The sacred allure of the Holy Grail has fascinated writers and ensnared knights for over a thousand years. From Malory to Monty Python, the eternal chalice--said to be the very cup from which Christ drank at the Last Supper--has the richest associations of any icon in British myth. Many different meanings have been devised for the Grail, which has been linked to the Celts and King Arthur, the eucharistic rites of Eastern Christianity, ancient mystery religions, Jungian archetypes, dualist heresies, Templar treasure and even the alleged descendants of Christ himself and Mary Magdalene. The common thread running through all these stories is the assumption that the Grail legend has a single source with a meaning that--if only we could decode it--is concealed in the romances themselves. That meaning has become the subject of coded, secret documents and is the central feature of a vast conspiracy supposedly stretching back to the dawn of western civilization. Juliette Wood here reveals the elusive and embedded significance of the Grail story in popular consciousness--as myth, medieval romance, tangible holy relic and finally as the centre of an esoteric theory of global conspiracy. The author shows how various interpretations of the Grail, over the centuries, reflect changing cultural needs and desires. Her book will enthral those who, like Sir Perceval, seek to unlock the mysterious secrets of western mythology's most extraordinary and tantalising enigma, and will delight students of history, myth and religion alike.

When deciding on a title, I received information from the Brain and Tissue Bank of the University of Maryland saying their symbol was a butterfly. I have Dystonia, which is a neuro-muscular motor, movement disease (involving the brain, the muscles, and coordination). I am donating my brain to the Brain and Tissue Bank, so contemplated how my life could be compared to a butterfly's metamorphosis. A Butterfly's Metamorphosis: Life Story of Libby Karns is divided into three parts, or phases of a butterfly's life-cycle, as represented on the book's cover. There are 16 chapters, two hymns, and two of my poems. Some of the chapter titles are: A Life-changing Experience Odessa (You get to take a trip with me!); Precocious? Shy? Insecure?; Storybook Characters; Dystonia?/Dystonia; and Useless? Useful?.

What is the secret of the Grail?' So intoned a heavenly voice to Sir Percival in John Boorman's stylish and influential film 'Excalibur' (1981). The sacred allure of the Holy Grail has fascinated writers and ensnared knights for over a thousand years. From Malory to Monty Python, the eternal chalice - said to be the very cup from which Christ drank at the Last Supper - has the richest associations of any icon in British myth. Many different meanings have been devised for the Grail, which has been linked to the Celts and King Arthur, the eucharistic rites of Eastern Christianity, ancient mystery religions, Jungian archetypes, dualist heresies, Templar treasure and even the alleged descendants of Christ himself and Mary Magdalene. The common thread running through all these stories is the assumption that the Grail legend has a single source with a meaning that - if only we could decode it - is concealed in the romances themselves. That meaning has become the subject of coded, secret documents and is the central feature of a vast conspiracy supposedly stretching back to the dawn of western civilization. Juliette Wood here reveals the elusive and embedded significance of the Grail story in popular consciousness - as myth, medieval romance, tangible holy relic and finally as the centre of an esoteric theory of global conspiracy. The author shows how various interpretations of the Grail, over the centuries, reflect changing cultural needs and desires. Her book will enthral those who, like Sir Percival, seek to unlock the mysterious secrets of western mythology's most extraordinary and tantalising enigma, and will delight students of history, myth and religion alike.

After a spell is put on his father, Nick Rostov must find the Chalice of Immortality to save his father's life.

This collection of new essays is the first to study film depictions of the quest for the Holy Grail--the holy Christian relic of legend supposedly used by Jesus at the Last Supper. Scholars from a range of disciplines discuss American, Australian and European films that offer fresh perspectives on this enduring myth of the Arthurian world and Western culture, including The Silver Chalice (1954), Monty Python and the Holy Grail (1975), Excalibur (1981), The Road Warrior (1981), Indiana Jones and the Last Crusade (1989), The Fisher King (1991), The Da Vinci Code (2006), The Waterboy (1998), and Rosencrantz and Guildenstern Are Undead (2009).

Over the course of a distinguished theological career, Aidan Nichols has produced an array of masterful contributions to the fields of systematic theology, ecclesiology, theological aesthetics, ecumenism, liturgy, and Scripture. Now, inChalice of God, he attempts to synthesize a lifetime of research, teaching, and scholarly reflection in a book that is both rigorously academic and intensely personal. This is Nichols' theological manifesto for the twenty-first century. Drawing together the insights of high scholasticism, the mid-twentieth-century ressourcement movement, a holistic reading of Scripture typical of the best patristic exegesis, and the liturgical tradition and iconography of both East and West, he presents a sound architecture for contemporary Catholic theology. Chalice of God promises to enrich and challenge those who engage in the enterprise of theology for years to come.