For a full list of entries, contributors, and more, visit the Encyclopedia of American Folk Art web site. This is the first comprehensive, scholarly study of a most fascinating aspect of American history and culture. Generously illustrated with both black and white and full-color photos, this A-Z encyclopedia covers every aspect of American folk art, encompassing not only painting, but also sculpture, basketry, ceramics, quilts, furniture, toys, beadwork, and more, including both famous and lesser-known genres. Containing more than 600 articles, this unique reference considers individual artists, schools, artistic, ethnic, and religious traditions, and heroes who have inspired folk art. An incomparable resource for general readers, students, and specialists, it will become essential for anyone researching American art, culture, and social history.

This handsome collection contains scores of unique images based on folk art designs created by artists of Austria, Poland, Hungary, Russia, Switzerland, and other European countries. Adapted from authentic sources, 265 original renderings depict scores of charming motifs incorporating florals, wildlife, riders on horseback, mythical figures, men and women in traditional costumes, and religious and secular motifs. Ideal for adding a touch of Old World flavor to a variety of projects, these eye-catching, stylized designs appear in assorted configurations, among them borders, squares, circles, medallions, and rectangles. Painstakingly reproduced and attractively presented, the designs represent a valuable resource of inspirational and practical art. The collection will be a major addition to the bookshelves of artists, designer, and craftworkers.

Listen to the artists of the Brazilian Northeast. Their work, they say, comes of continuity and creativity. Continuity runs along lines of learning toward social coherence. Creativity brings challenges and deep personal satisfaction. What they say and do in Brazil aligns with ethnographic evidence from New Mexico and North Carolina; from Ireland, Portugal, and Italy; from Nigeria, Turkey, India, and Bangladesh; from China and Japan. This book is about that, about folk art as a sign of human unity.

Describes the characteristics of folk cultures and discusses the procedures used by social scientists to study folklife.

The country's leading authority on use of artifactual evidence in historical research collects twenty-five classic essays and gives his overview of the field of material culture.

Included in the examples are works from the Charleston and Old Slave Mart museums and the ironwork of Philip Simmons.