both the Military Heraldry Society and the Military Historical Society.

In the years immediately before the First World War, Archibald Haswell Miller, a young artist, travelled Europe to study painting. While he was there he indulged his other great interest the military. On his travels he observed first-hand the soldiers of the European Armies in the last days of the colourful and elaborate uniforms that were giving way to grey and khaki across the continent. Realising that this was a great military heritage that was slipping away he set out to record these splendid uniforms. In those uncertain days before the assassination of the Archduke Ferdinand in Sarajevo, Haswell Miller sketched and painted hundreds of figures, each wearing a different uniform, from the armies of Britain, Germany, France, Austria-Hungary, Belgium, Holland, Italy, Portugal, Russia, Spain and Sweden. Just before the First World War the paintings were exhibited in Leipzig, and it seemed they might be published. But when war broke out they were returned home and lay forgotten for nearly one hundred years. Now published together at last, they represent a unique record of the uniforms of the last great age of military dress. Accompanied by, in Haswell Miller's own words, 'notes and memories of the days before “the lights went out in Europe” in the year 1914', this is a book of great historical importance.

Three talented French artists, Carle Vernet, Horace Vernet (son of Carle) and Eugène Lami, capitalised on the wave of nostalgia for the First Empire brought on by the death of Napoleon in 1821 by producing a series of prints of French military uniforms of the French revolutionary and imperial armies. These colourful lithographs, each accompanied by a text by an unidentified author describing the unit depicted, were published in book form in 1822 as Collection des Uniformes des Armées Françaises de 1791 à 1814 (Paris: Gide fils, 1822). The broad range of uniforms depicted includes many from infrequently-illustrated foreign and auxiliary units in the French army. The images also include unusual back and side views of uniforms. The images in this book are contemporary watercolor copies of the prints and are reproduced with permission from the Anne S. K. Brown Military Collection at Brown University in Providence, Rhode Island, USA, where they currently reside.

This full-color book covers nearly all of the NATO, and other European armies camouflaged uniforms, and not only shows and explains the many patterns, but also their efficacy of design. Described and illustrated are the variety of materials tested in over forty different armies, and includes the history of obsolete trial tests from 1945 to the present time. More than two hundred patterns have been manufactured since World War II using various landscapes and seasonal colors for their look. The Vietnam and Gulf Wars, African or South American events, as well as recent Yugoslavian independence wars have been used as experimental terrains to test a variety of patterns. This book provides a superb reference for the historian, reenactor, designer, and modeler.

Includes: U.S. and Canada, United Kingdom, Soviet Union, Europe, Israel, the Middle East, Africa, Asia, South Pacific, India and Pakistan, and Latin America; and webbing and equipment.

Napoleonic armies went into battle dressed in resplendent, brilliant uniforms. None were grander than those worn by Napoleon's own soldiers and the troops of imperial France dazzled Europe with their elegant and colorful turnout. In 1812 Napoleon was at the height of his powers and the uniform regulations issued in that year reflect the empire's power and prestige. Carle Vernet, a leading French military artist, was commissioned to paint the regulations so they could be published and circulated to military tailors. His paintings both reflect the brilliant elegance of the time and show the uniforms that were to be adopted in detail. Uniforms of Napoleon's Army has selected the best of Vernet's elegant images and covers the full range of French Army units: heavy cavalry, light cavalry, line infantry, light infantry, artillery, engineers and support troops. An Introduction charts the evolution of French military uniforms, examines the 1812 regulations in detail and places the images in context. Published for the first time in an accessible format, these brilliant images offer a unique insight into the art of the military tailor during the Napoleonic period.