Excerpt from Essays, Speculative and Suggestive In January 1890 Symonds had a sharp attack of in uenza - always a serious menace to him in the permanent condition of his lungs - but he fought through it. On January 21 he writes: 'my head, too, which suffered severely from the in uenza, is recovering a normal tone. Unfortunately, to balance these benefits, I Sprained my ankle again the other day. I have cut thirty-four noble pine trees in my wood upon the Seehorn, and I went to choose which I would keep for planks and which I would saw up for fire-wood. Scrambling about upon the huge smooth stems coated with smooth snow and ice, I slipped, and have been three days lame, with arnica bandages on to keep swelling down. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."

These writings chart Harman's rise from Chicago sportswriter to co-founder of one of Europe's most promising philosophical movements - Speculative Realism. This collection of essays and lectures show the evolution of his object-oriented metaphysics from its early days into an increasingly developed philosophical position.

'"Originality" is only plagiarizing from a great many', remarked Rupert Brooke, stealing the line from Voltaire. Questions of originality, and accusations of plagiarism, are as old as literature, but different literary cultures have interpreted the relationship between originality and plagiarism in startlingly dissimilar ways. Original Copy investigates and documents the drastic reappraisal of literary originality and plagiarism which occurred over the course of the nineteenth century: from the heroic visions of original authorship that characterised the 1820s and 1830s, through to the stickle-brick creativity of Oscar Wilde and Lionel Johnson at the century's end. It reveals how ideas of originality and plagiarism were not only a theoretical concern of Victorian commentators on literature, but also provided many important Victorian writers - Eliot, Dickens, Reade, Pater, Wilde, and Lionel Johnson among them - with a creative resource. Moving between numerous different fields of thought and knowledge - literary criticism, the history of science, manuscript culture, anthropology - and written in a supple and elegant style, this book shows that the ideas of originality and plagiarism were the subjects of nineteenth-century literature, as well as what it was subject to.