Locating a shared interest in the philosophy of "art for art's sake" in aestheticism and modernismo , this study examines the changing role of art and artist during the turn-of-the-century period, offering a consideration of the multiple dichotomies of art and life, aesthetics and economics, production and consumption, and center and periphery.

This 1998 book studies the ways in which nineteenth-century Spanish American writers and intellectuals imagined, described, and promoted idealized notions of a pan-Hispanic culture.

Modernismo, a literary movement of fundamental importance to Spanish America and Spain, occurred at the turn of the nineteenth century, roughly from the 1880s to the 1920s. It is widely regarded as the first Spanish-language literary movement that originated in the New World and that became influential in the "Mother Country," Spain. Characterized by the appropriation of French Symbolist aesthetics into Spanish-language literature, modernismo's other significant traits were its cultural cosmopolitanism, its philological concern with language, literary history, and literary technique, and its journalistic penchant for novelty and fashion. Despite the splendor of modernista poetry, modernismo is now understood as a broad movement whose impact was felt just as strongly in the prose genres: the short story, the novel, the essay, and the journalistic cr©đnica [chronicle]. Conceived as an introduction to modernismo as well as an account of the current state of the art of modernismo studies, this book examines the movement's contribution to the various Spanish American literary genres, its main authors [from Mart©Ư and N©Łjera to Dar©Ưo and Rod©đ], its social and historical context, and its continuing relevance to the work of contemporary Spanish American authors such as Gabriel Garc©Ưa M©Łrquez, Sergio Ram©Ưrez, aargas Llosa. AN©‍BAL GONZ©ĩLEZ-P©œREZ is Professor of Modern Latin American Literature at Yale University.

Created by professors for professors, the Faculty Awards compendium is the first and only university awards program in the United States based on faculty peer evaluations. The Faculty Awards series recognizes and rewards outstanding faculty members at colleges and universities across the United States. Voting was not open to students or the public at large.

This book distinguishes itself from previous scholarship by offering an inclusive and comprehensive treatment of urban walking from 1800 to the present. Divided into three sections—geography, genius, and gender—the introduction establishes the origins of the flâneur and flâneuse in early foundational texts and explores later works that reimagine flânerie in terms of these same three themes. The volume’s contributors provide new and global perspectives on urban walking practices through their treatment of a variety of genres (literature, film, journalism, autobiography, epistolary correspondence, photography, fashion, music, digital media) and regions (Europe, Asia, the Americas, Africa, the Middle East). This volume theorizes well-known urban characters like the idler, lounger, dandy, badaud, promeneuse, shopper, collector, and detective and also proposes new iterations of the flâneur/flâneuse as fashion model, gaucho, cruiser, musician, vampire, postcolonial activist, video game avatar and gamer.

This volume represents a rereading of modernism and the modernist canon from a double distance: geographical and temporal. It is a revision not only from the periphery (Spain and Latin America), but from this new fin de si cle as well, a revisiting of modernity and its cultural artifacts from that same postmodernity. Modernism and Its Margins is an attempt at introducing different perspectives and examples in the theoretical debate, redefine dominant assumptions of what modernism-or margins-mean in our historical juncture.

This book provides a fresh account of modernist writing in a perspective based on the reading strategies developed by postcolonial studies.