#1 NEW YORK TIMES BESTSELLER • David Brooks challenges us to rebalance the scales between the focus on external success—“résumé virtues”—and our core principles. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE ECONOMIST With the wisdom, humor, curiosity, and sharp insights that have brought millions of readers to his New York Times column and his previous bestsellers, David Brooks has consistently illuminated our daily lives in surprising and original ways. In The Social Animal, he explored the neuroscience of human connection and how we can flourish together. Now, in The Road to Character, he focuses on the deeper values that should inform our lives. Looking to some of the world’s greatest thinkers and inspiring leaders, Brooks explores how, through internal struggle and a sense of their own limitations, they have built a strong inner character. Labor activist Frances Perkins understood the need to suppress parts of herself so that she could be an instrument in a larger cause. Dwight Eisenhower organized his life not around impulsive self-expression but considered self-restraint. Dorothy Day, a devout Catholic convert and champion of the poor, learned as a young woman the vocabulary of simplicity and surrender. Civil rights pioneers A. Philip Randolph and Bayard Rustin learned reticence and the logic of self-discipline, the need to distrust oneself even while waging a noble crusade. Blending psychology, politics, spirituality, and confessional, The Road to Character provides an opportunity for us to rethink our priorities, and strive to build rich inner lives marked by humility and moral depth. “Joy,” David Brooks writes, “is a byproduct experienced by people who are aiming for something else. But it comes.” Praise for The Road to Character “A hyper-readable, lucid, often richly detailed human story.”—The New York Times Book Review “This profound and eloquent book is written with moral urgency and philosophical elegance.”—Andrew Solomon, author of Far from the Tree and The Noonday Demon “A powerful, haunting book that works its way beneath your skin.”—The Guardian “Original and eye-opening . . . Brooks is a normative version of Malcolm Gladwell, culling from a wide array of scientists and thinkers to weave an idea bigger than the sum of its parts.”—USA Today

Michael's Eulogy centers around one man having to play God over a decision that pertains to not only a convicted murderer, but also the lives of a whole town and especially, the man's late best friend. Danny Gardner is asked to speak the eulogy at the funeral of his childhood best friend Michael Connolly, who had committed suicide, leaving a letter for everyone to read. But a day following the funeral and Danny's return home, he's given a letter written by Michael, explaining in riddles the true reason of suicide and that the original letter is more of a ploy. Confused and uncertain of the letter'smeaning, Danny recalls a pastmurder of a female classmate of theirs. Having to investigate hidden lies surrounding her murder that entails with the letter, Danny returns to Michael's hometown, but this time to cross examine the town's most protected secret that could destroy the entire town if discovered and revealed. ChristopherWilliamSelnawas born inMission Viejo, California. When hewas six his family moved to Scottsdale, Arizona, where he attended Sandpiper Elementary, Desert Shadows Middle School, and graduated at St. Mary's High School. After graduation, Christopher enlisted in theMarines and served four active years and was discharged honorably. He then attended Scottsdale Community College, and after a year of tending school, he decided to move to Los Angeles and pursue a screenwriting career. During his time in Los Angeles, Christopher Selna had worked at three restaurants as a bartender, notably Mastro's Steakhouse in Beverly Hills. Deciding that there were too many distractions he moved to Oregon with half of his first novel completed. Shortly after, he finished that novel and two more afterwards. Leaving Oregon a year later, he returned to Arizona where he started and finished his fourth novel, Michael's Eulogy. He still resides in Scottsdale, Arizona, and is working on a new novel.

New York Times bestselling author Donald Miller shares the plan that led him to turn his life around. This actionable guide will teach you how to do the same through journaling prompts and goal-planning exercises. There are four characters in every story: The victim, the villain, the hero, and the guide. These four characters live inside us. If we play the victim, we’re doomed to fail. If we play the villain, we will not create genuine bonds. But if we play the hero or guide, our lives will flourish. The hard part is being self-aware enough to know which character we are playing. In this book, bestselling author Donald Miller uses his own experiences to help you recognize if the character you are currently surfacing is helping you experience a life of meaning. He breaks down the transformational, yet practical, plan that took him from slowly giving up to rapidly gaining a new perspective of his own life’s beauty and meaning, igniting his motivation, passion, and productivity, so you can do the same. In Hero on a Mission, Donald’s lessons will teach you how to: Discover when you are playing the victim and villain. Create a simple life plan that will bring clarity and meaning to your goals ahead. Take control of your life by choosing to be the hero in your story. Cultivate a sense of creativity about what your life can be. Move beyond just being productive to experiencing a deep sense of meaning. Donald will help you identify the many chances you have of being the hero in your life, and the times when you are falling into the trap of becoming the victim. Hero on a Mission will guide you in developing a unique plan that will speak to the challenges you currently face so you can find the fulfillment you have been searching for in your life and work.

The Last Word investigates the debased art of eulogy. Through insightful, surprisingly playful readings of famous eulogies (from a scene in Love Actually to Jacques Derrida’s heart-rending essays on the deaths of his peers), Cooper argues against the socially sanctioned desire to avoid thinking about death that results in clichéd memorials, honoring neither the living nor the dead.