This invaluable anthology is the first and only collection dedicated to the art of the eulogy. For the past several years, Phyllis Theroux has collected the most eloquent and moving writing commemorating a death, assessing a life, or offering solace to the bereaved. Ranging from Thomas Jefferson's magisterial eulogy for George Washington to Anna Quindlen's affectionate memorial for her grandmother; from Helen Keller's words about her dear friend Mark Twain to Adlai Stevenson's about Eleanor Roosevelt, The Book of Eulogies establishes that great eulogies are a celebration of remarkable lives that can illuminate, confirm, inspire, and redirect our own. Theroux has included some of the world's most well-known tributes, such as Pericles' Funeral Oration, Jules Michelet's appreciation of Jeanne d'Arc, Victor Hugo's ringing words on the one hundredth anniversary of Voltaire's death, Cardinal Suenens's eulogy for Pope John XXIII. But most of the eulogized assembled here are eighteenth- to twentieth-century Americans, and the stories of their lives illuminate our history with a particularly intimate light. In Robert Kennedy's extemporaneous remarks upon hearing of the death of Martin Luther King, or Eugene McCarthy's tribute to his friend and colleague, Hubert Humphrey, the values, wisdom, and spirit of both the eulogized and the eulogizer are revealed. The Book of Eulogies is a sourcebook for anyone who must find words of solace, understanding, and inspiration on the occasion of a beloved's death. It is also a treasury of astonishing eloquence, passion, and humanity -- a record of extraordinary lives, seen through the eyes of those who knew and loved them.

New York Times bestselling author Donald Miller shares the plan that led him to turn his life around. This actionable guide will teach you how to do the same through journaling prompts and goal-planning exercises. There are four characters in every story: The victim, the villain, the hero, and the guide. These four characters live inside us. If we play the victim, we’re doomed to fail. If we play the villain, we will not create genuine bonds. But if we play the hero or guide, our lives will flourish. The hard part is being self-aware enough to know which character we are playing. In this book, bestselling author Donald Miller uses his own experiences to help you recognize if the character you are currently surfacing is helping you experience a life of meaning. He breaks down the transformational, yet practical, plan that took him from slowly giving up to rapidly gaining a new perspective of his own life’s beauty and meaning, igniting his motivation, passion, and productivity, so you can do the same. In Hero on a Mission, Donald’s lessons will teach you how to: Discover when you are playing the victim and villain. Create a simple life plan that will bring clarity and meaning to your goals ahead. Take control of your life by choosing to be the hero in your story. Cultivate a sense of creativity about what your life can be. Move beyond just being productive to experiencing a deep sense of meaning. Donald will help you identify the many chances you have of being the hero in your life, and the times when you are falling into the trap of becoming the victim. Hero on a Mission will guide you in developing a unique plan that will speak to the challenges you currently face so you can find the fulfillment you have been searching for in your life and work.

The Last Word investigates the debased art of eulogy. Through insightful, surprisingly playful readings of famous eulogies (from a scene in Love Actually to Jacques Derrida’s heart-rending essays on the deaths of his peers), Cooper argues against the socially sanctioned desire to avoid thinking about death that results in clichéd memorials, honoring neither the living nor the dead.

The perfect Mother's Day gift: A collection of witty one-line advice New Yorker writer Patricia Marx heard from her mother, accompanied by full-color illustrations by New Yorker staff cartoonist Roz Chast. Every mother knows best, but New Yorker writer Patty Marx's knows better. Patty has never been able to shake her mother's one-line witticisms from her brain, so she's collected them into a book, accompanied by full color illustrations by New Yorker staff cartoonist Roz Chast. These snappy maternal cautions include: If you feel guilty about throwing away leftovers, put them in the back of your refrigerator for five days and then throw them out. If you run out of food at your dinner party, the world will end. When traveling, call the hotel from the airport to say there aren't enough towels in your room and, by the way, you'd like a room with a better view. Why don't you write my eulogy now so I can correct it? Every child will want to buy this for mom on Mother's Day!

Eulogy for Burying a Crane (Yi he ming) is perhaps the most eccentric piece in China’s calligraphic canon. Apparently marking the burial of a crane, the large inscription, datable to 514 CE, was once carved into a cliff on Jiaoshan Island in the Yangzi River. Since the discovery of its ruins in the early eleventh century, it has fascinated generations of scholars and calligraphers and been enshrined as a calligraphic masterpiece. Nonetheless, skeptics have questioned the quality of the calligraphy and complained that its fragmentary state and worn characters make assessment of its artistic value impossible. Moreover, historians have trouble fitting it into the storyline of Chinese calligraphy. Such controversies illuminate moments of discontinuity in the history of the art form that complicate the mechanism of canon formation. In this volume, Lei Xue examines previous epigraphic studies and recent archaeological finds to consider the origin of the work in the sixth century and then trace its history after the eleventh century. He suggests that formation of the canon of Chinese calligraphy over two millennia has been an ongoing process embedded in the sociopolitical realities of particular historical moments. This biography of the stone monument Eulogy for Burying a Crane reveals Chinese calligraphy to be a contested field of cultural and political forces that have constantly reconfigured the practice, theory, and historiography of this unique art form. Art History Publication Initiative A McLellan Book

In writing her sister Annie's eulogy, Kathy reflects on the complexities that shaped their family and their identities.