Ether and Modernity offers a snapshot of the status of an epistemic object, the "ether" (or "aether"), in the early twentieth century. The contributed papers show that the ether was often regarded as one of the objects of modernity, hand in hand with the electron, radioactivity or X-rays, and not simply as the stubborn residue of an old-fashioned, long-discarded science. The prestige and authority of scientists and popularisers like Oliver Lodge and Arthur Eddington in Britain, Phillip Lenard in Germany or Dayton C. Miller in the USA was instrumental in the preservation, defence or even re-emergence of the ether in the 1920s. Moreover, the consolidation of wireless communications and radio broadcasting, indeed a very modern technology, brought the ether into audiences that would otherwise never have heard about such an esoteric entity. The ether also played a pivotal role among some artists in the early twentieth century: the values of modernism found in the complexities and contradictions of modern physics, such as wireless action or wave-particle puzzles, a fertile ground for the development of new artistic languages; in literature as much as in the pictorial and performing arts. Essays on the intellectual foundations of Umberto Boccioni's art, the linguistic techniques of Lodge, and Ernst Mach's considerations on aesthetics and physics witness to the imbricate relationship between the ether and modernism. Last but not least, the ether played a fundamental part in the resurgence of modern spiritualism in the aftermath of the Great War. This book examines the complex array of meanings, strategies and milieus that enabled the ether to remain an active part in scientific and cultural debates well into the 1930s, but not beyond. This portrait may be easily regarded as the swan song of an epistemic object that was soon to fade away as shown by Paul Dirac's unsuccessful attempt to resuscitate some kind of aether in 1951, with which this book finishes.

Ether and Modernity offers a snapshot of the status of an epistemic object, the "ether" (or "aether"), in the early twentieth century. The contributed papers show that the ether was often regarded as one of the objects of modernity, hand in hand with the electron, radioactivity or X-rays, and not simply as the stubborn residue of an old-fashioned, long-discarded science. The prestige and authority of scientists and popularisers like Oliver Lodge and Arthur Eddington in Britain, Phillip Lenard in Germany or Dayton C. Miller in the USA was instrumental in the preservation, defence or even re-emergence of the ether in the 1920s. Moreover, the consolidation of wireless communications and radio broadcasting, indeed a very modern technology, brought the ether into audiences that would otherwise never have heard about such an esoteric entity. The ether also played a pivotal role among some artists in the early twentieth century: the values of modernism found in the complexities and contradictions of modern physics, such as wireless action or wave-particle puzzles, a fertile ground for the development of new artistic languages; in literature as much as in the pictorial and performing arts. Essays on the intellectual foundations of Umberto Boccioni's art, the linguistic techniques of Lodge, and Ernst Mach's considerations on aesthetics and physics witness to the imbricate relationship between the ether and modernism. Last but not least, the ether played a fundamental part in the resurgence of modern spiritualism in the aftermath of the Great War. This book examines the complex array of meanings, strategies and milieus that enabled the ether to remain an active part in scientific and cultural debates well into the 1930s, but not beyond. This portrait may be easily regarded as the swan song of an epistemic object that was soon to fade away as shown by Paul Dirac's unsuccessful attempt to resuscitate some kind of aether in 1951, with which this book finishes.

The Cosmic Ether Changes Everything! The historical ether-drift experiments obtained positive results for an ether wind and light-speed variation of 5 to 18 kilometers per second. This negates most of modern astrophysical theory, including Einstein's relativity, the big-bang, black holes, and more. An historical survey of original publications.

DigiCat Publishing presents to you this special edition of "The Ether of Space" by Oliver Sir Lodge. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Discover how $55 million in cryptocurrency vanished in one of the most bizarre thefts in history Out of the Ether: The Amazing Story of Ethereum and the $55 Million Heist that Almost Destroyed It All tells the astonishing tale of the disappearance of $55 million worth of the cryptocurrency ether in June 2016. It also chronicles the creation of the Ethereum blockchain from the mind of inventor Vitalik Buterin to the ragtag group of people he assembled around him to build the second-largest crypto universe after Bitcoin. Celebrated journalist and author Matthew Leising tells the full story of one of the most incredible chapters in cryptocurrency history. He covers the aftermath of the heist as well, explaining the extreme lengths the victims of the theft and the creators of Ethereum went to in order to try and limit the damage. The book covers: The creation of Ethereum An explanation of the nature of blockchain and cryptocurrency The activities of a colorful cast of hackers, coders, investors, and thieves Perfect for anyone with even a passing interest in the world of modern fintech or daring electronic heists, Out of the Ether is a story of genius and greed that’s so incredible you may just choose not to believe it.

Is modern atomic theory flawed? What can explain the curious, well-documented "missing pieces" in quantum mechanics? Delving deeply into the molecular framework of subatomic particles, Dr. Sid Deutsch, an electrical engineer with a scientist's keen interest in the building blocks of the universe, makes sense out "quantum weirdness" by resurrecting a long-buried 19th century scientific concept -- the Ether. Deutsch weaves a scientific detective story as profound as Hawking's A Brief History of Time, yet as fascinating and easy to understand as an episode of Star Trek! Although 20th century quantum mechanics changed the way we looked at the universe and the ether was abandoned, strange gaps in quantum theory remain. Only the 140-year-old idea of the ether, brought up to date to to fit modern theory, can explain these gaps. Is the universe really a vacuum? Do large bodies such as the Earth carry with them their own ether as they hurtle through space? Dr. Deutsch's controversial -- yet logicaland plausible -- speculations add credibility to the growing scientific movement that views the return of the ether as a long-needed explanation of "blips" in current cosmological theories.