Poetry. Drama. The transistor, a tiny device capable of amplification and control, is the foundation of our digital world. Now comes "Transistor, who is sage, / and who is never seen despite the live feed," to conduct us on a breathtaking journey through that world, in this audacious first full-length collection from Esteban Oloarte. "Transistor broadcasts traffic reports, / powers of suggestion, chances of allegory, / and everyone exits in headsets as exiles." To read this book is to join that parade of exiles, to hitch a ride on an electron, flashing through the circuitry of modern life. Written in the shape of a bible, it is part prophesy, part wisdom literature, part jeremiad, with a bit of Song of Solomon eroticism for good measure, a secular sacred and profane text of social and cultural criticism. A set of "footnotes" run throughout the book like a plainsong chant, offering contrapuntal perspective from philosophers, academics, artists, and critics. More than anything, this is a celebration of the pure incantatory power of words, from a poet mad-drunk on language, a modern-day Delphic oracle. This is new, this is news, this is poetry like you haven't read before, and won't soon forget.

The winner of the Saveur Best New Voice People’s Choice Award takes us on a delicious tour through the diverse flavors and foods of Chicano cuisine. Growing up among the Latino population of Santa Ana, California, Esteban Castillo was inspired to create the blog, Chicano Eats, to showcase his love for design, cooking, and culture and provide a space for authentic Latino voices, recipes, and stories to be heard. Building on his blog, this bicultural cookbook includes eighty-five traditional and fusion Mexican recipes—as gorgeous to look at as they are sublime to eat. Chicano cuisine is Mexican food made by Chicanos (Mexican Americans) that has been shaped by the communities in the U.S. where they grew up. It is Mexican food that bisects borders and uses a group of traditional ingredients—chiles, beans, tortillas, corn, and tomatillos—and techniques while boldly incorporating many exciting new twists, local ingredients, and influences from other cultures and regions in the United States. Chicano Eats is packed with easy, flavorful recipes such as: Chicken con Chochoyotes (Chicken and Corn Masa Dumplings) Mac and Queso Fundido Birria (Beef Stew with a Guajillo Chile Broth) Toasted Coconut Horchata Chorizo-Spiced Squash Tacos Champurrado Chocolate Birthday Cake (Inspired by the Mexican drink made with milk and chocolate and thickened with corn masa) Cherry Lime Chia Agua Fresca Accompanied by more than 100 bright, modern photographs, Chicano Eats is a melting pot of delicious and nostalgic recipes, a literal blending of cultures through food that offer a taste of home for Latinos and introduces familiar flavors and ingredients in a completely different and original way for Americans of all ethnic heritages.

In this work Herrick dispels the myths and outright lies about Esteban. His biography emphasizes Esteban rather than the Spaniards whose exploits are often exaggerated and jingoistic in the sixteenth-century chronicles.

Esteban, a merry Spanish tinker, spends All Hallows' Eve in a haunted castle and helps a ghost win his way into heaven.

There is more to identity than identifying with one’s culture or standing solidly against it. José Esteban Muñoz looks at how those outside the racial and sexual mainstream negotiate majority culture—not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. Muñoz calls this process “disidentification,” and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.Disidentifications is also something of a performance in its own right, an attempt to fashion a queer world by working on, with, and against dominant ideology. By examining the process of identification in the work of filmmakers, performance artists, ethnographers, Cuban choteo, forms of gay male mass culture (such as pornography), museums, art photography, camp and drag, and television, Muñoz persistently points to the intersecting and short-circuiting of identities and desires that result from misalignments with the cultural and ideological mainstream in contemporary urban America.Muñoz calls attention to the world-making properties found in performances by queers of color—in Carmelita Tropicana’s “Camp/Choteo” style politics, Marga Gomez’s performances of queer childhood, Vaginal Creme Davis’s “Terrorist Drag,” Isaac Julien’s critical melancholia, Jean-Michel Basquiat’s disidentification with Andy Warhol and pop art, Felix Gonzalez-Torres’s performances of “disidentity,” and the political performance of Pedro Zamora, a person with AIDS, within the otherwise artificial environment of the MTV serialThe Real World.

With unapologetic vividness, Lejla Kalamujic depicts pre- and post-war Sarajevo by charting a daughter coping with losing her mother, but discovering herself. From imagined conversations with Franz Kafka to cozy apartments, psychiatric wards, and cemeteries, Call Me Esteban is a piercing meditation on a woman grasping at memories in the name of claiming her identity.

Esteban Vicente is the first book devoted to the life and work of the distinguished Spanish-born painter who, at age ninety-two, remains the only one of the original Abstract Expressionists still working at the peak of his powers. His luminous paintings and collages acknowledge the great Spanish tradition of Velazquez and Goya while simultaneously exploring the legacy of such modernist masters as Cezanne, Picasso, Mondrian, and Matisse. This magnificent volume reproduces all of Vicente's most important works from nearly a half century of constant evolution between cycles of austere painterly classicism and a passionate, explosive baroque. Oversize plates, including 84 in full color, present Vicente's paintings, collages, and drawings, capturing his rich, brilliant palette, elegant compositions, economy of means, and passionate clarity of feeling. Esteban Vicente is further enriched by extensive quotations from the artist's writings and interviews; rare documentary photographs; a chronology; lists of solo and group exhibitions and public collections; bibliography; and index. 89 colour & 48 b/w illustrations