Who decides what is right or wrong, ethical or immoral, just or unjust? In the world of crime and spy fiction between 1880 and 1920, the boundaries of the law were blurred and justice called into question humanity's moral code. As fictional detectives mutated into spies near the turn of the century, the waning influence of morality on decision-making signaled a shift in behavior from idealistic principles towards a pragmatic outlook taken in the national interest. Taking a fresh approach to Sir Arthur Conan Doyle's popular protagonist, Sherlock Holmes, this book examines how Holmes and his rival maverick literary detectives and spies manipulated the law to deliver a fairer form of justice than that ordained by parliament. Multidisciplinary, this work views detective fiction through the lenses of law, moral philosophy, and history, and incorporates issues of gender, equality, and race. By studying popular publications of the time, it provides a glimpse into public attitudes towards crime and morality and how those shifting opinions helped reconstruct the hero in a new image.

This volume contains four hard to find and rarely-collected stories by 'Dick Donovan' (JEP Muddock), originally printed in Strand in July, August, September and November 1892, between the 1st and 2nd series of Conan Doyle's adventures of Sherlock Holmes. Also reproduced here is Grant Allen's October 1892 tale, 'The Great Ruby Robbery'. An appreciation of that worthy man, Muddock, for whom the bald term "writer" is wholly inadequate, is included. There are brief sketches of the artists Paul Hardy, who illustrated the Strand Donovan stories, and Sidney Paget, who drew for Grant Allen's yarn, but better known as the accidental illustrator of the Holmes stories (Strand really wanted his brother Walter for that task - see p. 143). The layout of this book differs from that of the original Strand publications, but the typographical conventions of the day have been largely adhered to, even if they look antiquated or simply wrong by today's rules. A few errors have been corrected. Edited by Bruce Durie

Before Sherlock Holmes there was Dick Donovan The first internationally-popular Victorian police detective, Dick Donovan was Glasgow's own protector of the peace. "Dick Donovan" was the pen-name for a hugely successful series of over 200 stories and books written by James Emmerson Preston Muddock. These tales predated in popularity Conan Doyle's early Sherlock Holmes outings, and some were first were published in The Strand Magazine at the same time as the Holmes stories. Dick Donovan achieved an international reputation as the master sleuth, and is reputedly responsible for American detectives being known popularly as "Dicks". The foremost, the original, the genuine, the one, the only Man-Hunter in his earliest cases - now available again, with introductory and biographical material by Dr. Bruce Durie. Warning! Do not allow your children, servants, or elderly relatives of a nervous disposition to read these stirring tales of wrong-doers brought to book! www.brucedurie.co.uk/books

This historical biography by bestselling crime author James Morton is an enjoyable romp through the 18th century in the company of a man who was many things to many men - a jewel thief, a spy, a policeman and a private eye. Balzac, Hugo and Dickens all created characters based on Vidocq.

A 2016 Edgar Award Nominee Before he became a household name in America as perhaps our greatest hard-boiled crime writer, before his attachment to Lillian Hellman and blacklisting during the McCarthy era, and his subsequent downward spiral, Dashiell Hammett led a life of action. Born in 1894 into a poor Maryland family, Hammett left school at fourteen and held several jobs before joining the Pinkerton National Detective Agency as an operative in 1915 and, with time off in 1918 to serve at the end of World War I, he remained with the agency until 1922, participating alike in the banal and dramatic action of an operative. The tuberculosis he contracted during the war forced him to leave the Pinkertons--but it may well have prompted one of America's most acclaimed writing careers. While Hammett's life on center stage has been well-documented, the question of how he got there has not. That largely overlooked phase is the subject of Nathan Ward's enthralling The Lost Detective. Hammett's childhood, his life in San Francisco, and especially his experience as a detective deeply informed his writing and his characters, from the nameless Continental Op, hero of his stories and early novels, to Sam Spade and Nick Charles. The success of his many stories in the pulp magazine Black Mask following his departure from the Pinkertons led him to novels; he would write five between 1929 and 1934, two of them (The Maltese Falcon and The Thin Man) now American classics. Though he inspired generations of writers, from Chandler to Connelly and all in between, after The Thin Man he never finished another book, a painful silence for his devoted readers; and his popular image has long been shaped by the remembrance of Hellman, who knew him after his literary reputation had been made. Based on original research across the country, The Lost Detective is the first book to illuminate Hammett's transformation from real detective to great American detective writer, throwing brilliant new light on one of America's most celebrated and remembered novelists and his world.