This volume starts out with two contrasting studies of monuments. How does the seemingly stability of stone and bronze hide a constantly changing cultural use? Anne Eriksen looks at the history of ruins in Norway. The murmur of ruins turns out to be a speech of modernity, a way of emotionalising place and history. Viktoriya Hryaban discusses the fate of socialist monuments in Ukraine and shows how the attempts to create alternative post-socialist memorials reproduce a traditional Soviet cultural grammar. Lace is a dominating decorative element in many Turkish Dutch homes. It has become a sign of "Turkishness" but as Hilje van der Horst points out, people's relations to this mundane domestic element mirror some important conflicts and ideas about modernity and ethnicity. From the cultural media of monuments and lace, the discussion moves on to two more classic mass media and their role in identity politics. Stijn Reijnders explores a popular Dutch game show that has managed to survive for decades, becoming something of a national institution for some, an example of an outmoded genre for others. How does the involvement mirror ideas of an imagined national community? Finally, Silke Meyer looks at an 18th century national stereotype of "The German quack" in English popular debate and mass media. How did this caricature of Germanness become an alter ego of the English?

The social lives of the peoples of the Balkans have long stimulated the imaginations of their northern European neighbors. These peoples and places have anthropological traditions of their own, shaped initially by nationalist movements and, later, by socialism and other political constraints. From an anthropological perspective, this book explores the region between Greece and Slovenia, when political pressures were strongest in the era of the Cold War. Yet, the environments were by no means uniformly repressive. The study provides indispensable insights for new generations pursuing innovative research agendas in this region in the new century. It raises deeper issues about the boundaries and substance of the anthropological endeavor. (Series: Halle Studies in the Anthropology of Eurasia - Vol. 29)

Weaving Europe, Crafting the Museum delves into the history and the changing material culture in Europe through the stories of a basket, a carpet, a waistcoat, a uniform, and a dress. The focus on the objects from the collection of the Museum of European Cultures in Berlin offers an innovative and challenging way of understanding textile culture and museums. The book shows that textiles can be simultaneously used as the material object of research, and as a lens through which we can view museums. In doing so, the book fills a major gap by placing textile knowledge back into the museum. Each chapter focuses on one object story and can be read individually. Swooping from 19th-century wax figure cabinets, Nazi-era collections, Cold War exhibitions in East and West Berlin, and institutional reshuffling after German unification, it reveals the dramatically changing story of the museum and its collection. Based on research with museum curators, makers and users of the textiles in Italy and Germany, Poland and Romania, the book provides intimate insights into how objects are mobilised to very different social and political effects. It sheds new light on movements across borders, political uses of textiles by fascist and communist regimes, the objects' fall into oblivion, as well as their heritage and tourist afterlives. Addressing this complex museum legacy, the book suggests new pathways to prefigure the future. Featuring new archival and ethnographic research, evocative examples and images, it is an essential read for students of textile and material culture, museum and curatorial studies as well as anyone interested in history, heritage and craft.

Disorder and order are among the principles through which the articles in this issue are connected. Peter Jan Margry grasps the exuberant excesses surrounding the Dutch monarch’s birthday with the term “mobocracy” and sees in the suspension of rules a means to reconcile Dutch republicanism with the anachronism of a monarchical system. Ongoing disorder of a rather different nature is experienced by migrant workers from Poland in Denmark. Niels Jul Nielsen and Marie Sandberg accompany them at work and in their different home settings and analyse the divergent interplay of the Polish labour niche and family dynamics on different constructions of “orderly work conditions”. Stefan Groth uncovers the structuring power of new tools and events to measure performance in recreational cycling; competitive norms are shown to permeate a leisure activity. Old age, too, is not free from the structuring arm of social and health regimes. Through his analysis of billiards – a game favoured by the older men he studies – Aske Juul Lassen critiques aging policies striving to “activate” the elderly and overlooking the rhythms inherent to a traditional game – and activity. The issue concludes with Tuuli Lähdesmäki’s comparison of how local heritage actors choose to narrate the transnationally launched European Heritage Label. Within an initiative to foster Europeanization, she finds actors formulating European identities in different moulds.

The chronological disjuncture, LBK longhouses have widely been considered to provide ancestral influence for both rectangular and trapezoidal long barrows and cairns, but with the discovery and excavation of more houses in recent times is it possible to observe evidence of more contemporary inspiration. What do the features found beneath long mounds tell us about this and to what extent do they represent domestic structures. Indeed, how can we distinguish between domestic houses or halls and those that may have been constructed for ritual purposes or ended up beneath mounds? Do so called 'mortuary enclosures' reflect ritual or domestic architecture and did side ditches always provide material for a mound or for building construction? This collection of papers seeks to explore the interface between structures often considered to be those of the living with those for the dead.

Since its start in 1967 Ethnologia Europaea has acquired a central position in the international cooperation between ethnologists in the different European countries. It is, however, a journal of topical interest not only for ethnologists but also for anthropologists, social historians and others studying the social and cultural forms of everyday life in recent and historical European societies. This journal appears twice a year, sometimes as a thematic issue.