During World War II, London was transformed into a European city, as it unexpectedly became a place of refuge for many thousands of European citizens who through choice or the accidents of war found themselves seeking refuge in Britain from the military campaigns on the Continent of Europe. In this volume, an international team of historians consider the exile groups from Belgium, France, the Netherlands, Poland, Norway and Czechoslovakia, analysing not merely the relations between the plethora of exile regimes and the British government in terms of its military and social dimensions but also the legacy of this period of exile for the politics of post-war Europe. Particular attention is paid to the Belgian exiles, the most numerous exile population in Britain during World War II.

During World War 2, London was transformed into a European city, as it unexpectedly became a place of refuge for many thousands of European citizens seeking refuge from military campaigns on the Continent of Europe.

European Writers in Exile collects a series of original essays that address the writers’ universal existential dilemma, when viewed through the lens of exile: who am I, where am I from, and what do I write, and to whom? While we often understand the term “exile” to refer to writers who have either been forced to leave their home country or region or chosen self-exile, this term need not be defined so narrowly, and the contributors to this volume explore a range of interesting and evolving definitions. Various countries in Europe have long been both a refuge for people and writers from many countries and a strife-torn region which has forced many to flee within the continent or beyond it. The phrase “in exile” involves writers moving across borders in multiple directions and for multiple reasons, including for reasons of duress or personal quest, and these themes are addressed and critiqued in these essays. This volume naturally examines the cataclysmic and near-universal exilic experiences relating to the world wars, including essays on Thomas Mann, Vladimir Nabokov, Hannah Arendt and Leo Strauss. Additionally, essays address the unique early twentieth-century experiences of Emile Zola, Franz Kafka, Joseph Conrad, and James Joyce. More contemporary essay subjects include Milan Kundera, Norman Manea, Eva Hoffman, Caryl Phillips, and W. G. Sebald. This collection of transnational, globalized European literature studies envisions understanding the intersection of our contemporary world and various writers in exile in new cultural, historical, spatial, and epistemological frameworks. How does literary production in an increasingly globalized world—when seen from exile—affect a view back towards a country or region left behind? Or, conversely, how does exile push a writer to look outward to new (trans-)nationalized space(s)? These and other questions are important to investigate. Taken in sum, European Writers in Exile offers an academically rigorous, important, and cohesive volume.

Studies on exile in the 19th century tend to be restricted to national histories. This volume is the first to offer a broader view by looking at French, Italian, Hungarian, Polish, Czech and German political refugees who fled to England after the European revolutions of 1848/49. The contributors examine various aspects of their lives in exile such as their opportunities for political activities, the forms of political cooperation that existed between exiles from different European countries on the one hand and with organizations and politicians in England on the other and, finally, the attitude of the host country towards the refugees, and their perceptions of the country which had granted them asylum. Sabine Freitag is Research Fellow at the German Historical Institute in London. Rudolf Muhs is Lecturer in German History at the University of London (Royal Holloway).

Offers a transnational perspective on 17th-century English republicanism, focusing on the lived experiences of English republican exiles.

Literature in Exile of East and Central Europe is a collection of articles discussing authors whose homelands range from the former Soviet Union to the former Yugoslavia. For the purposes of this book, East and Central Europe comprise Russia, Poland, Germany, Czech Republic, Romania, and former Yugoslavia. These writers were exiled as a result of unbearable political climates - be it nations of the Communist block, including former Yugoslavia torn by its civil wars, or in the case of Poland, its partitioning by neighboring powers in the nineteenth century. No other book has collected such a variety of discussions from this geopolitical region, featuring authors who chose exile over the extinguishment of their individuality. Organized by theme and geography, this book will be of interest to a wide group of readers: from the topic of exile to research in Slavic (Czech, Polish, Russian, and post-Yugoslav), Romanian, German, and comparative literature. Literature in Exile of East and Central Europe is a valuable supplement to courses in Eastern and Central European history, as well as a primary text for courses in East and Central European literature.

A magisterial history of the artists and writers who left Weimar when the Nazis came to power In 1933 thousands of intellectuals, artists, writers, militants and other opponents of the Nazi regime fled Germany. They were, in the words of Heinrich Mann, “the best of Germany,” refusing to remain citizens in this new state that legalized terror and brutality. Exiled across the world, they continued the fight against Nazism in prose, poetry, painting, architecture, film and theater. Weimar in Exile follows these lives, from the rise of national socialism to their return to a ruined homeland, retracing their stories, struggles, setbacks and rare victories. The dignity in exile of Walter Benjamin, Ernst Bloch, Bertolt Brecht, Alfred Döblin, Hanns Eisler, Heinrich Mann, Thomas Mann, Anna Seghers, Ernst Toller, Stefan Zweig and many others provides a counterpoint to the story of Germany under the Nazis.