This book is the modern first treatment of experimental designs, providing a comprehensive introduction to the interrelationship between the theory of optimal designs and the theory of cubature formulas in numerical analysis. It also offers original new ideas for constructing optimal designs. The book opens with some basics on reproducing kernels, and builds up to more advanced topics, including bounds for the number of cubature formula points, equivalence theorems for statistical optimalities, and the Sobolev Theorem for the cubature formula. It concludes with a functional analytic generalization of the above classical results. Although it is intended for readers who are interested in recent advances in the construction theory of optimal experimental designs, the book is also useful for researchers seeking rich interactions between optimal experimental designs and various mathematical subjects such as spherical designs in combinatorics and cubature formulas in numerical analysis, both closely related to embeddings of classical finite-dimensional Banach spaces in functional analysis and Hilbert identities in elementary number theory. Moreover, it provides a novel communication platform for “design theorists” in a wide variety of research fields.

"The book includes introductions, terminology and biographical notes, bibliography, and an index and glossary" --from book jacket.

How can we be sure that Pythagoras's theorem is really true? Why is the 'angle in a semicircle' always 90 degrees? And how can tangents help determine the speed of a bullet? David Acheson takes the reader on a highly illustrated tour through the history of geometry, from ancient Greece to the present day. He emphasizes throughout elegant deduction and practical applications, and argues that geometry can offer the quickest route to the whole spirit of mathematics at its best. Along the way, we encounter the quirky and the unexpected, meet the great personalities involved, and uncover some of the loveliest surprises in mathematics.

The long-awaited new edition of a groundbreaking work on the impact of alternative concepts of space on modern art. In this groundbreaking study, first published in 1983 and unavailable for over a decade, Linda Dalrymple Henderson demonstrates that two concepts of space beyond immediate perception—the curved spaces of non-Euclidean geometry and, most important, a higher, fourth dimension of space—were central to the development of modern art. The possibility of a spatial fourth dimension suggested that our world might be merely a shadow or section of a higher dimensional existence. That iconoclastic idea encouraged radical innovation by a variety of early twentieth-century artists, ranging from French Cubists, Italian Futurists, and Marcel Duchamp, to Max Weber, Kazimir Malevich, and the artists of De Stijl and Surrealism. In an extensive new Reintroduction, Henderson surveys the impact of interest in higher dimensions of space in art and culture from the 1950s to 2000. Although largely eclipsed by relativity theory beginning in the 1920s, the spatial fourth dimension experienced a resurgence during the later 1950s and 1960s. In a remarkable turn of events, it has returned as an important theme in contemporary culture in the wake of the emergence in the 1980s of both string theory in physics (with its ten- or eleven-dimensional universes) and computer graphics. Henderson demonstrates the importance of this new conception of space for figures ranging from Buckminster Fuller, Robert Smithson, and the Park Place Gallery group in the 1960s to Tony Robbin and digital architect Marcos Novak.

A volume devoted to the extremely clear and intrinsically beautiful theory of two-dimensional surfaces in Euclidean spaces. The main focus is on the connection between the theory of embedded surfaces and two-dimensional Riemannian geometry, and the influence of properties of intrinsic metrics on the geometry of surfaces.

This classic text explores the geometry of the triangle and the circle, concentrating on extensions of Euclidean theory, and examining in detail many relatively recent theorems. 1929 edition.

This book offers a unique opportunity to understand the essence of one of the great thinkers of western civilization. A guided reading of Euclid's Elements leads to a critical discussion and rigorous modern treatment of Euclid's geometry and its more recent descendants, with complete proofs. Topics include the introduction of coordinates, the theory of area, history of the parallel postulate, the various non-Euclidean geometries, and the regular and semi-regular polyhedra.