A fantastic comic-book collaboration between the artist Rosanna Bruno and the poet Anne Carson, based on Euripides’s famous tragedy A NEW YORK TIMES BEST GRAPHIC NOVEL OF 2021 Here is a new comic-book version of Euripides’s classic The Trojan Women, which follows the fates of Hekabe, Andromache, and Kassandra after Troy has been sacked and all its men killed. This collaboration between the visual artist Rosanna Bruno and the poet and classicist Anne Carson attempts to give a genuine representation of how human beings are affected by warfare. Therefore, all the characters take the form of animals (except Kassandra, whose mind is in another world).

The Trojan Women of Euripides by Euripides: An ancient Greek tragedy that portrays the aftermath of the Trojan War from the perspective of the women of Troy. "The Trojan Women" offers a haunting and poignant exploration of the devastating consequences of war and the resilience of the female characters as they grapple with loss, grief, and uncertainty. Euripides' powerful portrayal of human suffering and the horrors of war has earned this play a lasting place in the canon of Greek drama. Key Aspects of the Play "The Trojan Women of Euripides": War and Human Tragedy: Euripides' play delves into the profound impact of war on civilians, particularly women, and the emotional toll it exacts. Female Perspective: The play provides a rare and significant focus on the experiences and perspectives of the women left behind after the fall of Troy. Social and Political Commentary: "The Trojan Women" serves as a powerful commentary on the consequences of war and the plight of its victims. Euripides was an ancient Greek tragedian born around 480 BCE. He is considered one of the three great playwrights of classical Athens, along with Aeschylus and Sophocles. "The Trojan Women" reflects Euripides' skill in crafting emotionally charged tragedies that explore complex human emotions and societal issues.

A modern-day version of Euripides' anti-war play, The Trojan Women has been rewritten and is set in a mother-and-baby unit of a prison. The war is over. Beyond the prison walls, Troy and its people burn. Inside the prison, the city's captive women await their fate. Stalking the antiseptic confines of its mother and baby unit is Hecuba, the fallen Trojan queen, whilst the pregnant Chorus is shackled to her bed. But their grief at what has been before will soon be drowned out by the horror of what is to come, as the Greek lust for vengeance consumes everything – man, woman and baby – in its path. This caustic and radical new version of Euripides' classic tragedy comes from one of the UK's most exciting young poets, Caroline Bird. It is an intense, gripping look at what happens when the world collapses.

This book sets out to interpret Euripides' The Trojan Women in the light of a view of tragedy which sees its function, as it was understood in classical Athens, as being didactic. This function, the author argues, was carried out by an examination of the ideology to which the audience subscribed. The Trojan Women, powerfully exploiting the dramatic context of the aftermath of the Trojan War, is a remarkable example of tragic teaching. The play questions a series of mutually reinforcing polarities (man/god; man/woman; Greek/barbarian; free/slave) through which an Athenian citizen defined himself, and also examines the dangers of rhetoric and the value of victory in war. By making the didactic function of tragedy the basis of interpretation, the author is able to offer a coherent view of a number of long-standing problems in Euripidean and tragic criticism, namely the relation of Euripides to the sophists, the pervasive self-reference and anachronism in Euripides, the problem of contemporary reference, and the construction and importance of the tragic scene. The book, which makes use of recent scholarship both in Classics and in critical theory, should be read by all those interested in Greek tragedy and in the culture of late fifth-century Athens.

The center of the play is Hecuba, the exiled queen of Troy, and her sorrow at the death of her family and her city at the end of the Trojan War. In Euripides' play, the ladies of Troy are depicted after their city has been taken over, their husbands have been killed, and their remaining families have been sold into slavery. Athena and Poseidon, two Greek gods, are talking about how to punish the Greek soldiers for tolerating Ajax the Lesser's rape of Cassandra as the story opens.Upon her arrival, the widowed princess Andromache finds that her youngest daughter, Polyxena, had been killed by her mother's enemies.The Greek authorities are worried that the little kid would one-day exact revenge on his father Hector. She is still alive, as is made clear in the book's conclusion.Many of the Trojan ladies mourn the loss of the land that gave them a good upbringing throughout the book. Hecuba in particular makes it clear that Troy had been her home her entire life, only for her to see herself as an elderly grandmother witnessing the destruction of Troy, the deaths of her husband, her children, and her grandchildren before being sold into slavery by Odysseus.