Two families: one white, one black. One family escapes the oppression of 19th-century slavery; the other seeks refuge from the oppression of nature gone wrong. They meet in the wilds of Oregon, in a world far different from the places of their origins. Hope is a strong, vivacious girl, open to friendships and willing to accept all. Joshua is the black teen who becomes her best friend, even though her family does not wish it. When Hope goes blind from scarlet fever, Joshua is instrumental in finding help for her, and Elijah and Mia pave the way for a relationship that spans the centuries. A few years pass, and now Joshua comes to Hope¿s aid again, when it seems there is a way to regain her sight. When their relationship blooms into something more serious, it turns out that the ones who are truly blind are those who let racism stand in the way of love. Set in 1800s Oregon, Hope¿s journey has her meeting historical figures such as Oregon Senator George Baldwin and Mr. William Clark (Montana¿s Copper King) and is a story that will surpass the limitations of prejudice.

The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

British Museum Keeper of Prints offers complete history, 15th-century to 1914; accomplishments, influences, artistic merit. 111 illustrations. Chapters include: The Earliest Engravers, The Great Masters of Engraving, The Decline of Original Engraving, and more.

Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 1, 2013-January 5, 2014.

History of Montello granite quarries