This lavishly illustrated catalogue of the exhibit European Cartographers and the Ottoman World, 1500-1750, explores how mapmakers sought to document a new geography of the Near East that reconciled classical ideas and theories with the information collected and brought back by travelers and voyagers. The text is accompanied by images of illuminated manuscript charts and atlases, the earliest printed maps of the Ottoman Empire, and bird's-eye views of cities that provided "arm-chair travelers" with the experience of knowing distant places.

Simple paradigms of Muslim-Christian confrontation and the rise of Europe in the seventeenth century do not suffice to explain the ways in which European mapping envisioned the 'Turks' in image and narrative. Rather, maps, travel accounts, compendia of knowledge, and other texts created a picture of the Ottoman Empire through a complex layering of history, ethnography, and eyewitness testimony, which juxtaposed current events to classical and biblical history; counted space in terms of peoples, routes, and fortresses; and used the land and seascapes of the map to assert ownership, declare victory, and embody imperial power's reach. Enriched throughout by examples of Ottoman self-mapping, this book examines how Ottomans and their empire were mapped in the narrative and visual imagination of early modern Europe's Christian kingdoms. The maps serve as centerpieces for discussions of early modern space, time, borders, stages of travel, information flows, invocations of authority, and cross-cultural relations.

An integrated collection of essays by leading scholars, Two Romes explores the changing roles and perceptions of Rome and Constantinople in Late Antiquity. This important examination of the "two Romes" in comparative perspective illuminates our understanding not just of both cities but of the whole late Roman world.

The region that is today Macedonia was long the heart of the Ottoman Empire in Europe. It was home to a complex mix of peoples and faiths who had for hundreds of years lived together in relative peace. To be sure, these people were no strangers to coercive violence and various forms of depredations visited upon them by bandits and state agents. In the final decades of the nineteenth century and throughout the twentieth century, however, the region was periodically racked by a bitter conflict that was qualitatively different from previous outbreaks of violence. In Blood Ties, Ipek K. Yosmaoglu explains the origins of this shift from sporadic to systemic and pervasive violence through a social history of the "Macedonian Question."Yosmaoglu's account begins in the aftermath of the Congress of Berlin (1878), when a potent combination of zero-sum imperialism, nascent nationalism, and modernizing states set in motion the events that directly contributed to the outbreak of World War I and had consequences that reverberate to this day. Focusing on the experience of the inhabitants of Ottoman Macedonia during this period, she shows how communal solidarities broke down, time and space were rationalized, and the immutable form of the nation and national identity replaced polyglot, fluid associations that had formerly defined people's sense of collective belonging. The region was remapped; populations were counted and relocated. An escalation in symbolic and physical violence followed, and it was through this process that nationalism became an ideology of mass mobilization among the common folk. Yosmaoglu argues that national differentiation was a consequence, and not the cause, of violent conflict in Ottoman Macedonia.

Ottoman historical writing of the 15th and 16th centuries played a significant role in fashioning Ottoman identity and institutionalizing the dynastic state structure during this period of rapid imperial expansion. This volume shows how the writing of history achieved these effects by examining the implicit messages conveyed by the texts and illustrations of key manuscripts. It answers such questions as how the Ottomans understood themselves within their court and in relation to non-Ottoman others; how they visualized the ideal ruler; how they defined their culture and place in the world; and what the significance of Islam was in their self-definition.

This book examines how Ottomans were mapped in the narrative and visual imagination of early modern Europe's Christian kingdoms.

Nurbanu (1525–1583) is one of the most prominent yet least studied royal women of the Ottoman dynasty. Her political and administrative career began when she was chosen as the favorite concubine of the crown prince Selim. Nurbanu’s authority increased when her son Murad was singled out as crown prince. By 1574, when her son, Murad III became Sultan, Nurbanu officially took on the title of Valide Sultan, or Queen Mother, holding the highest office of the imperial harem until her death in 1583. This book concentrates on the Atik Valide mosque complex, which constitutes the architectural embodiment of Nurbanu’s prestige, power and piety. The arrangement of the chapters is designed to enable readers to reconsider Ottoman imperial patronage practices of the late sixteenth century using the architectural enterprise of a remarkable woman as the common thread. Chapter 1 provides a general history of the wqaf institution to inform on its origins and evolution. Chapter 2 looks closely at the political dealings of Nurbanu, both in the domestic and the international sphere, building upon research concerning Ottoman royal women and power dynamics of the sixteenth and seventeenth centuries. Chapter 3 presents a textual analysis of the written records pertaining to Nurbanu’s imperial mosque complex. Chapter 4 examines the distinctive physical qualities and functional features of the Atik Valide within its urban context. The book concludes by assessing to what extent Nurbanu was involved in the representation of her power and piety through the undertaking of her eponymous monument. Providing a complete study of the life and times of this Ottoman empress, this book will appeal to students and scholars of Ottoman studies, gender studies, history of art and architecture, Islamic studies, history of religion and Middle Eastern studies.