Una excelente novela histórica del autor del celebérrimo El prisionero de Zenda. Tan sólo esa última obra juvenil (El prisionero de Zenda) se reimprime continuamente en España, estando olvidadas otras suyas de más enjundia, como este El espejo del rey, que el novelista tenía por la mejor suya. Anthony Hope Nació el 9 de febrero de 1863 en Londres. Estudió en la Universidad de Cambridge y ejerció la abogacía de 1887 a 1894. Su primera obra fue A Man of Mark (1890). Dedicó toda su vida a la actividad de escritor, que se vio coronada por un gran éxito y le valió, entre otros honores, la concesión del título nobiliario de Sir en 1918. Pronto se hizo famoso con la publicación, en 1894, de El prisionero de Zenda, que gozó de un inmenso favor popular. Y pocas semanas después de la publicación de tal obra, Anthony Hope logró renovar su extraordinario éxito con The Dolly Dialogues Algunas de sus obras fueron llevadas al cine. Falleció en 1933.

In recent years the history of political science has become recognised as an important but neglected area of study. The Development of Political Science is the first comprehensive discussion of the subject in a comparative international perspective. Offering a wide-ranging account of the development of the subject and its dissemination across national borders and cultural divides, the book begins with a study of the historiography of the discipline in the United States, a country which has been at the forefront of the field. Widening its discussion to emphasise Western Europe as a focus for comparison, the contributors provide studies of further areas of interest such as China and Africa. This particular approach emphasises the book's vision of political science as a growing transnational body of knowledge. In presenting critical analysis of the state of the field, this vigorous study aims to further the development of the discipline in the countries discussed, and to provide a work that is interesting not only to political scientists, but to all those concerned with the development of the social sciences.

Paradoxes of Stasis examines the literary and intellectual production of the Francoist period by focusing on Spanish writers following the Spanish Civil War: the regime’s supporters and its opponents, the victors and the vanquished. Concentrating on the tropes of immobility and movement, Tatjana Gajić analyzes the internal politics of the Francoist regime and concurrent cultural manifestations within a broad theoretical and historical framework in light of the Greek notion of stasis and its contemporary interpretations. In Paradoxes of Stasis, Gajić argues that the combination of Francoism’s long duration and the uncertainty surrounding its ending generated an undercurrent of restlessness in the regime’s politics and culture. Engaging with a variety of genres—legal treatises, poetry, novels, essays, and memoir—Gajić examines the different responses to the underlying tensions of the Francoist era in the context of the regime’s attempts at reform and consolidation and in relation to oppositional writers’ critiques of Francoism’s endurance. By elucidating different manifestations of stasis in the politics, literature, and thought of the Francoist period, Paradoxes of Stasis reveals the contradictions of the era and offers new critical tools for understanding their relevance.

Every year, the Bibliography catalogues the most important new publications, historiographical monographs, and journal articles throughout the world, extending from prehistory and ancient history to the most recent contemporary historical studies. Within the systematic classification according to epoch, region, and historical discipline, works are also listed according to author’s name and characteristic keywords in their title.

El libro propone pensar el espacio y la esferas públicos como categorías transdisciplinarias para comprender las transformaciones profundas acaecidas en la región en las sociedades postautoritarias de América Latina.