THE ZODIAC CURSE is an enticing new reverse harem urban fantasy world featuring two tandem series - Harem of Shadows by Amber Lynn Natusch and Harem of Light by C.N. Crawford.Eve Carmichael can't wait to graduate from college and move on with her life. Loner, outcast, and enemy of the dean, she tried her best to fit in, but all the money in the world can't buy genuine friends-or anonymity.Then things take an unexpected turn when she witnesses a murder on campus. Especially because there's no evidence a crime ever happened the next day, and the five men responsible disappeared into thin air.As she tries to unravel the mystery behind the phantom homicide, she finds herself on a dark and familiar path. With no-one else to trust, she seeks the help of an unlikely-but alluring-group of men. A group of men with one thing in common-an undying interest in her.For better or worse, the rocker, the wanderer, the student, the therapist, and the adviser all have a part to play in fulfilling her destiny. Hopefully they can awaken her to the danger closing in before Eve gets herself killed.

Now a classic in the field, The Horrors of the Half-Known Life is an important foundational text in the construction of masculinity, female identity, and the history of midwivery.

All the World an Icon is the fourth book in an informal "quartet" of works by Tom Cheetham on the spirituality of Henry Corbin, a major twentieth-century scholar of Sufism and colleague of C. G. Jung, whose influence on contemporary religion and the humanities is beginning to become clear. Cheetham's books have helped spark a renewed interest in the work of this important, creative religious thinker. Henry Corbin (1903-1978) was professor of Islamic religion at the Sorbonne in Paris and director of the department of Iranic studies at the Institut Franco-Iranien in Teheran. His wide-ranging work includes the first translations of Heidegger into French, studies in Swedenborg and Boehme, writings on the Grail and angelology, and definitive translations of Persian Islamic and Sufi texts. He introduced such seminal terms as "the imaginal realm" and "theophany" into Western thought, and his use of the Shi'ite idea of ta'wil or "spiritual interpretation" influenced psychologist James Hillman and the literary critic Harold Bloom. His books were read by a broad range of poets including Charles Olson and Robert Duncan, and his impact on American poetry, says Cheetham, has yet to be fully appreciated. His published titles in English include Creative Imagination in the Sufism of Ibn Arabi, Avicenna and the Visionary Recital, and The Man of Light in Iranian Sufism. As the religions of the Book place the divine Word at the center of creation, the importance of hermaneutics, the theory and practice of interpretation, cannot be overstated. In the theology and spirituality of Henry Corbin, the mystical heart of this tradition is to be found in the creative, active imagination; the alchemy of spiritual development is best understood as a story of the soul's search for the Lost Speech. Cheetham eloquently demonstrates Corbin's view that the living interpretation of texts, whether divine or human—or, indeed, of the world itself seen as the Text of Creation—is the primary task of spiritual life. In his first three books on Corbin, Cheetham explores different aspects of Corbin's work, but has saved for this book his final analysis of what Corbin meant by the Arabic term ta'wil—perhaps the most important concept in his entire oeuvre. "Any consideration of how Corbin's ideas were adapted by others has to begin with a clear idea of what Corbin himself intended," writes Cheetham; "his own intellectual and spiritual cosmos is already highly complex and eclectic and a knowledge of his particular philosophical project is crucial for understanding the range and implications of his work." Cheetham lays out the implications of ta'wil as well as the use of language as integral part of any artistic or spiritual practice, with the view that the creative imagination is a fundamentally linguistic phenomenon for the Abrahamic religions, and, as Corbin tells us, prayer is the supreme form of creative imagination.

This perceptive book studies the Victorian woman in the home and in the family. One of the central purposes is to rescue Victorian woman from the realm of myth where her life was spent in frivolous trifles and instead to show how she had a major part to play in the practical management of the home. The author makes judicious use of domestic manuals and other material written specifically for middle-class women. With statistical data to quantify the image as well, this book presents a better understanding of what it was like to be a middle-class woman in nineteenth-century England. Looking at the middle-class woman’s problems as mistress of the house, her problems with domestics, her problems as mother and her problems as woman we can begin not merely to characterise the middle-class woman but to define her as an element of British social history and as a silent but significant agent of change. The book was first published in 1975.