Since the death of Jacques Lacan, Jean Laplanche is now considered to be one of the worlds foremost psychoanalytic thinkers. In spite of the influence of his work over the last thirty years, remarkably little has been available in English. Essays On Otherness presents for the first time in English many of Laplanche's key essays and is the first book to provide an overview of his thinking. It offers an introduction to many of the key themes that characterise his work: seduction, persecution, revelation, masochism, transference and mourning. Such themes have been increasingly both in psychoanalytic thought and in continental philosophy, social and cultural theory, and literature making Essays On Otherness indispensable reading for all those concerned with the implications of psychoanalytic theory today.

The cultural phenomenon of exhibiting non-European people in front of the European audiences in the 19th and 20th century was concentrated in the metropolises in the western part of the continent. Nevertheless, traveling ethnic troupes and temporary exhibitions of non-European humans took place also in territories located to the east of the Oder river and Austria. The contributors to this edited volume present practices of ethnographic shows in Russia, Poland, Czechia, Slovenia, Hungary, Germany, Romania, and Austria and discuss the reactions of local audiences. The essays offer critical arguments to rethink narratives of cultural encounters in the context of ethnic shows. By demonstrating the many ways in which the western models and customs were reshaped, developed, and contested in Central and Eastern European contexts, the authors argue that the dominant way of characterizing these performances as “human zoos” is too narrow. The contributors had to tackle the difficult task of finding traces other than faint copies of official press releases by the tour organizers. The original source material was drawn from local archives, museums, and newspapers of the discussed period. A unique feature of the volume is the rich amount of images that complement every single case study of ethnic shows.

Many philosophers since Hegel have been disturbed by the thought that philosophy inevitably favors sameness over otherness or identity over difference. Originally published at a time when the issue was not so widely discussed in the English-speaking world, William Desmond here offers a constructive and positive approach to the problem of difference and otherness. He systematically explores the question of dialectic and otherness by analyzing how human desire inevitably seeks immanent wholeness in a manner that opens it to irreducible otherness. He faces the difficulties bequeathed to Continental thought by Hegelian dialectic and its tendency to subordinate difference to identity, whether appropriately or not. Unlike many recent critics of Hegel, he argues that we must preserve what is genuine in dialectic. Granting the positive power of dialectic, Desmond offers his first articulation of a further philosophical possibility--what he terms the Metaxological--a discourse of the "between," a discourse doing justice to desire's search for wholeness without any truncating of its radical openness to otherness. In a wide-ranging yet unified discussion, Desmond tackles such issues as the nature of the self, the ambiguous restlessness and inherent power of being revealed by human desire, desire's relation to transcendence, its openness to otherness in agapeic good will and in relation to the sublime as an aesthetic infinitude. Finally, Desmond brings this metaxological understanding to bear on the metaphysical question of the ultimate origin. This book is a remarkable introduction to Desmond's metaxological philosophy, prefiguring many of the ideas with which his later thought is associated. This second edition contains a substantial new preface and an afterword to each chapter in which Desmond reflects on the material from the standpoint of his current thinking.

From Hugo and Nebula winning author David Brin comes this extraordinary collection of tales and essays about the near and distant future, as humans and other intelligences encounter the secrets of the cosmos - and of their own existence. In The Giving Plague, a virus, transmitted by blood donation, begins to change humanity. In Dr. Pak's Preschool, a woman discovers that her baby has been called to work while still in the womb. In Natulife, a married couple finds their relationship threatened by the wonders of virtual reality. In Sshhh... the arrival of benevolent aliens on Earth leads to frenzied madness as humans rush to conceal their secret 'talent.' In Bubbles, a sentient starcraft reaches the limits of the universe - and dares to go beyond. What happens when an urban archaeologist discovers a terrible secret under the landfills of Los Angeles? Will there still be a purpose for "biologicals" when cybernetic humans become mighty and smart? Come explore these and another dozen startling and provocative tomorrows with a modern master of science fiction. Table of Contents The Giving Plague Myth Number 21 Dr. Pak's Preschool Detritus Affected The Dogma of Otherness Piecework Natulife Science vs. Magic Sshhh... Those Eyes What to Say to a UFO Bonding to Genji The Warm Space Whose Millennium? Bubbles Ambiguity What Continues...And What Fails... The New Meme

Navigating the world, understanding sexual identity, and ultimately finding acceptance with yourself. The essays in Putting Out: Essays on Otherness attempt to cover these complex topics with honestly, humor, and occasionally the objective point of view of psychological theory and research.

This volume offers essays on the nature of God and the fundamental tasks of philosophy and theology written by internationally recognized thinkers in the distinct fields of philosophy, religious studies, and theology. The Otherness of God traces the lineage of its theme from Plato and Aristotle through Neoplatonic, medieval, and Renaissance expression, and on through Reformation thought and German idealism to dialectical theology and deconstruction. This provocative collection, drawn primarily from an interdisciplinary conference at the University of Virginia, should attract those interested in the philosophy of religion, the history of philosophy and theology, and the theological interpretation of secular culture.

Levinas and Nineteenth-Century Literature presents nine essays that reread major British, American, and European nineteenth-century literary texts in light of the post-deconstruction ethical philosophy of Emmanuel Levinas. The first section pursues in essays on Wordsworth, Coleridge, De Quincey, and Baudelaire connections between Levinas's radical rethinking of subjectivity and Romantic generic, aesthetic, and conceptual innovation. The second section explores how Levinas's analysis of totalizing thought may illuminate how Poe, Emerson, Hawthorne, Douglass, Susan Warner, and Melville grapple with American experience and culture. The third section considers the relevance of Levinas's work for reassessments of the realist novel through essays on Austen, Dickens, and George Eliot. Essay authors are A.C. Goodson, David P. Haney, E.S. Burt, Alain Paul Toumayan, N.S. Boone, Lorna Wood, Donald R. Wehrs, Melvyn New, and Rachel Hollander. Donald R. Wehrs is Associate Professor of English at Auburn University. David P. Haney is Vice Provost for Undergraduate Education and Professor of English at Appalachian State University.