Sheriff Jack Carter must keep Eureka from being exposed to the world when people, cars and buildings are being swapped with people, cars and buildings from different places.

View our feature on Chris Ramsay's Eureka: Substitution Method Welcome to Eureka. Population: BRILLIANT It's a town of geniuses—and now it's the smartest series going. Founded by Albert Einstein and Harry Truman after WWII, Eureka is home to the greatest minds in science and technology. But the creations of these eccentric geniuses threaten to destroy the world as often as they save it. Jack Carter is the everyman sheriff who must use his common sense and unique street smarts to keep a lid on this Pandora's Box of a town. Especially now, when Eureka's people, cars, and buildings are being swapped with people, cars and buildings from other places. View the SyFy TV trailer

A Global Dynamics researcher has a breakthrough on her project visualizing another dimension. And since GD's experiments have a bad tendency to affect the entire town, Sheriff Jack Carter heads over to check it out. What he sees blows him away. The project has revealed a parallel universe, complete with another Eureka-one in which Carter doesn't exist! But as the two worlds begin to bleed into each other and residents confront their alternate selves, Carter may be the one man who can keep both Eurekas from being destroyed.

Even the brightest of Eureka's residents can't read someone else's mind. Then Global Dynamics develops the Brain Box: a device capable of capturing and storing human thoughts. When the Box starts messing with people's minds, Sheriff Jack Carter will have to keep his thoughts to himself if he's going to save the town from going out of their heads.

Rudi Mackenize, now Artos the First, High King of Montival, and his allies have won several key battles against the Church Universal and Triumphant. But still the war rages on, taking countless lives, ravaging the land once known as the United States of America. Artos and his Queen, Mathilda, must unite the realms into a single kingdom to ensure a lasting peace. If the leaders of the Changed world are to accept Artos as their ruler, he will need to undertake a quest to the Lake at the Heart of the Mountains, and take part in a crowning ceremony—a ceremony binding him to his people, his ancestors, and his land. Then, once he has secured his place and allegiances, Artos can go forward, and lead his forces to the heart of the enemy’s territory....

THE UNKNOWN HAS AN ADDRESS. . . . Hidden away in the Badlands of South Dakota, Warehouse 13 is a top-secret repository for historical artifacts imbued with dangerous supernatural properties. Secret Service agents Pete Lattimer and Myka Bering are ever on the lookout for loose artifacts threatening to ruin the world’s day. Their mission:“Snag it, bag it, tag it.” Reports of a genuine psychic healer, along with a simultaneous epidemic of mysterious illnesses, lead Myka and Pete on a hazardous investigation that stretches from a carnival sideshow back to the bloody history of the Civil War. But when Pete is infected with a deadly disease, Myka and the rest of the team, including Artie Nielsen and Claudia Donovan, must track down a pair of cursed gloves—before a madman unleashes a virulent plague upon America!

George Bradley, whose previous work has drawn praise from James Merrill and Harold Bloom, here meditates on contemporary culture, on the natural world and the world imagined, and on the life of the poet. Whether he is standing in line at the SuperSave, where tabloids beckon, or contemplating the change of seasons in a classic sonnet sequence, Bradley juxtaposes the sublime workings of the mind with the mundane static that surrounds it. What he finds in this conjunction is a surprising beauty, a uniquely contemporary formal music, and, often, a curative dose of humor. Even verse itself is not exempt from his clarifying view, as he proves in “How I Got in the Business,” a wild ride through several sorts of commerce, including the poetry trade. Throughout Some Assembly Required, Bradley savors both the riveting accident of everyday life and the long view afforded by art, in poetry that is taut, witty, and dynamic.